Thriller - en grym film (1974)

Director:

Bo Arne Vibenius

Writer:

Bo Arne Vibenius (writer)

Release Date:

5 June 1974 (USA)

Genre:

Action | Thriller

Tagline:

The first film, ever, to be banned in Sweden!

Plot:

A young woman, muted after a sexual assault as a child, is trained to seek violent revenge on those who have wronged her after being kidnapped and forced to work as a prostitute.

Plot Keywords:

Revenge | Martial Arts | Heroin | Death | Brothel

Cast

Christina Lindberg	...	Frigga / Madeleine / One Eye
Heinz Hopf	...	Tony
Despina Tomazani	...	Lip-stick lesbian
Per-Axel Arosenius	...	Frigga's Father
Solveig Andersson	...	Sally
Björn Kristiansson
Marie-Louise Mannervall	...	Woman in village
Hildur Lindberg	...	Mother's Friend
Stig Lokrantz
Olle Nordlander
Marshall McDough
Gunnar Palm
Pamela Pethö-Galantai	...	Young Madeleine
Lennart Robertsson
Hans-Eric Stenborg
Stig Ström
Lars Sääv
Bruno Sörwing
Gunnel Wadner	...	Frigga's Mother
rest of cast listed alphabetically:
Lars Lundgren	...	(uncredited)
Bo Arne Vibenius	...	Hot Dog vendor (uncredited)

Directed by
Bo Arne Vibenius		(as Alex Fridolinski)

Writing credits (in alphabetical order)
Bo Arne Vibenius		writer

Produced by
Bo Arne Vibenius	....	producer

Original Music by
Ralph Lundsten

Cinematography by
Andreas Bellis		(as Andrew Bellis)

Film Editing by
Brian Wikström

Costume Design by
Anna Oskarsdotter

Production Management
Bo Lundqvist	....	unit manager

Sound Department
Dennis Hennicks	....	sound
Bengt Kåring	....	sound

Special Effects by
Stig Limér	....	special effects

Stunts
Per Hessman	....	stunts
Jan Kreigsman	....	stunt coordinator
Dan Lindhe	....	stunts
Lars Lundgren	....	stunts
Bo Sunnefeldt	....	stunts

Camera and Electrical Department
Ted Lindahl	....	electrician

Other crew
Sture Åsberg	....	unspecified assistant
Anna Oskarsdotter	....	assistant to producer (as Anna Maria Anefelt)

Production Companies

• BAV Film
• United Producers

Distributors

• BAV Film (1974) (Sweden) (theatrical)
• American International Pictures (AIP) (1974) (USA) (theatrical) (edit) (dubbed)
• Astral Films (1974) (Canada) (theatrical) (heavily cut) (dubbed)
• Brent Walker Film Distributing (1976) (UK) (theatrical)
• Synapse Films (2004) (USA) (DVD)

Also Known As:

Hooker's Revenge (USA) (reissue title)
They Call Her One Eye (USA) (censored version)
Thriller (Sweden) (short title)
Thriller: A Cruel Picture (USA)
Crime à froid (Canada: French title) (video title) [fr]
Desenlace mortal (Spain) (original subtitled version) [es]
Enögd (Finland: Swedish title) (informal title) [sv]
Thriller (Italy) [it]
Thriller - ein unbarmherziger Film (West Germany) [de]
Yksisilmäinen (Finland) (informal title) [fi]

Runtime:

104 min | UK:80 min (heavily cut) | USA:82 min (R-rated version) | Australia:92 min (R-rated cut)

Country:

Sweden

Language:

Swedish

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Finland:(Banned) (cut) (1975) | Sweden:15 (re-rating: 1974) (heavily cut) | Sweden:(Banned) (original rating: 1973) | UK:R (original rating: 1974) | USA:Unrated (uncut) | UK:X (re-rating: 1976) (heavily cut) | Australia:R (cut) (1976) | West Germany:18 | Italy:VM18 | USA:R (heavily cut) | Canada:18+ (Quebec)

Filming Locations:

Drottningholm, Stockholms län, Sweden

Company:

BAV Film

Trivia:

Director Cameo: [Bo Arne Vibenius]The hot-dog vendor who shows Madeleine the way into the dock.

Goofs:

Revealing mistakes: When the police car runs over a piece of grass between two roads, you can clearly see tire tracks from earlier takes.

Movie Connections:

Featured in Bitch Slap (2009)

Mesmerizing if not perfect

After hearing all the hype about this film...the latest notorious Eurotrash cult film making the rounds...has to be seen to be believed...sex and violence, sex and violence, etc., I finally got hold of a copy of it and was almost afraid that with all the anticipation I'd just be disappointed. To add to that, the copy I got was of crappy quality as I discovered when I started watching it--the opening credits were so blurry I couldn't read them--and the whole affair started to look like nothing more than the chore necessary to get the idea of finally seeing this film out of my head.

All this apprehension disappeared quickly as I got sucked into this simple yet very engaging story. We all know it's about a chick with one eye who picks up a shotgun and exacts revenge on her abusers, another entry into a sub-genre that needs no introduction, and that's what I expected, just another entry into this sub-genre with maybe enough explicit footage to give it the aforementioned notoriety, which alone does not a good film make. What I didn't expect was the atmosphere, the occasional insight (witness an early semi-rape scene involving rape-by-camera), the genuinely creepy close-ups of leering, panting men and all the other quirks that make this such a neat little flick. There is a lot of experimental sort of storytelling in this movie, as I guess was the style of the time (early seventies), and some of it is neat and some of it is downright annoying. But the overall effect, aided in no small part by the music, and aided also by the main character's inability to speak (had to have influenced Ms. .45, which came later) as well as the fact that I don't speak Swedish and this film is neither dubbed nor subtitled, is one of being underwater in a very polluted river. And that seems perfectly appropriate, since figuratively that's the story of the protagonist's life.

The close-up hardcore porn footage is used to better effect than I've ever seen such footage used, as it is supposed to be disturbing and sickening (anyone who thinks about impersonal images like that when they think about real sex, the good kind, has got to be a few beers short of a case). However, it is somewhat over-used. There are some good scenes of drawn-out, methodical drug-administering, shotgun-sawing, martial arts training, etc. that give the film, at times, an edge of realism. This realism is shattered, however, by scenes of cars exploding at the slightest impact and the nails-on-a-chalkboard slo-mo shooting scenes (not just slo-mo, sloooooooooo moooooooooo). Comparing this to Peckinpah is like comparing Green Day to the Stooges.

However, the entire film was redeemed for me by the last couple of sequences...one scene of her walking, all clad in black with her eyepatch and shotgun, amidst some shacks by a pier was straight out of a very dark western. The whole look of the film, especially the outdoor footage, is stark and desolate. Makes me want to go to Sweden. I was not let down by the last killing...the guy deserved that and more...it's a testament to the sort of infectuous quality of this film and the surprising abilities of porn star Christina Lindberg that I cared that much and even savored what happens to this guy. I've never actually savored the film re-enactment of the torture of a human being before seeing this film. More important than that, though, were the stark landscapes and windy, desolate atmosphere of the whole last sequence. "One-eye"'s cold-as-ice serenity as she sits and waits for her macabre plan to take effect is more satisfying than any of what she's waiting for.

All this stark imagery, simplicity and symbolism, I think, makes this film more of a subversive feminist allegory than any other of its type that I've seen; because it is at times almost mythic, it doesn't have to be taken literally. It doesn't have to be about pimps kidnapping girls and force-feeding them drugs, it doesnt have to be about shot guns. It does make me wonder how Christina Lindberg felt about the film, and what she did after.

One more thing: does a black-leather-clad, shotgun toting avenger driving around in a cop car through barren countryside remind you of anything?

Definitely check this out if you're not squeemish.