Two whimsical, aimless thugs harass and assault women, steal, murder, and alternately charm, fight, or sprint their way out of trouble. They take whatever the bourgeois characters value: ...
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Black comedy about solitude and the dehumanization of the modern world, through the adventures of three men. First introduced is Alphonse Tram, an unemployed young man. His only neighbour ... See full summary »
A bisexual petty criminal named Bob encounters a married couple arguing in a bar. Bob breaks up the fight and proceeds to seduce first the wife and then the husband. Then Bob teaches the ... See full summary »
A car dealer, well-to-do and with a beautiful wife, finds himself attracted to his rather plain new temporary secretary. Despite her own commitments she feels the same and the two soon ... See full summary »
A desperate alcoholic reaches a turning-point in his life when he meets a strange woman in a railway carriage: they make love, but then she leaves. Chasing after the girl, he clings to her as if she were his final chance.
Two whimsical, aimless thugs harass and assault women, steal, murder, and alternately charm, fight, or sprint their way out of trouble. They take whatever the bourgeois characters value: whether it's cars, peace of mind, or daughters. Marie-Ange, a jaded, passive hairdresser, joins them as lover, cook, and mother confessor. She's on her own search for seemingly unattainable sexual pleasure. Written by
Director Bertrand Blier revealed, in an interview, that to allow US releases he had to cut the projected end: a final car crash causing the death of the three main characters (Gerard Depardieu, Miou Miou and Patrick Dewaere). See more »
Shocking and offensive but strangely lyrical and charming
I had mixed feelings for "Les Valseuses" (1974) written and directed by Bertrand Blier when I started watching it but I ended up liking it. I would not call it vulgar ("Dumb and Dumber" is vulgar, "The Sweetest Thing" is both vulgar and unforgivably stupid); I would call it shocking and offensive. I can understand why many viewers, especially, the females would not like or even hate it. It is the epitome of misogyny (or so it seems), and the way two antiheroes treat every woman they'd meet seems unspeakable. But the more I think of it the more I realize that it somehow comes off as a delightful little gem. I am fascinated how Blier was able to get away with it. The movie is very entertaining and highly enjoyable: it is well written, the acting by all is first - class, and the music is sweet and melancholic. Actually, when I think of it, two buddies had done something good to the women they came across to: they prepared a woman in the train (the lovely, docile blonde Brigitte Fossey who started her movie career with one of the most impressive debuts in René Clément's "Forbidden Games"(1952) at age 6) for the meeting with her husband whom she had not seen for two months; they found a man who was finally able to get a frigid Marie-Ange (Miou-Miou) exited and satisfied; they enlightened and educated young and very willing Isabelle Huppert (in one of her early screen appearances.) Their encounter with Jeanne Moreau elevates this comedy to the tragic level. In short, I am not sure I'd like to meet Gérard Depardieu's Jean-Claude and Patrick Dewaere's Pierrot in real life and invite them over for dinner but I had a good time watching the movie and two hours almost flew - it was never boring.
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