Jaws (1975)

Director:

Steven Spielberg

Writers:

Peter Benchley (screenplay) and
Carl Gottlieb (screenplay) ...
(more)

Release Date:

20 June 1975 (USA)

Genre:

Thriller

Tagline:

The Nation's No.1 Best-Selling Book now the Screen's Super-Thriller

Plot:

When a gigantic great white shark begins to menace the small island community of Amity, a police chief, a marine scientist and grizzled fisherman set out to stop it.

Plot Keywords:

Shark | Beach | Island | Mayor | Fisherman

Awards:

Won 3 Oscars. Another 9 wins & 13 nominations

Cast

Roy Scheider	...	Brody
Robert Shaw	...	Quint
Richard Dreyfuss	...	Hooper
Lorraine Gary	...	Ellen Brody
Murray Hamilton	...	Vaughn
Carl Gottlieb	...	Meadows
Jeffrey Kramer	...	Hendricks (as Jeffrey C. Kramer)
Susan Backlinie	...	Chrissie
Jonathan Filley	...	Cassidy
Ted Grossman	...	Estuary Victim
Chris Rebello	...	Michael Brody
Jay Mello	...	Sean Brody
Lee Fierro	...	Mrs. Kintner
Jeffrey Voorhees	...	Alex Kintner
Craig Kingsbury	...	Ben Gardner
Dr. Robert Nevin	...	Medical Examiner
Peter Benchley	...	Interviewer
rest of cast listed alphabetically:
Chris Anastasio	...	Out of Towner (uncredited)
John Bahr	...	Beach Guitarist (uncredited)
Allison Caine	...	Additional Voices (voice) (uncredited)
Robert Carroll	...	Mr. Polk (uncredited)
Edward Chalmers Jr.	...	Mr. Denherder (uncredited)
Robert Chambers	...	Charlie (uncredited)
Denise Cheshire	...	Swimming Chrissie, First Victim (uncredited)
Fritzi Jane Courtney	...	Mrs. Taft (uncredited)
Cyprian R. Dube	...	Mr. Posner (uncredited)
Paul Goulart	...	Clarinet Player in Music Store (uncredited)
Mike Haydn	...	Bonfire Guitarist (uncredited)
Duncan Inches	...	Townsperson (uncredited)
Belle McDonald	...	Mrs. Posner (uncredited)
Donald Poole	...	Frank Silva, Harbor Master (uncredited)
Ayn Ruymen	...	Nurse (uncredited)
Peggy Scott	...	Polly (uncredited)
Steven Spielberg	...	Amity Point Lifestation Worker (voice) (uncredited)
Alfred Wilde	...	Harry Wiseman (uncredited)
Dick Young	...	Pratt (uncredited)

Directed by
Steven Spielberg

Writing credits
Peter Benchley		(screenplay) and
Carl Gottlieb		(screenplay)
Peter Benchley		(based upon the novel by)
John Milius		Indianapolis monologue (uncredited)
Howard Sackler		Indianapolis monologue (uncredited)
Robert Shaw		Indianapolis monologue (uncredited)

Produced by
David Brown	....	producer
Richard D. Zanuck	....	producer

Original Music by
John Williams

Cinematography by
Bill Butler		(director of photography)

Film Editing by
Verna Fields

Production Design by
Joe Alves		(as Joseph Alves Jr.)

Set Decoration by
John M. Dwyer

Makeup Department
Del Armstrong	....	makeup artist (uncredited)
Verne Caruso	....	hair stylist (uncredited)
Jim Gillespie	....	makeup artist (uncredited)

Production Management
James Fargo	....	unit production manager (as Jim Fargo)

Second Unit Director or Assistant Director
Barbara Bass	....	second assistant director
Tom Joyner	....	first assistant director
Joe Alves	....	second unit director (uncredited)
Verna Fields	....	second unit director (uncredited)

Art Department
Thomas Wright	....	production illustrator (uncredited)

Sound Department
John R. Carter	....	sound
Robert L. Hoyt	....	sound (as Robert Hoyt)
Gregory King	....	sound re-recording mixer (25th anniversary release)
Norval D. Crutcher III	....	sound effects editor (2000 restoration) (uncredited)
George Fredrick	....	sound editor (uncredited)
Gary S. Gerlich	....	sound supervisor (2000 restoration) (uncredited)
Walter A. Gest	....	adr recordist (uncredited)
Roger Heman Jr.	....	sound (uncredited)
William Hooper	....	sound effects editor (2000 restoration) (uncredited)
Andy Koyama	....	2001 restoration sound re-recording mixer (uncredited)
Richard LeGrand Jr.	....	supervising sound editor (2000 restoration) (uncredited)
Earl Madery	....	sound (uncredited)
Colin C. Mouat	....	sound editor (uncredited)
Patrick O'Sullivan	....	sound editor (2000 restoration) (uncredited)
Walter Spencer	....	dialog editor: restoration (uncredited)
Roger Sword	....	sound editor (uncredited)
James Troutman	....	sound editor (uncredited)

Special Effects by
Robert A. Mattey	....	special effects
Kevin Pike	....	special effects assistant
Roy Arbogast	....	special mechanical effects (uncredited)
Richard S. Edwards	....	explosive expert (uncredited)
Richard Stutsman	....	special effects technician (uncredited)
Eddie Surkin	....	special effects crew (uncredited)

Stunts
Richard E. Butler	....	stunts (uncredited)
Howard Curtis	....	stunts (uncredited)
Ted Grossman	....	stunt coordinator (uncredited)
Frank James Sparks	....	stunt double: Richard Dreyfuss (uncredited)
Fred Zendar	....	stunts (uncredited)
Dick Ziker	....	stunts (uncredited)

Camera and Electrical Department
Michael Chapman	....	camera operator
Rexford L. Metz	....	underwater photographer (as Rexford Metz)
Ron Taylor	....	underwater photographer: live shark footage (as Ron)
Valerie Taylor	....	underwater photographer: live shark footage
Vito Carenzo	....	grip (uncredited)
James A. Contner	....	assistant camera (uncredited)
Louis Goldman	....	still photographer (uncredited)
Fred Schuler	....	additional camera operator (uncredited)
Ronald Vidor	....	underwater camera operator (uncredited)
Dennis Young	....	underwater grip (uncredited)
Ron Zarilla	....	assistant camera (uncredited)

Casting Department
Shari Rhodes	....	location casting

Costume and Wardrobe Department
Louise Clark	....	wardrobe: women (uncredited)
Robert Ellsworth	....	wardrobe: men (uncredited)

Editorial Department
William C. Carruth	....	assistant editor (uncredited)
Jeff Gourson	....	assistant film editor (uncredited)

Music Department
Bob Bain	....	musician: guitar (uncredited)
Joseph Glassman	....	music editor (uncredited)
Tommy Johnson	....	musician: tuba soloist (uncredited)
Paul Kegg	....	musician: cello (uncredited)
Steven Spielberg	....	musician: clarinet in orchestra (uncredited)
John Williams	....	conductor (uncredited)

Other crew
Charlsie Bryant	....	script supervisor
William S. Gilmore	....	production executive (as William S. Gilmore Jr.)
Fred Zendar	....	technical advisor (as Manfred Zendar)
Al Ebner	....	unit publicist (uncredited)
Rick Fields	....	assistant: Mr. Spielberg (uncredited)
Ron Veto	....	underwater diver (uncredited)

Thanks
Leonard J.V. Compagno	....	the producers gratefully acknowledge the cooperation of: The Department of Biological Sciences, Stanford University (as Mr. L.J.V. Compagno)

Production Companies

• Zanuck/Brown Productions (for)
• Universal Pictures

Distributors

• Universal Pictures (1975) (USA) (theatrical)
• Cinema International Corp. (1975) (UK) (theatrical)
• Cinema International Corporation (CIC) (1976) (France) (theatrical)
• American Broadcasting Company (ABC) (1979) (USA) (TV) (original airing)
• DiscoVision (1981) (USA) (video) (laserdisc)
• MCA Home Video (1984) (USA) (VHS)
• MCA/Universal Home Video (1996) (USA) (VHS)
• MCA/Universal Home Video (1996) (USA) (video) (laserdisc)
• Universal Studios Home Video (2000) (USA) (DVD)
• CIC Vídeo (19??) (Brazil) (VHS)
• Prem'er Video Fil'm (Russia) (VHS)
• Universal Home Video (200?) (Brazil) (DVD)
• Universal Pictures Canada (2000) (Canada) (DVD) (as Universal Studios Home Video Canada)

Special Effects

• Universal Title (optical effects)

Other Companies

• Chapman/Leonard Studio Equipment  camera cranes and dollies (uncredited)
• Cinematique  cosmetics
• Decca Records  soundtrack released by
• International Alliance of Theatrical Stage Employees (IATSE)  this picture made under the jurisdiction of (as I.A.T.S.E.®)
• MCA Records  soundtrack released by
• National Geographic Society  the producers gratefully acknowledge the cooperation of (as The National Geographic Society)
• The Department of Biological Sciences, Stanford University  the producers gratefully acknowledge the cooperation of
• Universal Title  titles
• Varèse Sarabande  score album released by

Also Known As:

Hajen (Finland: Swedish title) (Sweden) [sv]
Les dents de la mer (Canada: French title) (France) [fr]
Tiburón (Argentina) (Spain) [es]
вЕКЧЯРХ (Soviet Union: Russian title) [ru]
Ajkula (Serbia) [sr]
Celisti (Czechoslovakia: Czech title) [cs]
Celuste (Czechoslovakia: Slovak title) [sk]
Dødens gab (Denmark) [da]
De zomer van de witte haai (Belgium: Flemish title) [un]
Der weiße Hai (West Germany) [de]
Haisommer (Norway) [no]
Jaws - Denizin disleri (Turkey: Turkish title) [tr]
Lo squalo (Italy) [it]
Melta'ot (Israel: Hebrew title) [iw]
O Tubarão (Portugal) [pt]
Ralje (Croatia) (DVD title) [hr]
Szczeki (Poland) [pl]
Ta sagonia tou karharia (Greece) [el]
Tappajahai (Finland) [fi]
Tubarão (Brazil) [pt]

Runtime:

124 min | USA:130 min (TV version)

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

Portugal:M/12 | Canada:13+ (Quebec) | Canada:14 (Nova Scotia) (re-rating) (1995) | Canada:AA (Ontario) | Canada:PG (Manitoba) | Canada:R (Nova Scotia) (original rating) | Iceland:16 | Spain:T | USA:TV-14 | Brazil:14 | New Zealand:M | Canada:14A (Canadian Home Video rating) | Argentina:18 | Australia:M | Chile:18 | Denmark:15 | France:-12 | Hong Kong:IIB | Ireland:15 | Israel:PG | Japan:PG-12 | Netherlands:16 | Norway:15 (video rating) | Norway:16 (original rating) | Singapore:PG | South Korea:12 | Sweden:15 | Taiwan:GP | UK:A (original rating) | UK:PG (video rating) (1987) | USA:PG (Certificate #24175) | West Germany:16 | Finland:K-16

Filming Locations:

American Legion Memorial Bridge, Martha's Vineyard, Massachusetts, USA

Company:

Zanuck/Brown Productions

Trivia:

According to Steven Spielberg in the DVD 'making of' documentary, his original idea for introducing Quint was to have him in the local movie theater watching Moby Dick (1956) starring Gregory Peck. Quint was to be sitting at the back of the theater and laughing so loudly at the absurd special effects of the whale that he drove the other viewers to exit the theater, leaving Quint by himself. Spielberg says that the only thing that stopped him from doing that scene was Gregory Peck. Peck held part of the rights to that movie and when Spielberg approached him for permission, Peck turned him down. Not because he thought it was a bad idea to use the film that way, but because Peck didn't like his performance in Moby Dick (1956) and didn't want the film seen again.

Goofs:

Continuity: The death certificate that Brody is typing for the first victim states that her death occurred at 11:50PM, but the sun was obviously shining when she entered the water. Also, the time of discovery of the body is stated as 10:20PM, but it is obviously the next morning when her body is discovered (Brody had just gotten out of bed when he received the phone call at home).

Quotes:

[first lines]
Tom Cassidy: What's your name again?
Christine 'Chrissie' Watkins: Chrissie.
Tom Cassidy: Where are we going?
Christine 'Chrissie' Watkins: Swimming

Movie Connections:

Referenced in Analog Hero in a Digital World: Making of 'Live Free or Die Hard' (2007) (V)

Soundtrack:

Spanish Ladies

One of the Greatest Thrillers Ever Made

'Jaws' is the original summer blockbuster, setting the standard by which all others are measured. It's the Michael Jordan of cinema: there will never be another 'Jaws,' simply because the film so profoundly changed the way movies are made and marketed.

Based on Peter Benchley's bestselling novel, 'Jaws' centers around the fictional North Atlantic resort island of Amity, which finds itself terrorized by an enormous great white shark. Our hero is Martin Brody, a New York cop who took the job as Chief of the Amity PD to get his family out of the city and then finds himself in the midst of an unprecedented crisis none of his prior experience has prepared him for. The remains of young Christine Watkins are found on the beach, the apparent victim of a shark attack(Chrissie Watkins' death scene at the opening of the movie is one of the most legendary in the history of film). Chief Brody wants to close the beaches, but is refused permission by Mayor Larry Vaughn (Murray Hamilton) and the Amity selectmen, all of whom fear that news of a shark attack off of Amity will threaten the summer tourist trade, on which the town depends for its very survival. The Mayor and his lackies persuade Chief Brody that such incidents are always isolated, and, inexperienced in such matters, he grudgingly agrees to keep quiet.

Consequently, the shark kills again (and again), and Chief Brody eventually finds himself dealing both with his own moral guilt for agreeing to hush up the first shark attack and with an enormous human and social catastrophe which appears to be his sole responsibility. Help comes first in the form of Matt Hooper (Richard Dreyfuss, in the role that propelled him to stardom), an icthyologist and oceanographer dispatched to Amity to lend his expertise. Together, Hooper and Brody struggle in vain against both the shark and Mayor Vaughan, who is certain that keeping the beaches open for the sake of the town's economy (and his own real-estate business) is worth the gamble.

Finally, Brody and Hooper charter an expedition with the enigmatic, vaguely malevolent Quint (Robert Shaw), Amity's most feared and respected shark hunter, to find and kill the shark and save the town from financial disaster. What ensues is an epic, archetypal man vs. beast quest that would make Herman Melville and Joseph Campbell proud. Our shark, it turns out, is way above average size, terrifically swift and powerful, and uncannily smart, to boot. Hooper, the scientist, is awestruck at having encountered the Bigfoot of the sea; Quint, the crafty fisherman with a serious chip on his shoulder against sharks, realizes he has met the ultimate test of his skills; Brody, who swims poorly and is afraid of water, must overcome abject fear and disorientation just to maintain his composure.

Robert Shaw's Quint is one of the greatest anti-heroes the movies have ever seen. He is funny and frightening all at once, and the famous soliloquy in which he recalls the tragic sinking of the USS Indianapolis--where, over the course of a week waiting for rescue, at least 90 US Navy personnel died from shark attack wounds--is one of the most chilling and unforgettable performances ever committed to film.

'Jaws' is the movie that made Steven Spielberg's career, and it's among his finest. It's easy to forget because of his enormously successful blockbusters that Spielberg is a phenomenally skillful and artful director. His timing is superb, he mixes horror with comedy to brilliant effect, he gets great performances out of his actors, and his love for special effects has never overwhelmed his understanding of the importance of story and character.

That said, the most brilliant aspect of 'Jaws' was a serendipitous accident.

The special effects team had yet to fully troubleshoot 'Bruce,' the mechanical shark, by the time filming was to begin. Under tight budget restraints and enormous studio pressure, Spielberg had no choice but to press on while his crew labored vainly to make the shark work in the cold and corrosive north Atlantic seawater. To compensate for the absence of the non-functional fake shark, Spielberg used shots from the shark's point of view and John Williams' famous two-note theme to create the illusion of the shark's presence in the early scenes. Fortunately the crew was ultimately able to get Bruce into operational status in time to film the big showdown, and some of the scenes are filled in with live-shark footage filmed by Australian underwater video pioneers Ron and Valerie Taylor. Consequently, the audience's fear is magnified by the fact that, for the majority of the film, they cannot see the shark, creating suspense towards the climax of the confrontation between man and beast on Quint's fishing boat.

'Jaws' succeeds on almost every level. It is terrifying without being grotesque, and spectacular without being unbelievable (if the shark looks a little fake, remember that, at the time 'Jaws' was released, 'Space Invaders' was on the cutting edge of computer graphics design and there was no such thing as 'Shark Week on the Discovery Channel'). Roy Scheider's Brody is a quintessential everyman, an average guy beset by fear and guilt who finds himself in extraordinary circumstances and rises to the occasion. Dreyfuss' Hooper is brash and brave enough not to come off as nerdy or self-righteous, and his friendship with Brody becomes the backbone of the movie (Spielberg and screenwriter Carl Gottlieb wisely deviated from the novel in regards to the character of Hooper, who was originally Brody's nemesis). Robert Shaw's Quint is a modern-day Captain Ahab, a worthy foe for the malevolent shark. The suspense is potent and the action thrilling, but the humor, emotion, and character development make this movie much more than a summer blockbuster.