| Videos |
| Clint Eastwood | ... | Insp. 'Dirty' Harry Callahan | |
| Hal Holbrook | ... | Lt. Neil Briggs | |
| Mitch Ryan | ... | Officer Charlie McCoy (as Mitchell Ryan) | |
| David Soul | ... | Officer John Davis | |
| Tim Matheson | ... | Officer Phil Sweet | |
| Kip Niven | ... | Officer Red Astrachan | |
| Robert Urich | ... | Officer Mike Grimes | |
| Felton Perry | ... | Insp. Early Smith | |
| Maurice Argent | ... | Nat Weinstein | |
| Margaret Avery | ... | Prostitute | |
| Richard Devon | ... | Carmine Ricca | |
| Tony Giorgio | ... | Frank Palancio | |
| Jack Kosslyn | ... | Walter | |
| Bob March | ... | Estabrook | |
| Bob McClurg | ... | Cab Driver | |
| John Mitchum | ... | Insp. Frank DiGiorgio | |
| Russ Moro | ... | Gino, Ricca's Driver | |
| Clifford A. Pellow | ... | Lou Guzman | |
| Albert Popwell | ... | J.J. Wilson | |
| Christine White | ... | Carol McCoy | |
| Adele Yoshioka | ... | Sunny | |
| rest of cast listed alphabetically: | |||
| Paul D'Amato | ... | Store Crook (uncredited) | |
| Michael L. Davis | ... | Ricca's Bodyguard (uncredited) | |
| Drew Eshelman | ... | Neighbor (uncredited) | |
| Will Hutchins | ... | Stakeout Cop (uncredited) | |
| Craig Kelly | ... | Airport counterman (uncredited) | |
| Tony Piazza | ... | Police Cadet (uncredited) | |
| Ray Saunders | ... | Doctor Infirmary (uncredited) | |
| Suzanne Somers | ... | Pool Girl (uncredited) | |
| Steve Treacy | ... | Police Photographer (uncredited) | |
Directed by | |||
| Ted Post | |||
Writing credits | ||
| Harry Julian Fink | (characters) and | |
| Rita M. Fink | (characters) (as R.M. Fink) | |
| John Milius | (story) | |
| John Milius | (screenplay) and | |
| Michael Cimino | (screenplay) | |
Produced by | |||
| Robert Daley | .... | producer | |
Original Music by | |||
| Lalo Schifrin | |||
Cinematography by | |||
| Frank Stanley | |||
Film Editing by | |||
| Ferris Webster | |||
Art Direction by | |||
| Jack T. Collis | (as Jack Collis) | ||
Set Decoration by | |||
| John Lamphear | |||
Makeup Department | |||
| Shirley Dolle | .... | hair stylist | |
| Joe McKinney | .... | makeup artist | |
Production Management | |||
| John G. Wilson | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Wesley J. McAfee | .... | first assistant director (as Wes McAfee) | |
| Carl 'Major' Roup | .... | second assistant director (as Carl Roup) | |
| Al Silvani | .... | second assistant director | |
| Buddy Van Horn | .... | second unit director | |
Art Department | |||
| Edward Aiona | .... | property master | |
| Douglas Freeman | .... | set dresser | |
Sound Department | |||
| James R. Alexander | .... | sound (as James Alexander) | |
| Dan Wallin | .... | sound re-recording mixer | |
| Sergio Reyes | .... | additional sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Sass Bedig | .... | special effects | |
| Jim Aupperle | .... | mold assistant (uncredited) | |
Stunts | |||
| Dar Robinson | .... | motorcycle stunt driver | |
| Max Balchowsky | .... | stunts (uncredited) | |
| Jerry Brutsche | .... | stunts (uncredited) | |
| Bill Couch | .... | stunts (uncredited) | |
| Everett Creach | .... | stunts (uncredited) | |
| Bennie E. Dobbins | .... | stunts (uncredited) | |
| Ted Duncan | .... | stunts (uncredited) | |
| Gary Epper | .... | stunts (uncredited) | |
| Ted Grossman | .... | stunts (uncredited) | |
| Bob Harris | .... | stunts (uncredited) | |
| Chuck Hicks | .... | stunts (uncredited) | |
| Julie Ann Johnson | .... | stunts (uncredited) | |
| William T. Lane | .... | stunts (uncredited) | |
| Carey Loftin | .... | stunts (uncredited) | |
| Troy Melton | .... | stunts (uncredited) | |
| Eddie Mulder | .... | stunts (uncredited) | |
| Victor Paul | .... | stunts (uncredited) | |
| Jack Perkins | .... | stunts (uncredited) | |
| Dar Robinson | .... | stunts (uncredited) | |
| George Robotham | .... | stunts (uncredited) | |
| George Sawaya | .... | stunts (uncredited) | |
| Bill Shannon | .... | stunts (uncredited) | |
| Jerry Summers | .... | stunts (uncredited) | |
| Buddy Van Horn | .... | stunts (uncredited) | |
| Chuck Waters | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Bob Barber | .... | assistant camera | |
| Wynn Bowles | .... | gaffer (as Wynn 'Bud' Bowles) | |
| William N. Clark | .... | camera operator (as William Clark) | |
| Bud Howell | .... | key grip (as Carmon 'Bud' Howell) | |
| Cliff Ralke | .... | assistant camera | |
| Charles W. Short | .... | director of photography: second unit (uncredited) | |
Costume and Wardrobe Department | |||
| Jules Melillo | .... | key costumer | |
| Glenn Wright | .... | costume supervisor (as Glenn T. Wright) | |
Music Department | |||
| Dan Wallin | .... | score mixer | |
Other crew | |||
| Jack Kosslyn | .... | dialogue supervisor | |
| Carey Loftin | .... | special action sequences | |
| Hope McLachlin | .... | script supervisor | |
| Tom Piskura | .... | assistant to producer | |
| Carol Rydall | .... | secretary to producer | |
|
|
|
|
|
| Dirty Harry | Lethal Weapon 2 | The Enforcer | Sudden Impact | The Departed |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
| Add this title to MyMovies |
Ted Post directed and John Milius and Michael Cimino wrote this first sequel to Don Siegel's classic gritty police drama, Dirty Harry (1971). Magnum Force (1973) is not as near as effective or powerful as the first and original film, but this sequel is watchable and has its merits, too. Harry is now investigating strange killings of criminals, pimps, dirty politicians and others, so the killer is killing "bad guys" this time. Harry starts to investigate the cases, and he has his doubts about all this. Then the truth is revealed and also, unfortunately, spoilt in most of the reviews and comments I've read.
Harry has again his usual opponents, mostly his colleagues and superiors who don't accept his tough style. Harry wants to do justice, but by using his own ways and moral. If talking doesn't help, then the magnum .44 will. I don't think this or the first film are fascist, but realistic and honest, and extremely bleak depictions of world and society which is more or less collapsing because of its inhabitants. This film manages still to tell something about that, but the next sequel, The Enforcer, is pretty lame in comparison.
Magnum Force has pretty fat plot and many different characters and sub plots, without being too confusing. Towards the end, the film becomes perhaps too predictable and unbelievable, and I think the ending should have needed little tightening. Now it is little unnecessary shoot outs and nothing else. The film runs two hours, which is the longest running time in the "series", but still this manages to interest and even surprise, but if they had finished the film some 20 minutest earlier, this would be even more noteworthy film. Now it has nothing too important to offer during its finale, and so the finale becomes little unnecessary, in my opinion.
As an action film, this is pretty exciting and shot with talent. The action scenes are often fast and full of gunpowder and fire, so director Post can surely direct with skill. The film is pretty brutal and violent at times, and this again shows the fact that films this gritty and violent are not made in Hollywood nowadays, at least not too often. Magnum Force is much more easier and "positive" film than its predecessor, and that's why it hasn't got so many things to offer and give. This is pure action film where the first film was also many other things, too, like social commentary and talking about things many would not want to talk about. Magnum Force gets 7/10, but fortunately still has its positive things and even little bit of the power that made Dirty Harry so immortal.