| Terence Hill | ... | Nessuno / Nobody | |
| Henry Fonda | ... | Jack Beauregard | |
| Jean Martin | ... | Sullivan | |
| R.G. Armstrong | ... | Honest John (as R.K. Armstrong) | |
| Karl Braun | ... | Jim | |
| Leo Gordon | ... | Red | |
| Steve Kanaly | ... | False barber | |
| Geoffrey Lewis | ... | Leader of the Wild Bunch | |
| Neil Summers | ... | Squirrel | |
| Piero Lulli | ... | Sheriff | |
| Mario Brega | ... | Pedro | |
| Marc Mazza | ... | Don John (as Mark Mazza) | |
| Benito Stefanelli | ... | Porteley | |
| Alexander Allerson | ... | Rex | |
| Rainer Peets | ... | Big Gun (as Remus Peets) | |
| Antoine Saint-John | ... | Scape (as Antoine Saint John) | |
| Franco Angrisano | ... | Ferroviere | |
| Tommy Polgár | ... | Juan | |
| Antonio Palombi | |||
| Hubert Mittendorf | ... | Carnival barker (as Humbert Mittendorf) | |
| Emil Feist | ... | Dwarf | |
| Carla Mancini | ... | Mother | |
| Luigi Antonio Guerra | ... | Official (as Antonio Luigi Guerra) | |
| Angelo Novi | ... | Bartender | |
| Ullrich Müller | ... | Man | |
| Claus Schmidt | ... | Man | |
| rest of cast listed alphabetically: | |||
| Stocker Fontelieu | ... | Longshoreman (uncredited) | |
| Jackson D. Kane | ... | Gunfighter outside barber shop (uncredited) | |
| Maurice Kowaleski | ... | New Orleans street photographer (uncredited) | |
| Antonio Molino Rojo | ... | U.S. Army Officer (uncredited) | |
| Renato Pinciroli | ... | Hotel Owner (uncredited) | |
Directed by | |||
| Tonino Valerii | |||
| Sergio Leone | (uncredited) | ||
Writing credits | ||
| Sergio Leone | (idea) | |
| Fulvio Morsella | (story) and | |
| Ernesto Gastaldi | (story) | |
| Ernesto Gastaldi | (screenplay) | |
Produced by | |||
| Claudio Mancini | .... | executive producer | |
| Fulvio Morsella | .... | producer | |
| Sergio Leone | .... | executive producer (uncredited) | |
Original Music by | |||
| Ennio Morricone | |||
Cinematography by | |||
| Giuseppe Ruzzolini | (director of photography) | ||
Film Editing by | |||
| Nino Baragli | |||
Production Design by | |||
| Gianni Polidori | |||
Costume Design by | |||
| Vera Marzot | |||
Makeup Department | |||
| Grazia De Rossi | .... | hair stylist | |
| Nilo Jacoponi | .... | makeup artist | |
Production Management | |||
| Franco Coduti | .... | unit manager | |
| Paolo Gargano | .... | unit manager | |
| Piero Lazzari | .... | production supervisor: USA | |
Second Unit Director or Assistant Director | |||
| Stefano Rolla | .... | assistant director | |
| Sergio Leone | .... | second unit director (uncredited) | |
Art Department | |||
| Massimo Tavazzi | .... | set dresser | |
| Gilberto Carbonaro | .... | set constructor (uncredited) | |
| Renato Casaro | .... | poster designer (uncredited) | |
| Gianni Fiumi | .... | property master (uncredited) | |
| Dino Leonetti | .... | assistant production designer (uncredited) | |
| Ben Zeller | .... | construction coordinator (uncredited) | |
Sound Department | |||
| Fausto Ancillai | .... | sound mixer | |
| Roberto Arcangeli | .... | sound effects | |
| Ferdinando Pescetelli | .... | sound (as Fernando Pescetelly) | |
Special Effects by | |||
| Eros Bacciucchi | .... | special effects (as Baciucchi) | |
| Giovanni Corridori | .... | special effects coordinator (uncredited) | |
Stunts | |||
| John Landis | .... | stunts (uncredited) | |
| Neil Summers | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Armando Nannuzzi | .... | cinematographer: USA | |
| Sergio Salvati | .... | director of photography: second unit | |
| Giuseppe Bernardini | .... | camera operator (uncredited) | |
| Federico Del Zoppo | .... | camera operator (uncredited) | |
| Angelo Novi | .... | still photographer (uncredited) | |
| Elio Polacchi | .... | camera operator (uncredited) | |
| Claudio Sabatini | .... | assistant camera (uncredited) | |
Editorial Department | |||
| Rossana Maiuri | .... | assistant editor (uncredited) | |
Music Department | |||
| Ennio Morricone | .... | conductor | |
| Bruno Battisti D'Amario | .... | musician: guitar (uncredited) | |
Transportation Department | |||
| Billy Kaundart | .... | driver (uncredited) | |
Other crew | |||
| Eros Bacciucchi | .... | firearms | |
| Rita Agostini | .... | script supervisor (uncredited) | |
| Nando Gazzolo | .... | voice dubbing: Henry Fonda (uncredited) | |
| Pino Locchi | .... | voice dubbing: Terence Hill (uncredited) | |
| Benito Stefanelli | .... | master of arms (uncredited) | |
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| Per qualche dollaro in più | Lo chiamavano Trinità... | Shanghai Noon | Pale Rider | Il buono, il brutto, il cattivo. |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Western section | IMDb Italy section |
The title "My name is Nobody" was, I think, taken from a text in Homer's Odyssey which Odysseus said to Cyclops, the one-eyed giant. And, indeed, if one considers that fact one could better see what this film's message is: While old Jack Beauregard could, after a long voyage, at last go home to Europe, "Nobody" was destined to continue his odyssey far from home in countries that were never his cultural homeland.
Albeit the film itself is a parody of other westerns, of 'C'era una volta il West' and/or 'The wild bunch' for example, and therefore should be (and is in fact) comical and funny, one nevertheless hears a slightly melancholy song sung by/about Odysseus(= Nobody) who had forgotten his homeland. Owing to that (please let me dare say)'depth', 'Il mio nome e nessuno' succeeded in being far more than a simple parody and in appealing not only to 'genre fans' but also to 'general' movie lovers: Fonda's brilliant performance, Fonda and Terence Hill's unique combination, Morricone's perfect score. It's all really tasty.
I still remember that a Japanese film critic at that time has rated this film low, because 'it was a spaghetti western made by an assistant of Sergio Leone'. But when I myself saw the film later, I (please excuse me for being cheeky and cocky) doubted his eye of a film critic: Why hasn't he seen that this film clearly stood out from other Italian westerns? Why has he ignored the fact that Tonino Valerii could make excellent westerns without Leone and without Morricone? (I of course mean 'Il prezzo del potere' and 'I giorni dell'ira'.)