Serpico (1973)

Director:

Sidney Lumet

Writers:

Peter Maas (book)
Waldo Salt (screenplay) ...

Release Date:

14 March 1974 (Netherlands)

Genre:

Crime | Drama

Tagline:

Many of his fellow officers considered him the most dangerous man alive - An honest cop.

Plot:

The true story about an honest New York cop who blew the whistle on rampant corruption in the force only to have his comrades turn against him.

Plot Keywords:

Undercover | Corruption | 1960s | Hippie | Policeman

Awards:

Nominated for 2 Oscars. Another 4 wins & 7 nominations

Cast

Al Pacino	...	Officer Frank Serpico
John Randolph	...	Chief Sidney Green
Jack Kehoe	...	Tom Keough
Biff McGuire	...	Capt. Insp. McClain
Barbara Eda-Young	...	Laurie
Cornelia Sharpe	...	Leslie Lane
Tony Roberts	...	Bob Blair
John Medici	...	Pasquale
Allan Rich	...	Dist. Atty. Herman Tauber
Norman Ornellas	...	Don Rubello
Edward Grover	...	Insp. Lombardo (as Ed Grover)
Albert Henderson	...	Peluce (as Al Henderson)
Hank Garrett	...	Malone
Damien Leake	...	Joey
Joseph Bova	...	Potts (as Joe Bova)

Also Known As:

Serpico (Canada: French title) (France) [fr]
Sérpico (Spain) [es]
Serpico (Denmark) [da]
Serpico - gatans tiger (Finland: Swedish title) [sv]
Serpico - kadun tiikeri (Finland) (alternative spelling) [fi]
Serpiko (Turkey: Turkish title) [tr]

Runtime:

129 min | Spain:113 min

Country:

Italy | USA

Language:

English | Spanish | Italian

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Germany:12 (re-rating) (2006) | West Germany:18 (original rating) | Iceland:16 | Netherlands:12 | South Korea:15 | New Zealand:R16 | Brazil:12 | Argentina:18 | Australia:M | Chile:18 | Finland:K-15 (DVD rating) | Norway:18 | Singapore:NC-16 | Sweden:15 | UK:18 | USA:R

Filming Locations:

Astoria, Queens, New York City, New York, USA

Company:

Artists Entertainment Complex

Trivia:

Playwright Sidney Kingsley loaned his apartment to Sidney Lumet for use to film the party scene. In 1935, Kingsley hired an 11-year-old Lumet to appear on Broadway in his play, "Dead End", and they had remained friends since then.

Goofs:

Continuity: As the cops are monitoring the drug dealer's apartment near the end of the movie, there is a French Renault Dauphine parked in the front of the building. The blue American car behind it suddenly changes to a grey one and then again back to the blue one.

Quotes:

Barto: How long have you been with the BCI now, Serpico?
Frank Serpico: All my life.
Barto: That's long enough to know how we do things.
Frank Serpico: Barto, it's not just that.
[in a sarcastic tone]
Frank Serpico: You don't like me!
Barto: BCI never had a weirdo cop before.
Frank Serpico: Barto, stop buggin' me!

Movie Connections:

Featured in 'Serpico': From Real to Reel (2002) (V)

Pacino Shines in Classic Grim & Gritty Crime Biopic

I'd been wanting to see SERPICO for some time; this real-life crime drama based on Peter Maas' nonfiction bestseller about an honest cop fighting corruption in the NYPD was one of the few grim-and-gritty New York crime dramas that my older brother didn't take me to see when I was a kid! :-) (I should explain that my brother, 9 years my senior, used to take me to the kind of movies he wanted to see -- films like TAXI DRIVER, REPORT TO THE COMMISSIONER, etc. Fortunately, I developed a taste for them as well, though our mother didn't think they were really appropriate for a girl as young as I was then. :-) No wonder this film helped young Al Pacino's then-rising star (he was fresh off THE GODFATHER when he began filming SERPICO) to soar to the stratosphere, complete with an Oscar nomination. Pacino's earnest intensity fuses Frank Serpico's disparate qualities into a spellbinding performance. The guy is a bundle of contradictions, the kind of man who could charm you, move you, and drive you crazy at the same time: a nice Catholic boy who can't commit to any of the devoted women in his life; an honest, downright rigid moralist who's also a free spirit known as "Paco" to his friends and lovers; and an undercover cop with detective aspirations whose hippie-like appearance rankled his superiors and fellow officers even as it helped him blend in on assignments. Pacino's riveting performance carries the film, with fine support by John Randolph, Tony Roberts, M. Emmet Walsh, Barbara eda-Young and Cornelia Sharpe, not to mention memorable uncredited turns by F. Murray Abraham, Judd Hirsch, Kenneth McMillan, and Tony LoBianco, among others. Sidney Lumet's taut direction of the script by Waldo Salt and Norman Wexler does Maas' source material proud, as well as taking advantage of evocative NYC locations (just try getting this kind of atmosphere in Canada, I dare you! :-). The sparing use of simple yet haunting music by Mikis Theodorakis sets the tone well. The end result: one of the best films of the 1970s and beyond. Rent the DVD to see some fascinating extras about the making of the film and the filmmakers' experiences with Frank Serpico himself, including interviews with Lumet and producer Martin Bregman (no Pacino, alas).