Overview
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Release Date:
January 1974 (USA)
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Tagline:
A psychic thriller.
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Plot:
John and Laura Baxter are living in Venice when they meet a pair of elderly sisters, one of whom claims to be psychic...
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Awards:
Won BAFTA Film Award.
Another 8 nominations
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User Comments:
One of the great mysteries. How was it forgotten?
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Crew believed to be complete
Additional Details
Also Known As:
A Venezia... un dicembre rosso shocking (Italy)
Amenaza en la sombra (Spain) [es]Aquele Inverno em Veneza (Portugal) [pt]Inverno de Sangue em Veneza (Brazil) [pt]Karanligin gölgesi (Turkey: Turkish title) [tr]Kauhun kierre (Finland) (DVD title) [fi]Kauhunkierre (Finland) [fi]Meta ta mesanyhta (Greece) [el]Ne vous retournez pas (France) [fr]Nie ogladaj sie teraz (Poland) [pl]Rösten från andra sidan (Sweden) [sv]Rødt chok (Denmark) [da]Varning i rött (Finland: Swedish title) [sv]Venecia rojo shocking (Argentina) [es]Wenn die Gondeln Trauer tragen (West Germany) [de]
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Runtime:
110 min
Color:
Color (Technicolor)
Aspect Ratio:
1.85 : 1
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Fun Stuff
Trivia:
Donald Sutherland and
Julie Christie met for the first time on the set of this film. The first scene they had to shoot was the sex scene, as Roeg wanted to "get it out of the way" and then move on to the "bone" of the matter. Christie was terrified.
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Goofs:
Continuity: In the bathroom scene, John Baxter steps over Laura's clothes, piled on the floor. Among them is a pair of tights, which she was clearly not wearing in the preceding scene (in which she undresses).
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"Don't Look Now" was released at about the time of "The Excorcist". There is otherwise no basis for comparison between these movies. While the Excorcist hits us in the face with the equivalent of a special effects rubber chicken, "Don't Look Now" manages to get under your skin from the very first scene, and gradually, elegantly insinuates itself into a place where your childhood and adult fears dwell and steep. Its setting in Venice is both beautiful and menacing. Something terrible is always just around the corner from our conscious mind. It is also troubling, and, as only a good movie can, leaves more questions unanswered than resolved. Without a doubt, it contains one of the most beautiful loves scenes ever filmed, showing scenes of Christie and Sutherland in genuinely erotic (by '70's standards) lovemaking, mixed with scenes of the couple as they dress and prepare for their day, the following morning. Director Nicolas Roeg is a forgotten Master.