In 1840's Buenos Aires, Argentina, a beautiful young socialite named Camila falls in love with Ladislao, a Jesuit priest. After several failed attempts at fighting his own feelings, he ... See full summary »
In 1920, some workers of Patagonia, grouped in anarchist and socialist societies, decide to make a strike demanding better working conditions. The situation becomes unsustainable and the government sends the order is restored.
A couple of friends work for a taxi driver to rob his passengers, but they feel like they're getting ripped off. They decide to plan their own robberies, but they are amateurs and things ... See full summary »
Bear has never gotten over the separation from his wife and daughter after having been convicted for armed robbery and homicide and sent to prison. Now he is out, to finally get his cut of ... See full summary »
Israel Adrián Caetano
A union organizing demolition worker and a friend of his decide to blackmail the corrupt company they work for setting up a fake accident. Because of a miscalculation the friend dies, but ... See full summary »
Julio De Grazia
Mario and Ana, in voluntary exile from Buenos Aires, live in a remote Argentine valley with their 12-year-old son Ernesto. Mario runs a school and a wool cooperative; Ana, a doctor, heads a... See full summary »
A judge falls from the roof of the Federal Courthouse. A woman is murdered. Between them and the three sons of the judge there is a connection that will be investigated by a woman judge who... See full summary »
"The Truce" by the Uruguayan writer Mario Benedetti is one of the few novels that can be qualified as "perfect"; no part is superfluous, nothing is lacking, the story is gray and low key but deeply moving. To make a film of a work of this quality is especially challenging; changes and omissions are necessary if only to fit the usual length of a movie. The script by Aída Bortnik and the director Sergio Renán rises to the challenge (the action has been transposed from Montevideo to Buenos Aires, a minor point). Watch the film, then read the book (if possible in the original Spanish).
What makes this movie memorable is the acting (Renan's direction of course has to do with this). Hector Alterio "is" Martin Santomé; after watching him you will find it difficult to imagine the character in any other way (Alterio went on to become a top actor both in Argentina and in Spain). The rest of the cast is equally excellent, especially Ana María Piccio as Laura Avellaneda. The veterans Lautaro Murúa and Norma Aleandro make the most of their small (but essential) parts. The music by Julián Plaza is just right. Very good cinematography by Juan Carlos Desanzo who later directed some celebrated Argentine movies, such as "Eva Perón: The True Story" (1996) and "El Polaquito" (2003).
To my knowledge, there is no Region 1 playable DVD of this movie (not to be confused with a 2003 Mexican version of the same novel). A shame.
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