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Lips of Blood (1975)

Lèvres de sang (original title)
Not Rated | | Horror | 18 May 1975 (France)
Frederick sees a photograph of a ruined seaside castle, which triggers a strange childhood memory. He then goes on a strange quest, aided by four female vampires, to find the castle and the beautiful woman who lives there.

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Cast

Cast overview, first billed only:
...
Frédéric
...
Jennifer (as Annie Briand)
Natalie Perrey ...
La mère de Frédéric
Martine Grimaud
Catherine Castel ...
Jumelle vampire
...
Jumelle vampire
Hélène Maguin
Anita Berglund
Claudine Beccarie ...
Claudine
Béatrice Harnois
Sylvia Bourdon
Mireille Dargent
Paul Bisciglia ...
Le psychiatre
Willy Braque ...
Le tueur
Julien Etchevery
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Storyline

This erotic vampire film features a young man on a strange quest after recognizing a castle on a poster. He seems to remember the castle from his childhood and eventually finds it with the aid of a strange woman dressed in white. It turns out that his family has been keeping the secret of vampirism from him. Written by Ørnås

Plot Summary | Plot Synopsis

Genres:

Horror

Certificate:

Not Rated | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

18 May 1975 (France)  »

Also Known As:

Lips of Blood  »

Company Credits

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Technical Specs

Runtime:

(X rated)

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Jean Rollin based the main male character Frederic on himself. See more »

Connections

References Le fantôme de la liberté (1974) See more »

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User Reviews

 
The Dream Life of Vampires
13 January 2011 | by (United Kingdom) – See all my reviews

The films of Jean Rollin will be an enigma to many who have not experiencing his work, yet for those who allow themselves to be taken elsewhere by his cinema it can prove a highly rewarding experience. The viewer is often taken to places that invoke bewilderment, unease, and sexual desire. By no means Rollin's best film, Levres De Sang (aka. Lips of Blood) is a beautifully lyrical, slow burner that has the uncanny ability to take the viewer into an ethereal, dream like world, where the erotic and the neurotic are intertwined.

The story of a photographer, upon seeing a poster, is reminded of his childhood where a mysterious female vampire. However, this being Rollin, do not expect a traditional vampire movie (although his vampire films are arguably the most faithful to the Gothic aura and mythology of the vampire). Mostly dialogue free, with the acting catatonic, this only adds a surreal edge to the proceedings. And no vampire films have a greater sense of eroticism; it is easily to succumb to female vampires whenever they are on screen.

For the uninitiated, approach with caution. But this is a fine example of the originality and unique approach which is to be found in 1970s European sex and horror cinema.

Of which, Jean Rollin was undoubtedly the master.


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