Ten years of Marianne and Johan's relationship are presented. We first meet them ten years into their marriage. He is a college professor, she a divorce lawyer. They say that they are ...
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Johan and Marianne planned to finalize their divorce after several years. They met in order to sign the papers but it was an extremely difficult task to carry out. Touching a low point in his life, ...
Marianne, some thirty years after divorcing Johan, decides to visit her ex-husband at his summer home. She arrives in the middle of a family drama between Johan's son from another marriage and his granddaughter.
A sensitive exploration of the tragic irony of the psychiatrist suffering with mental illness. Dr. Jenny Isaksson is a psychiatrist married to another psychiatrist; both are successful in ... See full summary »
In the midst of a civil war, former violinists Jan and Eva Rosenberg, who have a tempestuous marriage, run a farm on a rural island. In spite of their best efforts to escape their homeland, the war impinges on every aspect of their lives.
Andreas, a man struggling with the recent demise of his marriage and his own emotional isolation, befriends a married couple also in the midst of psychological turmoil. In turn he meets ... See full summary »
Two estranged sisters, Ester and Anna, and Anna's 10-year-old son travel to the Central European country on the verge of war. Ester becomes seriously ill and the three of them move into a hotel in a small town called Timoka.
Ten years of Marianne and Johan's relationship are presented. We first meet them ten years into their marriage. He is a college professor, she a divorce lawyer. They say that they are happily married - unlike their friends Katarina and Peter who openly fight, especially when under the influence of alcohol - but there is a certain detached aloofness in the way they treat each other. In the next ten years, as they contemplate or embark upon divorce and/or known extramarital affairs, they come to differing understandings at each phase of their relationship of what they truly mean to each other. Regardless of if it's love or hate - between which there is a fine line - they also come to certain understandings of how they can best relate to each other, whether that be as husband and wife, friends, lovers or none of the above. Written by
The film was ruled ineligible for Oscar consideration because the longer mini-series version of it had already been telecast in Sweden. See more »
We're pitiful, self-indulgent cowards that can't connect with reality and are ashamed of ourselves.
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The end credits aren't shown on-screen but read by director and writer Ingmar Bergman, while "a beautiful picture of Fårö" is shown (different for each episode). Ingmar Bergman himself is in fact not credited at all. For the theatrical version, traditional on-screen credits were used, starting with "A film by Ingmar Bergman". See more »
Concerto for violin, strings & continuo in B flat major, Op. 10, No. 1
Written by Tomaso Albinoni
A short extract is played during the very beginning and end of each episode (it's not featured in the theatrical version) See more »
At once poignant, considered, bitter, painfully insightful
Bergman set the standard for commentary on relationships with this film. Liv Ullman & Erland Josephson are extraordinary as a couple viewed over the course of their marriage and breakup thereof. Bergman and cinematographer Sven Nyquist do an absolute masterful job following both -- Liv Ullman truly has one of the most expressive, beautiful faces in cinema, and Bergman's genius is that he captured every nuance of her perfect performance masterfully.
Don't expect a single extraneous, out-of-place shot. Expect the perfect cinema-plus-verite of long-term relationships that various others, including Woody Allen in his efforts (Annie Hall and onwards,) have tried to riff on -- but never as well.
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