Pat Garrett & Billy the Kid (1973)

User Rating:

7.3/10   

Director:

Sam Peckinpah

Writer:

Rudy Wurlitzer (written by)

Release Date:

31 August 1973 (Hong Kong)

Genre:

History | Western

Tagline:

Best of enemies. Deadliest of friends.

Plot:

An aging Pat Garrett is hired as a lawman on behalf of a group of wealthy New Mexico cattle barons--his sole purpose being to bring down his old friend Billy the Kid.

Plot Keywords:

Billy The Kid | New Mexico | Aging | Sheriff | Friend

Awards:

Nominated for BAFTA Film Award. Another 2 nominations

Cast

James Coburn	...	Pat Garrett
Kris Kristofferson	...	Billy The Kid
Richard Jaeckel	...	Sheriff Kip McKinney
Katy Jurado	...	Mrs. Baker
Chill Wills	...	Lemuel
Barry Sullivan	...	Chisum
Jason Robards	...	Governor Wallace
Bob Dylan	...	Alias
R.G. Armstrong	...	Ollinger
Luke Askew	...	Eno
John Beck	...	Poe
Richard Bright	...	Holly
Matt Clark	...	J.W. Bell
Rita Coolidge	...	Maria
Jack Dodson	...	Howland

Also Known As:

Pat Garrett and Billy the Kid (USA) (poster title)
Pat Garrett jagt Billy the Kid (Austria) (West Germany) [de]
Pat Garrett och Billy the Kid (Finland: Swedish title) (Sweden) [sv]
Duelo na Poeira (Portugal) [pt]
Pat Garrett e Billy Kid (Italy) [it]
Pat Garrett et Billy le Kid (France) [fr]
Pat Garrett et Billy the Kid (Canada: French title) [fr]
Pat Garrett i Billy Kid (Poland) [pl]
Pat Garrett i Billy el Nen (Spain: Catalan title) [ca]
Pat Garrett ja Billy the Kid (Finland) [fi]
Pat Garrett og Billy the Kid (Denmark) [da]
Pat Garrett y Billy el niño (Spain) [es]

MPAA:

Rated R for western violence and sexuality/nudity. (edited for re-rating; originally R)

Runtime:

122 min (1988 restored version) | 115 min (2005 DVD Special Edition) | 106 min (Cut theatrical version)

Country:

USA

Language:

English

Color:

Color (Metrocolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono

Certification:

Singapore:M18 | Iceland:16 | Finland:K-16 (cut) (1987) (video release) | Finland:K-18 (uncut) | UK:X (original rating) | Netherlands:18 (original rating) | West Germany:16 | Australia:MA (DVD rating) | Canada:14A (TV rating) | Australia:PG | Norway:18 | Sweden:15 | UK:18 | USA:R

Filming Locations:

Durango, Mexico

Company:

Metro-Goldwyn-Mayer (MGM)

Trivia:

After seeing 'Kris Kristofferson' perform at the Troubadour in Los Angeles and his appearance in Cisco Pike (1972), Sam Peckinpah decided to cast him as Billy the Kid in this film.

Goofs:

Factual errors: Lemuel refers to Pat Garrett as "Patrick J. Garrett." But Garrett's real middle name was Floyd.

Quotes:

Will: When are you going to learn that you can't trust anybody, not even yourself?

Movie Connections:

Referenced in The Royal Tenenbaums (2001)

Peckinpah's final, haunting eulogy to the West and Westerns

Simply put, Sam Peckinpah's "Pat Garrett and Billy the Kid" is one of the last great Westerns ever made. Like most of 'Bloody' Sam's films, "Pat Garrett" was molested and cut by the studio, MGM upon its release. The film would be panned by audiences and critics. It's a shame that Peckinpah never lived to see the longer cut of the film finally released to a wider audience on VHS. It would become a cult hit and is now known as one of the best Westerns and one of Peckinpah's best.

The film depicts the final days of Billy the Kid (Kris Kristofferson) before he was killed by his friend Pat Garrett (James Coburn), the newly appointed sheriff of the territory. Other than the fine performances of Coburn and Kristofferson, the film also features excellent supporting roles from famous Western regulars and members of Peckinpah's stock of actors. The long list of players include Jason Robards, Bob Dylan (also the film's music composer), Slim Pickens, R.G. Armstrong, L.Q. Jones, Katy Jurado, Paul Fix, Chill Wills, Jack Elam, Harry Dean Stanton, Richard Jaeckel, and Dub Taylor. Most of the characters are killed off in the film, violently evoking both the death of the West and Westerns.

Peckinpah's two regular themes are here: the death of the West, and men living past their time and deciding whether or not they should accept change. My favorite scene in the film takes place about halfway through the film. Pat Garrett, isolated and alone, is sitting by his fire near a river bank. He sees a man about his age and his family sailing on a raft down the river. The man is shooting bottles for target practice. Garrett takes a shot at a bottle. The man sees Garrett and shoots back. Garrett then takes cover behind the nearby tree. They both are aiming at each, but just lower their guns are stare at each other. The raft continues to flow down the river. The scene, which was the reason why Peckinpah, Coburn, and almost everyone wanted to take part in the film, has so much meaning to it. 1. It references an earlier scene with Garrett and Sheriff Baker (Slim Pickens). Baker was building a boat so he could drift out of territory because of how awful it has become. Tragicaly, Baker does not get a chance to see this dream. 2. The scene also references the shoot-out between Garrett and Black Harris (L.Q. Jones). Before his death, Harris yells to Garrett "Us old boys shouldn't be doing this to each other." The same thing happens between Garrrett and the man on the raft.

Other than the performances, the film also features some good musical pieces by Dylan. John Coquillon's cinematography is also very beautiful and haunting at the same time. Peckinpah, as always, was able to get period detail down correctly. Rudy Wurlitzer also did a fine job at the screenplay, despite Peckinpah improving most of it himself. Coburn's performance was possibly his best ever. The idea of Garrett having a lot of inner conflict was good. Garrett knew that he had a job to do, but just could not handle the fact it was his friend that he had to kill. Maybe he was the one who put the gun in the outhouse for Billy to use. It was also great to see the myth and actual facts of the last days of this incident played out.

Although this film may have a few faults (some of Dylan's music and a few of his scenes), "Pat Garrett and Billy the Kid" is really worth the time to view now that a DVD will be released on January 10th, 2006. The Two-Disc set will feature two versions of the film. The first one is a 115 min. version editied by Peckinpah biographers Nick Redman and Paul Seydor. The second disc will feature the 122 min. version assembled in 1988. According to both men, there was no final cut to "Pat Garrett." The version that Peckinpah screeded for the MGM heads was just a rough cut. Either way, the DVD will now a new generation of film lovers to be able to view how costly it is when an artist cannot complete his work. Peckinpah and editiors originally had six months to edit, but the idiots from the studio cut it down to two months. I guess the new 115 minute version of the film is closer to Peckinpah's vision because of notes and interviews with the filmmaker's colleagues. No matter which version you will watch, "Pat Garrett and Billy the Kid" is a sad but magnificent Western made by one of the last great storytellers of the Western genre.

Billy: Old Pat...Sheriff Pat Garrett. Sold out to the Sana Fe ring. How does it feel?

Pat: It feels like...that times have changed.

Billy: Times maybe. Not me.