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Woody Allen (written by)
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10 June 1975 (USA) more
The Comedy Sensation of the Year!
In czarist Russia, a neurotic soldier and his distant cousin formulate a plot to assassinate Napoleon. full summary | full synopsis
1 win & 1 nomination more
Paul Giamatti: 'I'm clearly not Brad Pitt'
(From The Guardian - Film News. 12 November 2009, 1:27 AM, PST)
Thirst: Chan-wook Park’s Vampire Curveball
(From t5m.com. 20 October 2009, 7:22 AM, PDT)
Woody Allen's best, and I own them all more (78 total)
| Woody Allen | ... | Boris Grushenko | |
| Diane Keaton | ... | Sonja | |
| Georges Adet | ... | Old Nehamkin | |
| Frank Adu | ... | Drill sergeant | |
| Edmond Ardisson | ... | Priest (as Edward Ardisson) | |
| Féodor Atkine | ... | Mikhail Grushenko (as Feodor Atkine) | |
| Albert Augier | ... | Waiter | |
| Yves Barsacq | ... | Rimsky (as Yves Barsaco) | |
| Lloyd Battista | ... | Don Francisco | |
| Jack Berard | ... | Gen. Lecoq | |
| Eva Betrand | ... | Woman hygiene class | |
| George Birt | ... | Doctor | |
| Yves Brainville | ... | Andre | |
| Gérard Buhr | ... | Servant (as Gerard Buhr) | |
| Brian Coburn | ... | Dimitri | |
| Henri Coutet | ... | Minskov | |
| Patricia Crown | ... | Cheerleader | |
| Henry Czarniak | ... | Ivan Grushenko | |
| Despo Diamantidou | ... | Mother Grushenko | |
| Sandor Elès | ... | Soldier #2 (as Sandor Eles) | |
| Luce Fabiole | ... | Grandmother | |
| Florian | ... | Uncle Nikolai | |
| Jacqueline Fogt | ... | Ludmilla | |
| Sol Frieder | ... | Leon Voskovec (herring merchant) (as Sol L. Frieder) | |
| Olga Georges-Picot | ... | Countess Alexandrovna | |
| Harold Gould | ... | Anton Inbedkov | |
| Harry Hankin | ... | Uncle Sasha | |
| Jessica Harper | ... | Natasha | |
| Tony Jay | ... | Vladimir Maximovitch | |
| Tutte Lemkow | ... | Pierre | |
| Jack Lenoir | ... | Kropotkin (wine merchant) | |
| Leib Lensky | ... | Father Andre | |
| Anne Lonnberg | ... | Olga | |
| Roger Lumont | ... | First baker | |
| Alfred Lutter III | ... | Young Boris Grushenko | |
| Ed Marcus | ... | Raskov | |
| Jacques Maury | ... | Second | |
| Narcissa McKinley | ... | Cheerleader | |
| Aubrey Morris | ... | Soldier #4 | |
| Denise Péron | ... | Spanish countess (as Denise Peron) | |
| Beth Porter | ... | Anna | |
| Alan Rossett | ... | Guard | |
| Shimen Ruskin | ... | Borslov | |
| Percival Russel | ... | Berdykov (village idiot) | |
| Chris Sanders | ... | Joseph | |
| Zvee Scooler | ... | Father | |
| C.A.R. Smith | ... | Father Nikolai | |
| Fred Smith | ... | Soldier | |
| Bernard Taylor | ... | Soldier #3 | |
| Clément Thierry | ... | Jacques (as Clement-Thierry) | |
| Alan Tilvern | ... | Sergeant | |
| James Tolkan | ... | Napoleon Bonaparte | |
| Hélène Vallier | ... | Madame Wolfe (as Helene Vallier) | |
| Howard Vernon | ... | Gen. Leveque | |
| Glenn Williams | ... | Soldier #1 | |
| Jacob Witkin | ... | Sushkin | |
| rest of cast listed alphabetically: | |||
| Rebecca Potok | ... | Bit Part (uncredited) | |
| Norman Rose | ... | Death (voice) (uncredited) | |
| Andrée Tainsy | ... | (uncredited) | |
Directed by | |||
| Woody Allen | |||
Writing credits | ||
| Woody Allen | (written by) | |
| Mildred Cram | uncredited | |
| Donald Ogden Stewart | uncredited | |
Produced by | |||
| Fred T. Gallo | .... | associate producer | |
| Charles H. Joffe | .... | producer | |
| Martin Poll | .... | executive producer | |
Cinematography by | |||
| Ghislain Cloquet | |||
Film Editing by | |||
| Ron Kalish | |||
| Ralph Rosenblum | |||
| George Hively | (uncredited) | ||
Casting by | |||
| Miriam Brickman | |||
| Juliet Taylor | |||
| Blanche Wiesenfeld | |||
Production Design by | |||
| Willy Holt | |||
Costume Design by | |||
| Gladys de Segonzac | |||
Makeup Department | |||
| Renée Guidet | .... | hair stylist (as Renee Guidet) | |
| Anatole Paris | .... | makeup artist | |
| Marie-Madeleine Paris | .... | makeup artist | |
Production Management | |||
| Jean-Marie Durand | .... | unit manager | |
| Patrick Gordon | .... | assistant unit manager | |
| Suzanne Wiesenfeld | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Bernard Cohn | .... | second assistant director | |
| Paul Feyder | .... | first assistant director | |
| Zsuzsanna Mills | .... | second assistant director: Hungary (uncredited) | |
Art Department | |||
| Louis Boussaroque | .... | outside buyer | |
| Jean Brunet | .... | stand-by propman | |
| Marc Frédérix | .... | assistant art director (as Marc Frederix) | |
| Claude Reytinas | .... | set dresser | |
Sound Department | |||
| Daniel Brisseau | .... | sound mixer | |
| Gérard de Lagarde | .... | boom operator (as Gerard De Lagarde) | |
| Al Gramaglia | .... | sound re-recording mixer | |
| Dan Sable | .... | sound editor | |
| Michael Kirchberger | .... | assistant sound editor (uncredited) | |
Special Effects by | |||
| Peter Dawson | .... | assistant special effects | |
| Kit West | .... | chief special effects | |
Stunts | |||
| Gábor Piroch | .... | stunts | |
Camera and Electrical Department | |||
| Paul Apoteker | .... | still photographer | |
| Philippe Houdart | .... | second assistant camera | |
| René Strasser | .... | head grip | |
| Guy Testa-Rossa | .... | first assistant camera | |
| Michel Vocoret | .... | head gaffer | |
| Daniel Vogel | .... | camera operator | |
Costume and Wardrobe Department | |||
| Andree Demarez | .... | wardrober | |
Editorial Department | |||
| Marilyn McLaren | .... | assistant film editor | |
Music Department | |||
| Felix Giglio | .... | music supervisor | |
Other crew | |||
| Catherine Prévert | .... | script supervisor (as Catherine Prevert) | |
| Adele Sanders | .... | auditor | |
| Marie-Jose Testard | .... | accountant | |
| Blanche Wiesenfeld | .... | production secretary | |
Guerre et amour (France)
Die letzte Nacht des Boris Gruschenko (Austria) (West Germany) [de]
La última noche de Boris Grushenko (Argentina) (Spain) [es]
A Última Noite de Bóris Grushenko (Brazil) [pt]
Ahava Oo'Mavet (Israel: Hebrew title) [iw]
Amor y muerte: La última noche de Boris Grushenko (Mexico) [es]
Amore e guerra (Italy) [it]
Död och pina (Sweden) [sv]
Kærlighed og død (Denmark) [da]
L'última nit de Boris Grushenko (Spain: Catalan title) [ca]
Milosc i smierc (Poland) [pl]
O eirinopoios (Greece) [el]
Sota ja rakkaus eli älkää ampuko Napoleonia (Finland) [fi]
Szerelem és halál (Hungary) [hu]
more
85 min
1.33 : 1 more
Australia:PG | Netherlands:6 | Brazil:12 | USA:PG (certificate #24301) | Argentina:13 | Finland:K-16 | France:U | Norway:16 | Sweden:11 | UK:PG
The soundtrack was originally scored with the music of Igor Stravinsky, but Woody Allen thought it made the scenes "unfunny". He discovered Sergei Prokofiev's lighthearted music worked far better. more
Factual errors: In the scene where Sonja accompanies Beethoven's "Spring" violin sonata, the music on the piano is visibly an orchestral score, whereas the piece they are playing is a duo. Besides, the "violinist" never moves his left hand's fingers. more
Napoleon:
Do you find me attractive as a man?
Sonja:
Yes, I think that's your best bet.
more
Referenced in "Anything But Love: Love and Death (#1.4)" (1989) more
Lt. Kije more
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People go on and on about "Annie Hall," which I must say I love, but "Love and Death" remains, for me, the best movie Woody Allen movie ever made. Why?
First, I love Dostoyevsky, and his twisted take on Dostoyevsky is so hilarious, but also so informed, that it lands me on my ass. Second, his dialogue is so
existentialist and yet so ridiculous ("Yes, but objectivity is subjective." "Not in any rational scheme of perception.") that it makes Ingmar Bergman look like a fool, which he isn't, but it's so much fun to deconstruct the big guy. Third, I love the scene when the little kid questions death about the afterlife. ("Are there girls?") I love the one-liners, especially when, surveying the battlefield with all the bodies lying around, Woody's companion says "He was our village idiot." and Woody
replies "So what did you do? Place?" Mainly I love it because it is intellectual but also as silly as hell. In the movie pantheon, Woody is up there in the godhead, along with Bergman and Dreyer. Alongside them, the world needs Woody, to
make it laugh about things that they make people think seriously about.