| Photos (See all 32 | slideshow) |
| Pupella Maggio | ... | Miranda Biondi, Titta's Mother | |
| Armando Brancia | ... | Aurelio Biondi, Titta's Father | |
| Magali Noël | ... | Gradisca, The hairdresser (as Magali' Noel) | |
| Ciccio Ingrassia | ... | Teo - the mad uncle | |
| Nando Orfei | ... | Patacca, Titta's Uncle | |
| Luigi Rossi | ... | Lawyer | |
| Bruno Zanin | ... | Titta Biondi | |
| Gianfilippo Carcano | ... | Don Baravelli | |
| Josiane Tanzilli | ... | Volpina, prostitute | |
| Maria Antonietta Beluzzi | ... | Tobacconist | |
| Giuseppe Ianigro | ... | Titta's Grandfather | |
| Ferruccio Brembilla | ... | Fascist Leader | |
| Antonino Faà di Bruno | ... | Count Lovignano (as Antonino Faa' Di Bruno) | |
| Mauro Misul | ... | Philosophy Teacher | |
| Ferdinando Villella | ... | Fighetta, Greek Teacher | |
| Antonio Spaccatini | ... | Federale | |
| Aristide Caporale | ... | Giudizio | |
| Gennaro Ombra | ... | Biscein | |
| Domenico Pertica | ... | Blind Man | |
| Marcello Di Falco | ... | The Prince | |
| Stefano Proietti | ... | Oliva, Titta' brother | |
| Alvaro Vitali | ... | Naso | |
| Bruno Scagnetti | ... | Ovo | |
| Fernando De Felice | ... | Ciccio | |
| Bruno Lenzi | ... | Gigliozzi | |
| Gianfranco Marrocco | ... | Son of Count Poltavo | |
| Francesco Vona | ... | Candela | |
| Donatella Gambini | ... | Aldina Cordini | |
| rest of cast listed alphabetically: | |||
| Dina Adorni | ... | Mrs. De Leonardis, Mathematics Teacher (uncredited) | |
| Paolo Baroni | ... | Student (uncredited) | |
| Bruno Bertocci | ... | Matteo - Gradisca's Husband (uncredited) | |
| Marcello Bonini Olas | ... | Gymnastic Teacher (uncredited) | |
| Dante Cleri | ... | History Teacher (uncredited) | |
| Mario Del Vago | ... | Motorcyclist (uncredited) | |
| Francesco Di Giacomo | ... | Security Man (uncredited) | |
| Dario Giacomelli | ... | Patacca's Friend (uncredited) | |
| Veriano Ginesi | ... | Lifeguard (uncredited) | |
| Mario Liberati | ... | Ronald Coleman, The Theater Owner (uncredited) | |
| Franco Magno | ... | Zeus - High School Headmaster (uncredited) | |
| Cesare Martignon | ... | Barber (uncredited) | |
| Francesco Maselli | ... | Bongioanni, Science Teacher (uncredited) | |
| Lino Patruno | ... | Bobo (uncredited) | |
| Fredo Pistoni | ... | Colonia (uncredited) | |
| Eros Ramazzotti | ... | Boy Playing with Snow (uncredited) | |
| Faustone Signoretti | ... | Il vetturino Madonna (uncredited) | |
| Mario Silvestri | ... | Italian Teacher (uncredited) | |
| Fides Stagni | ... | Art Teacher (uncredited) | |
Directed by | |||
| Federico Fellini | |||
Writing credits(in alphabetical order) | ||
| Federico Fellini | writer | |
| Tonino Guerra | screenplay | |
| Tonino Guerra | story | |
Produced by | |||
| Franco Cristaldi | .... | producer | |
Original Music by | |||
| Nino Rota | |||
Cinematography by | |||
| Giuseppe Rotunno | |||
Film Editing by | |||
| Ruggero Mastroianni | |||
Production Design by | |||
| Danilo Donati | |||
Art Direction by | |||
| Giorgio Giovannini | |||
Costume Design by | |||
| Danilo Donati | |||
Makeup Department | |||
| Rino Carboni | .... | key makeup artist | |
| Amalia Paoletti | .... | key hair stylist | |
Production Management | |||
| Alessandro Gori | .... | production supervisor | |
| Lamberto Pippia | .... | production manager | |
| Gilberto Scarpellini | .... | production supervisor | |
Art Department | |||
| Andrea Fantacci | .... | set dresser | |
| Massimo Antonello Geleng | .... | assistant production designer (as Antonello Geleng) | |
| Italo Tomassi | .... | scenic artist | |
Sound Department | |||
| Oscar De Arcangelis | .... | sound | |
Special Effects by | |||
| Adriano Pischiutta | .... | special effects (uncredited) | |
Camera and Electrical Department | |||
| Roberto Aristarco | .... | assistant camera | |
| Massimo Di Venanzo | .... | assistant camera | |
| Giuseppe Maccari | .... | camera operator | |
| Pierluigi Praturlon | .... | still photographer (as Pierluigi) | |
Costume and Wardrobe Department | |||
| Mario Ambrosino | .... | assistant costume designer | |
| Rita Giacchero | .... | assistant costumer | |
| Aldo Giuliani | .... | assistant costumer | |
Editorial Department | |||
| Adriana Olasio | .... | assistant editor | |
Music Department | |||
| Carlo Savina | .... | musical director | |
Other crew | |||
| Giuseppe Bruno Bossio | .... | production secretary | |
| Enzo Consolini | .... | cashier | |
| Jean Paul De La Motte | .... | technical co-author | |
| Norma Giacchero | .... | script supervisor | |
| Enzo Lucarini | .... | cashier | |
| Mario Maldesi | .... | dubbing director | |
| Fernando Rossi | .... | production secretary | |
| Adriana Asti | .... | voice dubbing: Magali Noël (uncredited) | |
| Renato Cortesi | .... | voice dubbing: various characters (uncredited) | |
| Solveyg D'Assunta | .... | voice dubbing: Maria Antonietta Beluzzi (uncredited) | |
| Corrado Gaipa | .... | voice dubbing: Armando Brancia (uncredited) | |
| Oreste Lionello | .... | voice dubbing: Ferdinando Villella and Gennaro Ombra (uncredited) | |
| Ave Ninchi | .... | voice dubbing: Pupella Maggio (uncredited) | |
| Enzo Robutti | .... | voice dubbing: Ciccio Ingrassia (uncredited) | |
| Piero Tiberi | .... | voice dubbing: Bruno Zanin (uncredited) | |
| Romolo Valli | .... | voice dubbing: Nando Orfei (uncredited) | |
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| Novecento | 8½ | My Own Private Idaho | Malèna | Roma |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Italy section |
Federico Fellini's "Amarcord" is perhaps the flamboyant directors most entertaining and autobiographical film. His personal recollections on growing up in 1930's pre-war Italy under control of Fascism and the Church, are recorded with lively, colorful images. Fellini stylishly evokes his unique vision of provincial Rimini(Where he was born)through an adolescent viewpoint. The youthful irreverence, casual vulgarity. and tawdry exuberance of the characters flow unrestrained throughout the narrative. Fellini vividly recreates a carnival-like atmosphere filled with incident and observation. He excelled at constructing private worlds; distinct and spirited in their sense of community and place. In "Amarcord" childhood perceptions and improbable encounters are summoned via symbols, dreams, and illusions. Similar to Pirandello, the nature of truth becomes suspect. Fellini does little to dispel this notion. He once stated that 'nothing stifles the imagination more than a good memory'. Fabrication with Fellini often times blends imperceptibly with reality. "Amarcord"(The title translates as "I Remember") is structured in a series of loosely connected tales. Detailed vignettes of public school shenanigans; curious instruction; and the hyper-critical approach of the church. Cinematographer Guiseppe Rotuno favors shooting with a short lense to exaggerate the perspective. He frequently films the sizable features of the actors in extreme close-up contributing to the film's overstated visuals. Fellini was notorious for his preference of using actors with strange and unusual faces. He favored grotesqueness over craft for the most part. (The majority of the cast were selected from amateur groups all over Northern Italy. "Amarcord" is filled with memorable and eccentric characters including a blind accordianist; a foul-mouthed midget nun; a buxom tobacco store owner with a penchant for young men; a lascivious and gaseous grandfather; Volpina the town nymph; Theo the sexually-repressed, mad uncle; and an ever present dim-witted street vendor. Erratic personalities who consistently insist on indulging their illusions. The film uses an on-screen narrator who comments directly into the camera about Rimini's storied past. The pedantic commentator's articulate and austere tone is comically undercut by some off-screen antics.(Ill-timed, loud raspberries; well-tossed snowballs; general heckling, etc.) In the course of the film, an array of odd processions confront the spectator from every conceivable angle. Several of Fellini's films share this infinite movement of characters. Much of the scenario is taken up by the presentation of these large groups of comic figures as they interact around town. "Amarcord", Fellini's last commercial success, is an elaborate nostalgia piece populated with exotic individuals. Endearing misfits who seem to fit perfectly in the director's unconventional universe. One may not know where Fellini is heading half the time, but that's part of his lasting appeal. And in "Amarcord, make no mistake, Fellini is ALL over the place. KB