| Maria Perschy | ... | Lillian | |
| Jack Taylor | ... | Howard Tucker | |
| Bárbara Rey | ... | Noemi | |
| Carlos Lemos | ... | Professor Grüber | |
| Manuel de Blas | ... | Sergio | |
| Blanca Estrada | ... | Kathy | |
| rest of cast listed alphabetically: | |||
| Margarita Merino | ... | Lorena Kay (uncredited) | |
Directed by | |||
| Amando de Ossorio | |||
Writing credits(in alphabetical order) | ||
| Amando de Ossorio | screenplay | |
| Amando de Ossorio | story | |
Produced by | |||
| J.L. Bermudez de Castro | .... | producer | |
Original Music by | |||
| Antón García Abril | |||
Cinematography by | |||
| Raúl Artigot | |||
Film Editing by | |||
| Petra de Nieva | |||
Production Design by | |||
| Eduardo Torre de la Fuente | (as Torre de la Fuente) | ||
Set Decoration by | |||
| Eduardo Torre de la Fuente | (as E. Torre de la Fuente) | ||
Costume Design by | |||
| Dolores Marquerie | |||
Makeup Department | |||
| Cristóbal Criado | .... | makeup artist | |
| Luis Criado | .... | assistant makeup artist | |
| Carlos Paradela | .... | makeup artist | |
| María Carmen Sánchez | .... | assistant makeup artist (as Maria Carmen Sanchez) | |
| Consuelo Zahonero | .... | hair stylist | |
Production Management | |||
| Manuel Muñoz | .... | assistant production manager | |
Second Unit Director or Assistant Director | |||
| Juan Antonio Arévalo | .... | assistant director (as Juan Antonio Arevalo) | |
Art Department | |||
| Augusto Lega | .... | set designer (as Lega-Michelena) | |
| Félix Michelena | .... | set designer (as Lega-Michelena) | |
| Horacio Rodríguez | .... | assistant set designer (as Horatio Rodriguez) | |
Special Effects by | |||
| José Luis Campos | .... | special effects | |
| Pablo Pérez | .... | special effects (as Pablo Perez) | |
Visual Effects by | |||
| J. Santines | .... | visual effects | |
Camera and Electrical Department | |||
| Fernando Espiga | .... | second camera operator | |
| Felipe López | .... | still photographer | |
| Miguel A. Muñoz | .... | assistant camera | |
Editorial Department | |||
| María Elisa Valero | .... | assistant editor (as Maria Elisa Valero) | |
| R. Wood | .... | synchronization | |
Other crew | |||
| Oscar Guarido Garcia | .... | production auxiliary | |
| Marisol Martinez | .... | secretary to director (as Marisol G. Martinez) | |
| Pedro Sopeña | .... | production assistant (as Pedro Sopena) | |
| Recent Posts (updated daily) | User |
|---|---|
| One of the most joyfully stupid movies I've ever seen | Anscules |
| BANNED IN GERMANY???????? | thesmallguy |
| Help! Is this... | lv1201 |
| Blind Dead Box Set? | Zorin-2 |
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| La noche del terror ciego | The Satanic Rites of Dracula | Shock Waves | Indiana Jones and the Temple of Doom | The Secret of Treasure Island |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb Spain section | Add this title to MyMovies |
The first two "Blind Dead" films are pretty good, and the first is a classic of sorts. Not so for this one. A woman, who is a model, goes in search of her roommate, who is also a model, but seems to have disappeared. She's part of a super-secret advertising campaign for designer sporty life-boats or something (yes really), and she and another model have stranded themselves somewhere in the North Sea near the shipping lanes so that they can supposedly be rescued in style. The two women are supposedly stuck in one area, and surrounded by fog & tropic heat, and then they spot an old galleon, but stupidly expect to be rescued & have absolutely no qualms in hopping aboard this derelict ship. And guess who is on board? Why, it's our old friends, the walking dead Templar Knights. And you know that no good can come of that. To the rescue, though, is Lillian (Maria Perschy), the head of the sporting goods conglomerate, the woman looking for her roommate (Noemi), and some professor of something....who wants to see this ship, although supposedly it doesn't exist. He's a professor that apparently has a B.S., because that's certainly what he spouts. There's all kinds of stuff like talk of "other dimensions", etc., but why are rats running around a ship in another dimension with nothing but dead Templars on board? Got me. The dialog is totally ridiculous, to the point of being hilarious, especially when the professor is holding forth on his theories. And when the Templars make themselves known and are driven back "to the hell from where they came" (which in this case is apparently the hold of the ship), there's some kind of notebook or something sitting on the hatch that slides down inside before the hatch finally closes....was that the script? Could have been, oh well, I don't think anyone was using it anyway. A hoot for bad movie fans, but a real come-down after the first couple "Blind Dead" movies, which are actually worth seeing. 4 out of 10.