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Le fantôme de la liberté (1974)

R | | Comedy | 27 October 1974 (USA)
This surrealist film consists of a series of only vaguely related episodes, most famously the dinner party scene in which people sit on lavatories round a dinner table, occasionally ... See full summary »

Director:

(as Luis Bunuel)

Writers:

(scenario) (as Luis Bunuel),
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2 wins. See more awards »
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Cast

Cast overview, first billed only:
Adriana Asti ...
Julien Bertheau ...
...
...
...
L'aubergiste / Innkeeper
...
...
François Maistre ...
Hélène Perdrière ...
La vieille tante / Aunt
...
Claude Piéplu ...
Le commissaire de police / Commissioner
...
Bernard Verley ...
Le capitaine des dragons / Judge
...
L'infirmière / Nurse (as Miléna Vukotic)
...
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Storyline

This surrealist film consists of a series of only vaguely related episodes, most famously the dinner party scene in which people sit on lavatories round a dinner table, occasionally retiring to a small room to eat. Written by Michael Brooke <michael@everyman.demon.co.uk>

Plot Summary | Plot Synopsis

Genres:

Comedy

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

27 October 1974 (USA)  »

Also Known As:

The Specter of Freedom  »

Box Office

Opening Weekend:

$6,172 (USA) (8 November 2002)

Gross:

$6,172 (USA) (10 November 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

The title is a reference to "The Communist Manifesto" which in English begins: "A spectre is stalking Europe, the spectre of Communism." The French translation known to Buñuel translated "spectre" as "fantome". So the title can be seen as a dig at the "Bourgeois" mentality which fears freedom, and also a sideswipe at the rather straightjacketed Communist parties of the time. See more »

Goofs

At the beginning of the movie after shooting the prisoners you can see one of the victims moving the hand although he's dead. See more »

Quotes

Le professeur des gendarmes: Madrid was filled with the stench of -pardon my language - food. It was indecent.
See more »

Connections

Featured in Regarding Buñuel (2000) See more »

Soundtracks

Rhapsody in G minor
Written by Johannes Brahms
Played on the piano by the sister of the police commissioner
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User Reviews

The great Bunuel
10 September 2007 | by (Israel) – See all my reviews

What can one say after watching "The phantom of liberty"? if you want to make films of your own, you can only be jealous with the power of Buñuel at directing the most simple everyday situations with a surrealist twist without thinking twice and flicking an eye. his hatred of the bourgeoisie is evident here even much more in then in his masterpiece "The discreet charm...". and the reason is: in that film there was a plot, a reason, a context which within things were happening, and the viewer could relate to things that happened earlier in the film. but in this picture there is no line, not one story, but stories that don't even intertwine with one another. just a collection of fragments, some strange, some funny, some totally impossible.

The freedom that Bunuel takes upon himself is backened with a lot of responsibility. one has to be responsible and not losing the viewer. but this freedom is exactly the same that he had as an artist while making "Un chien andalou", or "Archibaldo de la cruz". it's just that this time there is an attack at yet another bourgeoisie item: order. stories claim order. so is the ruling class.

So Bunuel and Carriere decided to attack the order of storytelling itself. it's a very tricky business to do on film, but if you understand the way dream works, no problem. let's go straight ahead. and so much fun is promised.

Just like any other Bunuel film, there are no special effects, no overwhelming shots, no camera or editing tricks. just an attack, there is no other way calling this, on reality of the mind, of the eye and of order of things. it is only when you release yourself from social rules that are false, fake and immoral, you can become free again. only when you see your fellow man and his suffering, you can become moral. only when you cry against social injustice, you can justify the revolution of humanity against greed and the wars it inflicted us into. if you'll keep on crying "death to freedom", you are in danger of becoming one of them bourgeois guys. and it's so easy, my god...


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