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| Woody Allen | ... | Miles Monroe | |
| Diane Keaton | ... | Luna Schlosser | |
| John Beck | ... | Erno Windt | |
| Mary Gregory | ... | Dr. Melik | |
| Don Keefer | ... | Dr. Tryon | |
| John McLiam | ... | Dr. Agon | |
| Bartlett Robinson | ... | Dr. Orva | |
| Chris Forbes | ... | Rainer Krebs | |
| Mews Small | ... | Dr. Nero (as Marya Small) | |
| Peter Hobbs | ... | Dr. Dean | |
| Susan Miller | ... | Ellen Pogrebin | |
| Lou Picetti | ... | M.C. | |
| Jessica Rains | ... | Woman in the Mirror | |
| Brian Avery | ... | Herald Cohen | |
| Spencer Milligan | ... | Jeb Hrmthmg | |
| Stanley Ross | ... | Sears Swiggles | |
| rest of cast listed alphabetically: | |||
| John Cannon | ... | Various Voice-Overs (voice) | |
| Regis Cordic | ... | Party Guest (uncredited) | |
| Howard Cosell | ... | Himself - on Wide World of Sports (archive footage) (uncredited) | |
| George Furth | ... | Guest at Luna's Party (uncredited) | |
| Laurence Kirchmar | ... | McDonald's Kid (uncredited) | |
| Jackie Mason | ... | Robot Tailor (voice) (uncredited) | |
| Richard Nixon | ... | Himself - Checkers Speech, Discloses His Personal Finances (archive footage) (uncredited) | |
| Albert Popwell | ... | Reprogramming Scientist (uncredited) | |
| Douglas Rain | ... | Evil Computer / Various Robot Butlers (voice) (uncredited) | |
| Whitney Rydbeck | ... | Janus (uncredited) | |
Directed by | |||
| Woody Allen | |||
Writing credits | ||
| Woody Allen | (written by) and | |
| Marshall Brickman | (written by) | |
Produced by | |||
| Marshall Brickman | .... | associate producer | |
| Jack Grossberg | .... | producer | |
| Charles H. Joffe | .... | executive producer | |
| Ralph Rosenblum | .... | associate producer | |
| Jack Rollins | .... | executive producer (uncredited) | |
Original Music by | |||
| Woody Allen | (music by) | ||
Cinematography by | |||
| David M. Walsh | (director of photography) | ||
Film Editing by | |||
| O. Nicholas Brown | (film editor) | ||
| Ron Kalish | (film editor) | ||
| Ralph Rosenblum | (edited by) | ||
Casting by | |||
| Lynn Stalmaster | (casting by) | ||
Production Design by | |||
| Dale Hennesy | |||
Set Decoration by | |||
| Gary Moreno | |||
Costume Design by | |||
| Joel Schumacher | |||
Makeup Department | |||
| Del Acevedo | .... | makeup | |
| Janice Brunson | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Fred T. Gallo | .... | first assistant director | |
| Henry J. Lange Jr. | .... | second assistant director | |
Art Department | |||
| Barry Bedig | .... | property master | |
| Charles Deaton | .... | architect: Doctor Melik's house | |
| Jack M. Marino | .... | assistant property master | |
| Gary Martin | .... | set coordinator (as Gary O. Martin) | |
| Dianne Wager | .... | set designer | |
| Gary Martin | .... | construction (uncredited) | |
| James T. Woods | .... | set painter (uncredited) | |
| Robert L. Zilliox | .... | lead man (uncredited) | |
Sound Department | |||
| Al Gramaglia | .... | re-recording: Magno Sound Recording Inc. | |
| Norman Kasow | .... | sound effects editing: Filmsounds, Inc. | |
| Jack Solomon | .... | sound mixer | |
| Jess Soraci | .... | sound effects editing: Filmsounds, Inc. | |
| Joe Kenworthy | .... | swing (uncredited) | |
| Al Yaylian | .... | boom operator (uncredited) | |
Special Effects by | |||
| A.D. Flowers | .... | special effects | |
| Gerald Endler | .... | location special effects (uncredited) | |
Visual Effects by | |||
| Bill Hansard | .... | background projection | |
| Harvey Plastrik | .... | opticals | |
| Ralph Rosenblum | .... | visual effects editor (uncredited) | |
Stunts | |||
| M. James Arnett | .... | stunt coordinator | |
| James M. Halty | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Joseph Edesa | .... | gaffer | |
| Norman Harris | .... | best boy (as Norman L. Harris) | |
| Clyde Hart | .... | key grip (as Clyde W. Hart) | |
| Roger Shearman | .... | camera operator | |
| Bill Avery | .... | still photographer (uncredited) | |
| Richard N. Hannah | .... | camera technician (uncredited) | |
| Victor King | .... | second assistant camera (uncredited) | |
| Don Whipple | .... | dolly grip (uncredited) | |
Costume and Wardrobe Department | |||
| Arnie Lipin | .... | wardrobe supervisor (as Arnold M. Lipin) | |
| G. Fern Weber | .... | wardrobe supervisor | |
Editorial Department | |||
| Trudy Ship | .... | assistant editor | |
Music Department | |||
| Felix Giglio | .... | music supervision | |
| The New Orleans Funeral Ragtime Orchestra | .... | music by | |
| Preservation Hall Jazz Band | .... | music by (as The Preservation Hall Jazz Band) | |
| Phil Ramone | .... | music recorded by | |
Transportation Department | |||
| Joe Sawyers | .... | transportation captain (as Joe R. Sawyers) | |
| Richard Enoch | .... | driver (uncredited) | |
| Donald H. Lewis | .... | driver (uncredited) | |
| Russell McEntyre | .... | driver (uncredited) | |
| William Von Hoek | .... | driver: cine II (uncredited) | |
Other crew | |||
| Antonio Encarnacion | .... | assistant to the producer (as Tony Encamacion) | |
| Jean Gingerich | .... | production accountant | |
| Norman Gorbaty | .... | title design | |
| Doris Grau | .... | script supervisor | |
| Lori Imbler | .... | production secretary | |
| R.J. Louis | .... | location coordinator | |
| Joel Marrow | .... | assistant to the producer | |
| Peter J. Silbermann | .... | unit publicist | |
| Ben Bova | .... | science consultant (uncredited) | |
| Elizabeth Claman | .... | secretary to director (uncredited) | |
| Teresa Stokovic | .... | production secretary (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Although i was only 1yr when this film was made, its still one that i can watch again and again. Woody Allens physical slap stick is brilliant, the scene of him waking up and getting in the wheelchair makes me cry with laughter. I'm not a big Woody Allen fan so i cant compare it to his other movies, but i would strongly recommend this film. Anyone wanting a good laugh should definitely see this movie. It has that innocent feel you get from older movies that still had some standards of censorship. If the film was made today it would probably be crude and crass like American pie. I'm no prude but i feel that this film was made during the best time of movie making, when plot and good acting were more important than special effects and shock tactics.