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Rudy Wurlitzer (written by)
31 August 1973 (Hong Kong) more
Best of enemies. Deadliest of friends.
An aging Pat Garrett is hired as a lawman on behalf of a group of wealthy New Mexico cattle barons--his sole purpose being to bring down his old friend Billy the Kid. full summary | add synopsis
Nominated for BAFTA Film Award. Another 2 nominations more
The Real Bob Dylan
(From IFC. 13 May 2009, 4:24 AM, PDT)
Oscar-Winning Actor James Coburn Dies at 74
(From IMDb News. 19 November 2002)
One of Peckinpah's Finest more (80 total)
| James Coburn | ... | Pat Garrett | |
| Kris Kristofferson | ... | Billy The Kid | |
| Richard Jaeckel | ... | Sheriff Kip McKinney | |
| Katy Jurado | ... | Mrs. Baker | |
| Chill Wills | ... | Lemuel | |
| Barry Sullivan | ... | Chisum | |
| Jason Robards | ... | Governor Wallace | |
| Bob Dylan | ... | Alias | |
| R.G. Armstrong | ... | Ollinger | |
| Luke Askew | ... | Eno | |
| John Beck | ... | Poe | |
| Richard Bright | ... | Holly | |
| Matt Clark | ... | J.W. Bell | |
| Rita Coolidge | ... | Maria | |
| Jack Dodson | ... | Howland | |
| Jack Elam | ... | Alamosa Bill | |
| Emilio Fernández | ... | Paco (as Emilio Fernandez) | |
| Paul Fix | ... | Maxwell | |
| L.Q. Jones | ... | Black Harris | |
| Slim Pickens | ... | Sheriff Baker | |
| Jorge Russek | ... | Silva | |
| Charles Martin Smith | ... | Bowdre (as Charlie Martin Smith) | |
| Harry Dean Stanton | ... | Luke | |
| Claudia Bryar | ... | Mrs. Horrell | |
| John Davis Chandler | ... | Norris (as John Chandler) | |
| Michael T. Mikler | ... | Denver (as Mike Mikler) | |
| Aurora Clavel | ... | Ida Garrett (as Aurora Clavell) | |
| Rutanya Alda | ... | Ruthie Lee | |
| Walter Kelley | ... | Rupert | |
| Rudy Wurlitzer | ... | O'Folliard | |
| Elisha Cook Jr. | ... | Cody | |
| Gene Evans | ... | Mr. Horrell | |
| Donnie Fritts | ... | Beaver | |
| Dub Taylor | ... | Josh | |
| Don Levy | ... | Sackett | |
| rest of cast listed alphabetically: | |||
| Sam Peckinpah | ... | Will (uncredited) | |
Directed by | |||
| Sam Peckinpah | |||
Writing credits | ||
| Rudy Wurlitzer | (written by) | |
Produced by | |||
| Gordon Carroll | .... | producer | |
Original Music by | |||
| Bob Dylan | |||
Cinematography by | |||
| John Coquillon | (director of photography) | ||
Film Editing by | |||
| David Berlatsky | |||
| Garth Craven | |||
| Tony de Zarraga | (as Tony De Zarraga) | ||
| Richard Halsey | |||
| Roger Spottiswoode | |||
| Robert L. Wolfe | |||
Casting by | |||
| Patricia Mock | |||
Art Direction by | |||
| Ted Haworth | |||
Set Decoration by | |||
| Ray Moyer | |||
Makeup Department | |||
| Jack Wilson | .... | makeup artist (as Jack P. Wilson) | |
| Herbert Smith | .... | makeup artist (uncredited) | |
Production Management | |||
| Jim Henderling | .... | unit production manager | |
| Alfonso Sánchez Tello | .... | production manager: Mexico (as Alfonso Sanchez Tello) | |
Second Unit Director or Assistant Director | |||
| Newt Arnold | .... | assistant director (as Newton Arnold) | |
| Gordon T. Dawson | .... | second unit director (as Gordon Dawson) | |
| Jesus Marin Bello | .... | assistant director: Mexico | |
| Lawrence J. Powell | .... | second assistant director | |
Art Department | |||
| Robert J. Visciglia Sr. | .... | property master (as Robert John Visciglia) | |
Sound Department | |||
| Harry W. Tetrick | .... | sound | |
| Charles M. Wilborn | .... | sound | |
| Bill Wistrom | .... | supervising sound editor (uncredited) | |
Visual Effects by | |||
| Augie Lohman | .... | special visual effects (as A.J. Lohman) | |
Stunts | |||
| William H. Burton | .... | stunts (uncredited) | |
| Gary Combs | .... | stunts (uncredited) | |
| Jerry Gatlin | .... | stunts (uncredited) | |
| Bill Hart | .... | stunts (uncredited) | |
| Whitey Hughes | .... | stunts (uncredited) | |
| Harrold Laswell | .... | stunts (uncredited) | |
| Walter Scott | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Herbert Smith | .... | camera operator | |
| Gabriel Torres | .... | director of photography: second unit (as Gabriel Torres G.) | |
Costume and Wardrobe Department | |||
| Michael Butler | .... | wardrobe | |
Music Department | |||
| Dan Carlin Sr. | .... | music editor (as Dan Carlin) | |
| Dan Wallin | .... | scoring mixer (uncredited) | |
Other crew | |||
| Katherine Haber | .... | production staff (uncredited) | |
| 'Chema' Hernandez | .... | head wrangler (uncredited) | |
Pat Garrett and Billy the Kid (USA) (poster title)
Pat Garrett jagt Billy the Kid (Austria) (West Germany) [de]
Pat Garrett och Billy the Kid (Finland: Swedish title) (Sweden) [sv]
Duelo na Poeira (Portugal) [pt]
I megali monomahia (Greece) [el]
Pat Garrett e Billy Kid (Italy) [it]
Pat Garrett et Billy le Kid (France) [fr]
Pat Garrett et Billy the Kid (Canada: French title) [fr]
Pat Garrett i Billy Kid (Poland) [pl]
Pat Garrett i Billy el Nen (Spain: Catalan title) [ca]
Pat Garrett ja Billy the Kid (Finland) [fi]
Pat Garrett og Billy the Kid (Denmark) [da]
Pat Garrett y Billy el niño (Spain) [es]
Pat Garrett y Billy the Kid (Spain) [es]
more
Rated R for western violence and sexuality/nudity. (edited for re-rating; originally R)
122 min (1988 restored version) | 115 min (2005 DVD Special Edition) | 106 min (Cut theatrical version)
Color (Metrocolor)
2.35 : 1 more
Singapore:M18 | Iceland:16 | Finland:K-16 (cut) (1987) (video release) | Finland:K-18 (uncut) | UK:X (original rating) | Netherlands:18 (original rating) | West Germany:16 | Australia:MA (DVD rating) | Canada:14A (TV rating) | Australia:PG | Norway:18 | Sweden:15 | UK:18 | USA:R
Bo Hopkins was Sam Peckinpah's first choice for the role of Billy. more
Continuity: After he kills Alamosa, Billy mounts his horse and passes by Alamosa's body. Then the body is in a different position. more
Mr. Horrell:
Just got through putting up that new cottonwood door. Used the old one for my son John. He got into a shooting with Olin Carroll. He's buried out yonder there.
Billy:
I'm sorry to hear that, Mr. Horrell.
Mr. Horrell:
John was a good hand. Couldn't shoot, though.
more
Referenced in Easy Riders, Raging Bulls: How the Sex, Drugs and Rock 'N' Roll Generation Saved Hollywood (2003) more
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I enjoyed the film very much, in part because Peckinpah continues his theme, as he did in "Ballad of Cable Hogue" and "The Wild Bunch", of the illusion of who is "good" and who is "evil." Also, Peckinpah mourns the passing of people such as Garrett and Billy; at one point Garrett says to Poe, "This country's getting old, and I'm to get old with it." Garrett knows that he and Billy, among others, are to disappear from the West as big business and civilization advance, and Garrett tries to avoid this by selling out to Chisum (Barry Sullivan) and the Santa Fe Ring. But Garrett is a torn man; he is trying to avoid the tide of history by avoiding the eventual meeting with Billy, while also trying to avoid the financial forces (e.g., Chisum) that are making individuals such as himself disappear, so that big business will take over. The entire film is really a depiction of Garrett and Billy avoiding each other in order to resist historical forces that they would have a better chance of surviving if both of them left New Mexico or if both of them were on the same side. However, Garrett feels that aligning himself with the ranchers is better for survival, but in the end the hand that fed him, so to speak, is the same hand that destroys him. A truly poetic, and quite elegiac film, one that I feel is underrated among Peckinpah's films.