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IMDb > Bring Me the Head of Alfredo Garcia (1974)
Bring Me the Head of Alfredo Garcia
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Bring Me the Head of Alfredo Garcia (1974) More at IMDbPro »

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Overview

User Rating:
7.5/10   4,772 votes
MOVIEmeter: ?
Up 2% in popularity this week. See rank & trends on IMDbPro.
Director:
Sam Peckinpah
Writers:
Frank Kowalski (story) and
Sam Peckinpah (story) ...
more
Contact:
View company contact information for Bring Me the Head of Alfredo Garcia on IMDbPro.
Release Date:
August 1974 (Austria) more
Tagline:
It's got guts! more
Plot:
An American bartender and his prostitute girlfriend go on a road trip through the Mexican underworld to collect a $1 million bounty on the head of a dead gigolo. full summary | add synopsis
NewsDesk:
BFI Southbank London To Host Sam Peckinpah Festival In January
 (From CinemaRetro. 3 December 2008, 4:13 AM, PST)

User Comments:
Peckinpah has come full circle more

Cast

  (Cast overview, first billed only)
Warren Oates ... Bennie
Isela Vega ... Elita
Robert Webber ... Sappensly
Gig Young ... Quill
Helmut Dantine ... Max
Emilio Fernández ... El Jefe (as Emilio Fernandez)

Kris Kristofferson ... Biker
Chano Urueta ... Manchot, the bartender
Donnie Fritts ... John (as Donny Fritts)
Jorge Russek ... Cueto
Chalo González ... Chalo (as Chalo Gonzalez)
Don Levy ... Frank
Enrique Lucero ... Esteban
Janine Maldonado ... Theresa
Tamara Garina ... Grandmother Moreno
more
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Additional Details

Also Known As:
Tráiganme la cabeza de Alfredo García (Mexico)
Bring mir den Kopf von Alfredo Garcia (Austria) (West Germany) [de]
Apportez-moi la tête d'Alfredo Garcia (France) [fr]
Bana onun kellesini getirin (Turkey: Turkish title) [tr]
Bring mig Alfredo Garcias hoved (Denmark) [da]
Dajcie mi glowe Alfredo Garcii (Poland) [pl]
Ferte mou to kefali tou Alfredo Garcia (Greece) [el]
Jakten på Alfredo Garcias huvud (Sweden) [sv]
Quiero la cabeza de Alfredo García (Spain) [es]
Tragam-me a Cabeça de Alfredo Garcia (Brazil) [pt]
Tuokaa Alfredo Garcian pää (Finland) [fi]
Voglio la testa di Garcia (Italy) [it]
Vull el cap d'Alfredo García (Spain: Catalan title) [ca]
more
Runtime:
112 min
Country:
USA | Mexico
Language:
English | Spanish
Color:
Color
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono
Certification:
Iceland:16 | Germany:16 (re-rating) (2005) | West Germany:18 (original rating) | Singapore:M18 | New Zealand:R16 | Australia:R | Finland:K-18 | France:-12 | Italy:VM14 | Sweden:15 | UK:18 (video rating) (1987) | UK:X (original rating) | USA:R

Fun Stuff

Trivia:
In the scene where the priest baptizes Alfredo's son, we can hear (in Latin) the child's name: David Samuel. Sam Peckinpah's full name is David Samuel Peckinpah. more
Goofs:
Crew or equipment visible: At a little after 1:33 in the movie, as Bennie crosses inside his apartment, alone and talking to Alfredo's head ("A friend of ours used to take a shower in there...You know that? You know that!"), a crewman in black clothing can be glimpsed ducking behind an adjacent transom. A second later, his arm reappears as Bennie reaches for a bottle in the pantry. more
Quotes:
El Jefe: Quien es el padre? Who is the father? more
Movie Connections:
Spoofed in Dead End (1985) more
Soundtrack:
Bennie's Song more

FAQ

This FAQ is empty. Add the first question.
38 out of 48 people found the following comment useful:-
Peckinpah has come full circle, 27 January 2005
Author: norm1972_8 from United States

First, I'm sure everyone commenting on this film has seen the documentary on Peckinpah, and the comments made by the film critics regarding this film. If I may quote one of the critics, and I'm sure you all agree "It's the one film of Peckinpah's that everyone tries to imitate". Even Tarantino does to some degree. I have issues with Quentin Tarantino from a cinematic and artistic point of view, but that is another review. Warren Oates' performance was flawless, as he actually assumes the identity Of Sam Peckinpah as a gesture of appreciation for gracing him with his first starring vehicle.

Warren Oates was taking Sam's journey for him, as Sam looked from behind the lens. This movie was Peckinpah at his best and his worst at the same time. The old Peckinpah themes are there; Mexico is the final frontier, where one can continue to be what he once was in a changing world, but eventually Mexico begins to change as well. As I said in my review of "Junior Bonner" (be sure to check it out, and get back to me)progress is the main antagonist in the lives of Peckinpah's characters.

Junior Bonner and Bennie (Oates' Character) have a common foe, the twentieth century, which is why we find Bennie in Mexico. The chance to improve his situation, and establish a solid relationship with his hooker girlfriend (played with tough sincerity by Isela Vega) arrives at a time in Bennie's life when he least expects it, but it's not as easy as it is set out to be. All he has to do is bring this head to "El Hefe", and at the last minute BAM!! Bennie grows a conscience. Along the way he loses his woman, and then just goes nuts, thus revealing "The Diseased Soul of Sam Peckinpah".

My favorite scene is actually the picnic, where Elita and Bennie discuss their future. Elita begs Bennie to ask her to marry her, he does and she begins to weep. The simple fact that he says it is a tender moment, and shows how the slightest thing can arouse a woman's emotions. Jerry Fielding's musical score, which successfully created the mood and atmosphere for "Straw Dogs" (my all time favorite Peckinpah film) is present, but very muted. Still, this may be the best scene of the film.

Sam Peckinpah finally had complete control to dictate the direction of this film; Free from the money men, and left to his own devices in Mexico where he felt at home. A lot of people say that Pat Garret and Billy the Kid was the last Peckinpah masterpiece, but I think Alfredo Garcia was the last one. It throws you off at the beginning with the horses, then all of a sudden a Corvette screeches by; This is the paradox that really signifies that "The West" is over, bringing Sam Peckinpah and his love for the west full circle.

The critics literally hated this film, but 30 years later because of it we have a Martin Scorcese, a Robert Rodriguez, and a Quentin Tarantino (yeah) to name a few, as well as achieving underground cult status. I'm proud to call "Bring Me the Head of Alfredo Garcia" one of my favorite films.

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