| Photos (see all 3 | slideshow) |
| Liz Smith | ... | Mrs. Thornley | |
| Clifford Kershaw | ... | Jim Thornley | |
| Polly Hemingway | ... | Ann | |
| Bernard Hill | ... | Edward | |
| Alison Steadman | ... | Veronica | |
| Vanessa Harris | ... | Mrs. Stone | |
| Cyril Varley | ... | Mr. Stone | |
| Linda Beckett | ... | Julie | |
| Ben Kingsley | ... | Naseem | |
| Alan Erasmus | ... | Barry | |
| Rowena Parr | ... | June | |
| June Whitaker | ... | Mrs. Rigby | |
| Paula Tilbrook | ... | Mrs. Thornley's friend | |
| Keith Washington | ... | Mr. Shaw | |
| Louis Raynes | ... | Tallyman | |
| Alan Gerrard | ... | Greengrocer | |
| Diana Flacks | ... | Mrs. Rubens | |
| Patrick Durkin | ... | Frank | |
| Ian East | ... | Dick | |
| Dennis Barry | ... | Old Man | |
| Sonny Farrar | ... | Publican | |
| Surya Kumari | ... | Sikh Lady | |
| Irene Gawre | ... | Sister (as Irene Gawne) | |
| Hal Jeayes | ... | Priest |
| Episode Crew |
Directed by | |||
| Mike Leigh | |||
Writing credits(in alphabetical order) | ||
| Mike Leigh | deviser | |
Produced by | |||
| Tony Garnett | .... | producer | |
Cinematography by | |||
| Tony Pierce-Roberts | (photography) | ||
Film Editing by | |||
| Christopher Rowlands | |||
Production Design by | |||
| Paul Munting | |||
Costume Design by | |||
| Sally Nieper | |||
Sound Department | |||
| Richard Manton | .... | sound (as Dick Manton) | |
| Dave Baumber | .... | dubbing mixer (uncredited) | |
Other crew | |||
| Roy Baker | .... | production team | |
| Roger Bamford | .... | production team | |
| Irene East | .... | production team | |
| Spike Hughes | .... | production team | |
| Main series | Episode guide | Full cast and crew |
| Company credits | External reviews | IMDb TV section |
| IMDb Drama section | IMDb UK section | Add this title to MyMovies |
A classic BBC Play For Today from the days when televsion still provided a forum for this sort of comment, one that directly screamed at its audience in defiance. Hard Labour is chiefly noticeable for an excellent cast and several superbly staged scenes. Clifford Kershaw turns in a very different performance to his usual lonely old man role. Two of the finest scenes are the love scene and the clocking on at work. The "Love scene" is really anything but, as Jim returns drunk and unbearably loudly undresses while his wife sleeps. Then he forcefully has sex with her. Leigh's brilliance comes in keeping the camera away from the events, lingering almost asleep on the pillow so we feel powerless to stop the horrible events. Another fine scene is where Jim arrives to his nightshift and talks to his supervisor, a scene that goes through numerous subtle psychological changes. Also of note is Louis Raynes fine turn as the tallyman and one of the plays more klikeable characters in the form of Ben Kingsley. One excellent feature of this play is that it could be set anytime in the last 100 years. It is 1973 but for a long time early on could be almost Victorian so horrendous are the lifestyles. Producer Tony Garnett commented in the Radio Times before broadcast "If you are not shocked by this play, you have already been brainwashed." Bring back Play For Today!!