A former circus artist escapes from a mental hospital to rejoin his armless mother - the leader of a strange religious cult - and is forced to enact brutal murders in her name as he becomes "her arms".
In a Chilean little town, the son of an uprooted couple, formed by a rigorous communist father and a loving but weak mother, tries to pave his own path in a society that does not understand their Jewish-Ukrainian origins.
A Christlike figure wanders through bizarre, grotesque scenarios filled with religious and sacrilegious imagery. He meets a mystical guide who introduces him to seven wealthy and powerful people, each representing a planet in the Solar system. These seven, along with the protagonist, the guide and the guide's assistant, divest themselves of their worldly goods and form a group of nine who will seek the Holy Mountain, in order to displace the gods who live there and become immortal.
If you liked "The Wall" (you know, the Pink Floyd movie), but thought it was a bit of a downer and suffered from the lack of a fat woman humping an excitable, legless, animatronic horse, this movie could be for you.
Despite what you may have heard, "The Holy Mountain" is more absurd than surreal, more funny than disturbing. Don't worry if your tarot cards are gathering dust and you can't remember the difference between wands and swords--such occult knowledge might help you achieve a few "Oh I get that!" moments during the middle of the film, but the heaps of blatant symbolism aren't really the point. In fact, it may just be that the point is: there is no point. When you see a fat man dressed as the Virgin Mary handing out crucifixes under a sign that says "Christs For Sale", you can rack your brain trying to figure out what kind of statement that makes about society--or you can laugh. When you witness "The Government" indoctrinating children with a hatred for the nation of Peru by printing up comic books called "Captain Captain Against The Peruvian Monster", you can lament the plight of innocents being manipulated for selfish ends--or you can laugh! This film bombards the viewer with outlandish images and juxtapositions like these in rapid fire throughout, so it's easy to get bogged down or confused or numb. The secret to appreciating it all is to come prepared to chuckle--some things you'll "get", some things you won't, but most everything is twisted and absurd and, in some way, funny. Now when you get to the end and Jodorowsky winks at you, you can wink right back.
Basically, if you can appreciate absurdity and profundity and the absurdity of profundity (not to mention enormous, colorful sets), you'll find a lot to like here.
PS: If you do like "The Holy Mountain", head down to your local comics shop (or browse over to your favorite book/graphic novel e-tailer) and pick up a couple of volumes of "The Incal" or "The Metabarons", both of which were also written by Jodorowsky. They're like this movie--every bit as garish and violent and thought-provoking and funny--but they have actual plots (epic space-opera plots, no less).
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