| Terence Hill | ... | Joe Thanks / Nobody | |
| Miou-Miou | ... | Lucy (as Miou Miou) | |
| Robert Charlebois | ... | Bill Locomotiva / Steamengine Bill | |
| Patrick McGoohan | ... | Major Cabot | |
| Raimund Harmstorf | ... | Sergeant Milton | |
| Piero Vida | ... | Jacky Roll | |
| Rik Battaglia | ... | Captain | |
| Mario Valgoi | ... | Thomas Trader | |
| Mario Brega | ... | Coach driver | |
| Friedrich von Ledebur | ... | Don Felipe, the priest (as Frederick von Ledebur) | |
| Jean Martin | ... | Colonel Pembroke | |
| Klaus Kinski | ... | Doc Foster | |
| Clara Colosimo | ... | La ruffiana | |
| Fernando Cerulli | ... | Her husband (as Ferdinando Cerulli) | |
| Benito Stefanelli | ... | Mortimer | |
| Renato Baldini | ... | Sheriff in saloon | |
| Roy Bosier | ... | Jeremy | |
| Gérard Boucaron | ... | Village idiot | |
| Miriam Mahler | ... | Pembroke's Daughter | |
| Carla Cassola | |||
| Vittorio Fanfoni | |||
| Armando Bottin | |||
| Valerio Ruggeri | |||
| rest of cast listed alphabetically: | |||
| Karl Braun | ... | Poker Player (uncredited) | |
| Lina Franchi | ... | Mary Gomez (prostitute) (uncredited) | |
| Furio Meniconi | ... | (uncredited) | |
| Pietro Torrisi | ... | Mortimer Henchman (uncredited) | |
Directed by | |||
| Damiano Damiani | |||
| Sergio Leone | (uncredited) | ||
Writing credits(in alphabetical order) | ||
| Damiano Damiani | screenplay | |
| Ernesto Gastaldi | screenplay | |
| Ernesto Gastaldi | story | |
| Fulvio Morsella | screenplay | |
| Fulvio Morsella | story | |
Produced by | |||
| Claudio Mancini | .... | producer | |
| Fulvio Morsella | .... | producer | |
| Sergio Leone | .... | executive producer (uncredited) | |
Original Music by | |||
| Ennio Morricone | |||
Cinematography by | |||
| Giuseppe Ruzzolini | |||
Film Editing by | |||
| Nino Baragli | |||
Production Design by | |||
| Francesco Bronzi | |||
| Carlo Simi | |||
Set Decoration by | |||
| Massimo Tavazzi | |||
Costume Design by | |||
| Franco Carretti | |||
Makeup Department | |||
| Carboni | .... | wig maker | |
| Fausto De Lisio | .... | hair stylist: Terence Hill | |
| Grazia De Rossi | .... | hair stylist | |
| Maurizio Giustini | .... | makeup artist: Terence Hill | |
| Pierantonio Mecacci | .... | makeup artist | |
| Rocchetti | .... | wig maker | |
Production Management | |||
| Franco Coduti | .... | unit manager | |
| Claudio Cuomo | .... | unit manager | |
| Claudio Giugno | .... | production supervisor | |
| Diego Gómez Sempere | .... | production manager: Spain | |
| Vasco Mafera | .... | unit manager | |
| Claudio Mancini | .... | general manager | |
Second Unit Director or Assistant Director | |||
| Stefano Rolla | .... | first assistant director | |
| Stefano Vicario | .... | second assistant director | |
Art Department | |||
| Francesco Bronzi | .... | art director: Italy | |
| Gilberto Carbonaro | .... | set constructor | |
| Gianni Fiumi | .... | property master | |
| Carlo Simi | .... | art director: Spain | |
Sound Department | |||
| Fausto Ancillai | .... | sound mixer | |
| Roberto Arcangeli | .... | sound effects | |
| Gaetano Testa | .... | sound | |
Special Effects by | |||
| Giovanni Corridori | .... | special effects | |
Costume and Wardrobe Department | |||
| Orsola Liberati | .... | seamstress | |
Editorial Department | |||
| Rossana Maiuri | .... | assistant editor | |
| Marco Roselli | .... | assistant editor | |
| Olga Sarra | .... | assistant editor | |
Music Department | |||
| Mills | .... | composer: song "Glory, Glory, Glory" | |
| Ennio Morricone | .... | composer: song "Glory, Glory, Glory" | |
| Ennio Morricone | .... | conductor | |
Other crew | |||
| Maurizio Mancini | .... | production secretary | |
| Benito Stefanelli | .... | master of arms | |
| Giorgio Ubaldi | .... | director: acrobatic scenes | |
| Vittoria Vigorelli | .... | script supervisor | |
| Ferruccio Amendola | .... | voice dubbing: Robert Charlebois (uncredited) | |
| Gianfranco Bellini | .... | voice dubbing: Piero Vida (uncredited) | |
| Michele Gammino | .... | voice dubbing: Benito Stefanelli (uncredited) | |
| Nando Gazzolo | .... | voice dubbing: Patrick McGoohan (uncredited) | |
| Pino Locchi | .... | voice dubbing: Terence Hill (uncredited) | |
| Renato Mori | .... | voice dubbing: Mario Valgoi (uncredited) | |
| Glauco Onorato | .... | voice dubbing: Raimund Harmstorf (uncredited) | |
|
|
|
|
|
| Il mio nome è Nessuno | ...continuavano a chiamarlo Trinità | Lo chiamavano Trinità... | Per qualche dollaro in più | Giù la testa |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Italy section | Add this title to MyMovies |
Bit of a disappointment this one, although it was always bound to be too good to be true.
Just think of it! A spaghetti western directed by the great Damiano Damini (A Bullet for the General) and the greater Sergio Leoni, starring legendary actors Patrick McGoohan and Klaus Kinski, with music by Ennio Morriconne. How could it go wrong?
Well let's start...
The opening sequence at least (directed by Leone) is brilliant and promises a terrific film. A promise that is not kept. The sequence has little or no bearing on the rest of the film, an action comedy about the conning of a racist cavalry Major (McGoohan) out of three hundred thousand dollars and the love triangle between the three con-artists, led by Terence Hill.
There seems to be something about most Italian comedy that simply doesn't work when playing to a British or American audience and here it is the same. Most of the film is buffoonery that falls flat, made increasingly worse by the decision to give most of the co-stars silly voices in the dubbing room. Klaus Kinski comes off the worst in his tiny cameo, looking great, out-acting everyone on the screen, but sounding like an ancient hillbilly. Miou-Miou's squeaky toddler voice is unbearable.
McGoohan too sounds bizarre, somewhere between an English toff and WC Fields (all the stranger still, because the voice is actually his).
The music tends towards the comical of course, and as such is not in Morricone's best work.
However, there are some diamonds among the rough. McGoohan's performance is great, in spite of the voice.Terence Hill makes a fairly engaging lead, whose description of a duel is a classic moment for spaghetti westerns. The climax too, an energetic chase, accompanied to Morriconne's reworking of Beethoven's Fur Elise, ending with a tremendous explosion that leaves McGoohan covered in white dust atop his horse like an imposing alabaster statue (worth the admission price alone) is evidence that there is some real talent at work here.
In a perfect world, A Genius would be the very best of the spaghetti westerns. As it stands, it is a failure that I'm very pleased to have seen.