| Photos (see all 24 | slideshow) |
| Woody Allen | ... | Miles Monroe | |
| Diane Keaton | ... | Luna Schlosser | |
| John Beck | ... | Erno Windt | |
| Mary Gregory | ... | Dr. Melik | |
| Don Keefer | ... | Dr. Tryon | |
| John McLiam | ... | Dr. Aragon | |
| Bartlett Robinson | ... | Dr. Orva | |
| Chris Forbes | ... | Rainer Krebs | |
| Mews Small | ... | Dr. Nero (as Marya Small) | |
| Peter Hobbs | ... | Dr. Dean | |
| Susan Miller | ... | Ellen Pogrebin | |
| Lou Picetti | ... | M.C. | |
| Jessica Rains | ... | Woman In The Mirror | |
| Brian Avery | ... | Herald Cohen | |
| Spencer Milligan | ... | Jeb Hrmthmg | |
| Stanley Ross | ... | Sears Swiggles | |
| rest of cast listed alphabetically: | |||
| John Cannon | ... | Various Voice-Overs (voice) | |
| Regis Cordic | ... | Party Guest (uncredited) | |
| Howard Cosell | ... | Himself (on Wide World of Sports) (archive footage) (uncredited) | |
| George Furth | ... | Guest at Luna's Party (uncredited) | |
| Laurence Kirchmar | ... | McDonald's Kid (uncredited) | |
| Jackie Mason | ... | Robot Tailor (voice) (uncredited) | |
| Richard Nixon | ... | Himself (Checkers speech, discloses his personal finances) (archive footage) (uncredited) | |
| Albert Popwell | ... | Reprogramming Scientist (uncredited) | |
| Douglas Rain | ... | Evil Computer / Various Robot Butlers (voice) (uncredited) | |
| Whitney Rydbeck | ... | Janus (uncredited) | |
Directed by | |||
| Woody Allen | |||
Writing credits | ||
| Woody Allen | (written by) and | |
| Marshall Brickman | (written by) | |
Produced by | |||
| Marshall Brickman | .... | associate producer | |
| Jack Grossberg | .... | producer | |
| Charles H. Joffe | .... | executive producer | |
| Ralph Rosenblum | .... | associate producer | |
| Jack Rollins | .... | executive producer (uncredited) | |
Original Music by | |||
| Woody Allen | |||
Cinematography by | |||
| David M. Walsh | |||
Film Editing by | |||
| O. Nicholas Brown | |||
| Ron Kalish | |||
| Ralph Rosenblum | |||
Casting by | |||
| Lynn Stalmaster | |||
Production Design by | |||
| Dale Hennesy | |||
Set Decoration by | |||
| Gary Moreno | |||
Costume Design by | |||
| Joel Schumacher | |||
Makeup Department | |||
| Del Acevedo | .... | makeup artist | |
| Janice Brunson | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Fred T. Gallo | .... | first assistant director | |
| Henry J. Lange Jr. | .... | second assistant director | |
Art Department | |||
| Barry Bedig | .... | property master | |
| Charles Deaton | .... | architect: Doctor Melik's house | |
| Jack M. Marino | .... | assistant property master | |
| Gary Martin | .... | set coordinator (as Gary O. Martin) | |
| Dianne Wager | .... | set designer | |
Sound Department | |||
| Al Gramaglia | .... | sound re-recording mixer: Magno Sound Recording Inc. | |
| Norman Kasow | .... | sound effects editor: Filmsounds, Inc. | |
| Jack Solomon | .... | sound mixer | |
| Jess Soraci | .... | sound effects editor: Filmsounds, Inc. | |
Special Effects by | |||
| A.D. Flowers | .... | special effects | |
| Gerald Endler | .... | location special effects (uncredited) | |
Visual Effects by | |||
| Harvey Plastrik | .... | opticals | |
| Ralph Rosenblum | .... | visual effects editor (uncredited) | |
Stunts | |||
| M. James Arnett | .... | stunt coordinator | |
| James M. Halty | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Joseph Edesa | .... | gaffer | |
| Norman Harris | .... | best boy (as Norman L. Harris) | |
| Clyde Hart | .... | key grip (as Clyde W. Hart) | |
| Roger Shearman | .... | camera operator | |
Costume and Wardrobe Department | |||
| Arnie Lipin | .... | wardrobe supervisor (as Arnold M. Lipin) | |
| G. Fern Weber | .... | wardrobe supervisor | |
Editorial Department | |||
| Trudy Ship | .... | assistant editor | |
Music Department | |||
| Felix Giglio | .... | music supervisor | |
| Phil Ramone | .... | music recordist | |
Transportation Department | |||
| Joe Sawyers | .... | transportation captain (as Joe R. Sawyers) | |
Other crew | |||
| Antonio Encarnacion | .... | assistant to producer (as Tony Encamacion) | |
| Jean Gingerich | .... | production accountant | |
| Norman Gorbaty | .... | title designer | |
| Doris Grau | .... | script supervisor | |
| Bill Hansard | .... | projectionist: background projection | |
| Lori Imbler | .... | production secretary | |
| R.J. Louis | .... | location coordinator | |
| Joel Marrow | .... | assistant to producer | |
| Peter J. Silbermann | .... | unit publicist | |
| Ben Bova | .... | science consultant (uncredited) | |
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| The Black Widow | Demolition Man | Cry-Baby | Sullivan's Travels | Radar Patrol vs. Spy King |
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| Full cast and crew | Company credits | External reviews |
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We are blessed that Woody was around, making movies as interesting as this when he was.
Already with this one, he began his vast exploration of movie techniques and devices that would last 25 years or so.
The idea is simple in this one: he wanted to use film slapstick from a bygone era. How better to situate that than to move the whole picture into a future era?
We have some truly classic stuff here. The banana joke, The mirror joke. The robot pantomime. The acting out of the Jewish dinner (done in later movies too). The inflated man joke. You can find all these in any number of Keaton. Marx, Laurel & Hardy movies.
The unifying string of time travel, a romance, the leader and his nose is too weak to make this a solidly recommended outing. And it wouldn't be for a couple years until Woody cared about the cinematography at all.
I had forgotten how pretty Diane Keaton was. Very.
Ted's Evaluation -- 2 of 3: Has some interesting elements.