Two missionaries (Bud Spencer and Terence Hill) come into conflict with the authorities when they turn their missionary into a parrot farm. The Bishop of Maracaibo calls them his 'black ... See full summary »
The "Trinity" crew makes another modern era film. Plata and Salud are pilots ditching aircraft for insurance money. They wind up crashing for real in the jungles of South America. The plot ... See full summary »
In Africa, many years ago, Slim and Tom don't like it when a German tyrant, starts selling all of the African wildlife to Canadian Zoo's! Slim and Tom must teach this guy a lesson by ... See full summary »
In 1978, $20 million was stolen from a Detroit bank. One of the robbers was caught, one was found dead, and the third disappeared. The money was never found. Seven years later, the robber ... See full summary »
Expert conman Joe Thanks teams up with half-breed Bill and naive Lucy to steal $300,000 from the Indian-hating Major Cabot. Their elaborate plan is full of disguises, double-crosses, and chases, but Joe always seems to know what he's doing. Written by
The film was released in West Germany under the title "Nobody ist der Größte", and in Denmark under the name "Jeg hedder stadigvæk Nobody", to create the illusion that it was a sequel to My Name Is Nobody (1973) (aka "Mein Name ist Nobody"/"Mit navn er Nobody")--which it isn't.. See more »
When Major Cabot brings Bill and Lucy to the cell, they go through a room with flags which are supposed to be the state flags of the United States. If you watch closely you can see the flags of the European Union and of East Germany. See more »
In a few moments you'll be the deadest man that ever lived!
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A GENIUS, TWO PARTNERS AND A DUPE (Damiano Damiani and, uncredited, Sergio Leone, 1975) **1/2
This popular latter-day Spaghetti Western proved a disappointment overall, considering the talents involved; to begin with, I've always been wary of semi-comic genre entries such as this which stars one of its major exponents, Terence Hill (in fact, I recall having misgivings about even his MY NAME IS NOBODY ): incidentally, that film was produced by the foremost director of Spaghetti Westerns Sergio Leone who was also involved with this one in an uncredited capacity (as a matter of fact, the striking and violent opening sequence is attributed to him!).
Anyway, the film clearly owes a huge debt to Leone's THE GOOD, THE BAD AND THE UGLY (1966) several genre outings, actually, tried to cash-in on that classic by devising (often amusing) variants on its title though there are so many characters involved that it's hard to determine who the various epithets are referring to! The international cast, then, includes besides Italian Hill Irishman Patrick MacGoohan (though playing a U.S. Cavalry officer), French Miou-Miou and Robert Charlebois, and German Klaus Kinski (appearing in a bit early on as a gambler/gunslinger). Director Damiani had dabbled in the genre previously with one of the politically-oriented efforts, A BULLET FOR THE GENERAL (1967); the film under review, though, isn't nearly as stylish or engaging also, as with a number of examples of its kind, it's overstretched for no real purpose!
Another underwhelming element here is the score by "Euro-Cult" guru/genre stalwart Ennio Morricone while pleasant in itself and occasionally inventive, it's decidedly forgettable in the long run: it seems he'd been doing it for so long that inspiration had pretty much withered by this time! There's not even that much action throughout the film: it's merely a collection of incidents which sees opportunistic Hill, gruff and dim-witted Charlebois (who's not only unhappy to be constantly reminded of his Indian heritage but he gets to negotiate terms with them over land rights while posing as a U.S. Colonel!), charming Miou-Miou, and shrewd villain MacGoohan (who's wasted here: what was he thinking?!) teaming up and/or double-crossing each other for possession of the proverbial booty (the plot, thin and all-too-typical as can be surmised is still separated by a good deal of padding). To be fair, the film is mildly enjoyable as such (a reasonable assessment for an outing emanating so late in the game) but hardly unmissable as Spaghetti Westerns go
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