| Videos (see all 3) |
| Warren Beatty | ... | Joseph Frady | |
| Paula Prentiss | ... | Lee Carter | |
| William Daniels | ... | Austin Tucker | |
| Walter McGinn | ... | Jack Younger | |
| Hume Cronyn | ... | Bill Rintels | |
| Kelly Thordsen | ... | Sheriff L.D. Wicker | |
| Chuck Waters | ... | Thomas Richard Linder | |
| Earl Hindman | ... | Deputy Red | |
| William Joyce | ... | Senator Charles Carroll (as Bill Joyce) | |
| Bettie Johnson | ... | Mrs. Charles Carroll | |
| Bill McKinney | ... | Parallax Assassin | |
| Jo Ann Harris | ... | Chrissy - Frady's Girl (as JoAnne Harris) | |
| Ted Gehring | ... | Schecter - Hotel Clerk | |
| Lee Pulford | ... | Shirley - Salmontail Bar Girl | |
| Doria Cook-Nelson | ... | Gale from Salmontail (as Doria Cook) | |
| Jim Davis | ... | George Hammond | |
| Joan Lemmo | ... | Organist | |
| Kenneth Mars | ... | Former FBI Agent Will | |
| William Jordan | ... | Tucker's Aide | |
| Edward Winter | ... | Senator Jameson | |
| Stacy Keach Sr. | ... | Commission Spokesman #1 | |
| Ford Rainey | ... | Commission Spokesman #2 | |
| Alma Beltran | ... | Joy Holder | |
| Richard Bull | ... | Parallax Goon | |
| Suzanne Cohane | ... | Stewardess | |
| Ronda Copland | ... | Girl | |
| Joe Di Reda | ... | Ralph Scoletta (as Joseph Di Reda) | |
| Patsy Garrett | ... | Woman | |
| Penelope Gillette | ... | Woman | |
| Robert P. Lieb | ... | Senator Gillingham (as Robert Lieb) | |
| William Swan | ... | Herbert Moon | |
| John S. Ragin | ... | Buster Himan | |
| Vernon Weddle | ... | Harry Lutz | |
| rest of cast listed alphabetically: | |||
| Steve Kelley | ... | Class President (uncredited) | |
| Anthony Zerbe | ... | Prof. Schwartzkopf (uncredited) | |
Directed by | |||
| Alan J. Pakula | |||
Writing credits | ||
| David Giler | (writer) and | |
| Lorenzo Semple Jr. | (writer) | |
| Loren Singer | (novel) | |
| Robert Towne | uncredited | |
Produced by | |||
| Robert Jiras | .... | assistant producer (as Robert E. Jiras) | |
| Gabriel Katzka | .... | executive producer | |
| Charles H. Maguire | .... | associate producer | |
| Alan J. Pakula | .... | producer | |
Original Music by | |||
| Michael Small | |||
Cinematography by | |||
| Gordon Willis | |||
Film Editing by | |||
| John W. Wheeler | |||
Casting by | |||
| Alixe Gordin | |||
| Joe Scully | |||
Production Design by | |||
| George Jenkins | |||
Set Decoration by | |||
| Reg Allen | |||
Costume Design by | |||
| Frank L. Thompson | (as Frank Thompson) | ||
Makeup Department | |||
| William Turner | .... | makeup artist (as Bill Turner) | |
Production Management | |||
| Charles H. Maguire | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Hawk Koch | .... | first assistant director (as Howard W. Koch Jr.) | |
| John M. Poer | .... | second assistant director (as John Poer) | |
Art Department | |||
| Dudley Holmes | .... | property master (as R. Dudley Holmes) | |
Sound Department | |||
| David Dockendorf | .... | sound re-recordist | |
| Charles Grenzbach | .... | sound re-recordist (as Bud Grenzbach) | |
| Tom Overton | .... | sound mixer | |
Special Effects by | |||
| Tim Smyth | .... | special effects | |
Stunts | |||
| Craig R. Baxley | .... | stunt driver | |
| Paul Baxley | .... | stunt coordinator | |
| Denny Arnold | .... | stunts (uncredited) | |
| Craig R. Baxley | .... | stunt double: Warren Beatty (uncredited) | |
| Steven Burnett | .... | stunts (uncredited) | |
| Chuck Waters | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Brian Hamill | .... | still photographer: special assignment | |
| George Holmes | .... | gaffer | |
| Chris Schwiebert | .... | camera operator | |
Other crew | |||
| Jon Boorstin | .... | assistant to director | |
| Karen Hale Wookey | .... | script supervisor (as Karen Wookey) | |
| Don Record | .... | design consultant | |
| Barbara Spitz | .... | production secretary | |
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The late Alan J. Pakula's 1974 film about political murders is a superbly crafted thriller that holds the audience in its quiet, unsettling grip.
Warren Beatty gives his character of Joe Frady, a "third-rate" journalist, just the right balance of recklessness and determination to enable one to have faith in this man to uncover such shady, potentially threatening goings-on.
Beatty is ably backed up by the supporting cast, most notably Hume Cronyn as Frady's editor, and Paula Prentiss and William Daniels as, respectively, a television reporter and columnist both in fear for their lives.
Composer Michael Small's main theme (used at strategic points throughout the film and often playing on the traditional patriotic sound of the trumpet) has a quality both mournful and despairing that relates effectively to what we are watching. It is a rather sparse music score, but this seems to add to its power. Gordon Willis's Panavision photography conveys threat in even the most everyday of locations (his rendering of modern architecture is especially strong in suggesting a faceless, omnipotent threat), while the editing rhythms and sound design contribute a great deal in throwing the audience off-balance.
Pakula has been involved in more widely-known projects such as All The President's Men and Presumed Innocent, but The Parallax View is definitely one of his best and most powerful films.