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8 out of 12 people found the following comment useful :- Cynical, minimalist. Claude Chabrol at his best, 11 October 2006 Author: Camera Obscura from Leiden, The Dutch Mountains
THE NADA GANG (Claude Chabrol - France/Italy 1974).With this excellent political thriller Claude Chabrol charted into more familiar genre territory. This time he made this cynical account about a small Franch group of post '68 terrorists kidnapping the American ambassador from a luxury Parisian brothel, secreting him away in an isolated farmhouse while they wait for an answer to their demands. But the police chief they're dealing with is even more violent than they are and doesn't care about getting back the hostage alive.In hindsight this film has become a typical exponent of the - mostly left wing - underground activities in the '70s and 80's. In these modern times, when terrorism is almost exclusively associated with Islamic religiously motivated terrorists, this kind of political activism comes across as refreshingly modern.While some might consider Nada as somewhat of a disappointment after Chabrol's brilliant series of films, like La femme infidèle (1969) Qua la bête meure (1969), Le Boucher (1970), La Rupture (1970) and Juste avant la nuit (1971), this remains cool, stylish and exciting film-making of the kind very few directors can match. And what about Fabio Testi in his black leather overcoat? Is he the coolest looking criminal you've ever seen, or what?Camera Obscura --- 8/10
3 out of 4 people found the following comment useful :- Not the best that Chabrol has to offer, 7 December 2008 Author: The_Void from Beverley Hills, England
Claude Chabrol had his golden period in the late sixties and early seventies with films like This Man Must Die, The Breach and Wedding in Blood. These films were great because Chabrol delivered thrills and complex characters in equal measures; but Nada is something of a change of pace and unfortunately this film is not vintage Chabrol. The film features basically a criminal plot and this is mixed in with political elements. From a personal point of view, politics doesn't interest me that much anyway; but that is especially true here as Chabrol isn't able to spin an interesting story out of it. The plot focuses on a group of kidnappers that call themselves 'NADA'. They hatch a plot to kidnap the American ambassador, take him back to their hideaway and wait for the Government to give into their ransom demands. The plot goes smoothly; but the gang encounter trouble when internal rivalries begin to spring up; and they find out that the police chief they're up against is less forgiving than they are.From Claude Chabrol I have come to expect intriguing and meaningful films that work on a multitude of levels. Part of the reason why I don't consider Nada to be anything like Chabrol's best work is simply because I don't care about the subject matter (as opposed to the best of Chabrol, which have the ability to appeal to everyone). However, the fact still remains that this is not a particularly good film. The point of the film is muddled at best and Chabrol's message is always hazy. The plotting is not particularly exciting and since the plot line is not interesting; Nada does at times become difficult to follow. To its credit, the film is rather well made and as always Chabrol does a good job of staging and setting scenes. The acting is decent too and Chabrol has brought together a varied and interesting cast, headed by Italian actor Fabio Testi, who plays their respective roles well. Overall I would not recommend this to my fellow Chabrol fans; the great director has a vast filmography filled with classics and I would recommend seeing those instead.
4 out of 6 people found the following comment useful :- The slump begins here, 21 January 2007 Author: dbdumonteil
"Nada" was the most inadequate follow-up to "Les NOces Rouges" which,with hindsight,appears now as the last good movie of Chabrol's golden era (1967-1973) "Nada" is Chabrol's first real attempt at a wholly political movie;its previous work "les Noces Rouges" had also political elements but it was more a psychological thriller with the usual look at society in French provinces."Nada" includes terrorists,ambassador,hostage-taking,a lot of blood,not really Chabrol's field.A heterogeneous cast gives the movie the coup de grâce :only Duchaussoy,who had already played with the director ,and Maurice Garrel are up to scratch.Viviane Romance ,one of Duvivier's actresses ("la Belle Equipe" "Panique") ,is wasted as a madam (Gabrielle).Italian actors (Fabio Testi,Lou Castel)are awful.With "Nada" this a second period of barren inspiration for Chabrol .It would be "Violette Nozières" before he was again at the top of his game.
3 out of 9 people found the following comment useful :- Fast moving, darkly amusing, 30 June 2005 Author: HEFILM from French Polynesia
A thriller with serious intentions but also with a fast pace and a comic/ironic view of all its characters motivations. The ideas behind the brutal police and the brutal kidnappers are dead serious, but Chabrol shows each side to be rather absurd and many scenes have some odd or funny pay off moment. The main policeman lounges like a goof ball in a chair while they torture a suspect. During the kidnapping one of the kidnappers knocks out a completely naked hooker and at the end of the scene comes back into the room to cover her pubic hair. The dialog is filled with comedic twists throughout. These Little things let us know that these deadly doings are, well silly. If it wasn't that people get killed doing them these people would be laugh out loud funny. That's the point of the tone of the film. It's an additional layer of damnation that most dead serious thrillers forget. The violence in the film is bloody and the message about politics being against all of us and ready to betray anyone, especially if you resort to killing your fellow man is important today. This is one of Chabrol's best films, he makes good use of helicopter views of the assault on the hideout at the end of the film. A well cast film with many parts, but you never get confused as to who is who. There aren't many films that have tried or achieved this combination of elements, one that does come to mind is the excellent TV movie THE DAY REGAN WAS SHOT.
5 out of 13 people found the following comment useful :- Expertly cynical cartoon-thriller., 31 October 2000 Author: Alice Liddel (-darragh@excite.com) from dublin, ireland
For nearly a decade, in the late 60s and early 70s, Claude Chabrol was arguably the greatest director in the world, in Europe at any rate. 'Nada' comes from this period, and yet is an exception in the oeuvre. Instead of a claustrophobic thriller in a domestic setting, 'Nada' is about international terrorists running amok through France (in a way, the film is a parody of the previous year's 'Day of the Jackal'). Instead of intricate psychological depth, Chabrol offers pure cartoon. The police are a hangover from the Vichy era, murderously cyncial, while the terrorists are organised by someone who no longer believes in revolution.As a sophisticated analysis of pressing contemporary events, the whole thing seems rather silly, until you start spotting Chabrol's wicked, misanthropic irony, and you wonder if the old boy hasn't done it after all. Never take Chabrol's glittering surfaces at face value. The massacre scene is deeply cynical, shocking, brilliant cinema.
11 out of 26 people found the following comment useful :- Chabrol's worst film by far, 2 August 2003 Author: TrevorAclea from London, England
In a time when the constitution and principals the United States were founded on are trampled underfoot by an administration desperate to distract attention from its own internal problems, where the Geneva Convention, human rights and foreign sovereignty are unapologetically discarded, a thriller about the state taking illegal action that far exceeds that of the terrorists they are countering might seem appropriate. However, if you want to see a film about that, try Ed Zwick's flawed THE SIEGE instead, because NADA is one of the most infantile 'political' thrillers ever made. Like Robert Altman's PRET-A-PORTER, the director has taken on a subject he seems completely ignorant of, and imprints his ignorance on almost every frame.His terrorists are a wildly unconvincing group of stereotypes - Fabio Testi dresses as if he were auditioning for MAD Magazine's 'Spy vs. Spy' strip, Michel Duchaussoy behaves like an absurd KIDS IN THE HALL send up of the sociology professor from Hell, Mariangela Melato a cardboard middle-class revolutionary wannabe - who behave at every unconvincing plot turn as if they want to be caught. The corrupt authorities fare a little better, but are still painted in unconvincingly broad strokes.It is possible to make a smart film about dumb people (cf ELECTION), but this is a moronic film about dumb people made by people who think they're intellectuals who are talking down to the masses. In truth, were one to recast Testi, Duchaussoy and Melato with Jim Varney, Johnny Knoxville and Shannon Tweed, the result would actually be to raise the intellectual content of the film, not lower it.Chabrol might just have got away with his characters and events if he took them seriously, but his staging is so inept (the fight scenes would embarrass a kindergarten class while the shooting of the kidnapping is more inept than the kidnapping itself) and his inability to get his cast to perform with at least some approximation of recognisable human behaviour so blatant that it is actually embarrassing to watch (special mention must be made here of Duchaussoy: so very good in Chabrol's QUE LA BETE MUERE, he is stunningly bad here in a performance that is so far over the top it's back again).Chabrol has made some fine films, but you would never guess it from this amateurish mess - a newcomer to his work would never want to see another of his films after this, which would be a great shame. Utter drivel, and a sad waste of a potentially interesting material. One star out of ten - and that's being very generous.
1 out of 9 people found the following comment useful :- very interesting but very muddled message, 12 February 2006 Author: planktonrules from Bradenton, Florida
*** This comment may contain spoilers ***
I've got to admit that this movie was pretty interesting to watch, but because it didn't seem very clear in its message I doubt it had much impact. It was just a rather cynical and nihilistic mess. The story is about a group of anarchists who snatch the US ambassador and hold him for ransom. But, we then see that although the terrorists aren't very nice, the police are a bunch of fascist thugs and they deliberately kill all the terrorists and let them kill the ambassador. So, the message seems to be contemporary French society of the 70s stinks and individual acts of terror are meaningless--so rise up all peoples and have a widespread revolution instead. Please,...I didn't watch the movie to be preached at or listen to distorted moral relativism. Ponderous and preachy seem to be the general tone of the film. PLUS, if EVERYTHING stinks, what, then, does the film's maker suggest instead?PS--this movie is pretty violent and there is some VERY explicit nudity that would make this inappropriate for all kids.
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