| Mimsy Farmer | ... | Simona Sana | |
| Barry Primus | ... | Father Paul Lenox | |
| Ray Lovelock | ... | Edgar | |
| Carlo Cattaneo | ... | Lello Sana (as Carlo Cataneo) | |
| Angela Goodwin | ... | Daniela | |
| Gaby Wagner | ... | Betty Lenox | |
| Massimo Serato | ... | Gianni Sana | |
| Ernesto Colli | ... | Ivo | |
| Leonardo Severini | ... | Caretaker | |
| Eleonora Morana | ... | Eleonora | |
| Antonio Casale | ... | Inspector Silvestri | |
| Giovanni Di Benedetto | ... | Head Coroner | |
| Maria Pia Attanasio | ... | Aunt Elvira | |
| Pier Giovanni Anchisi | ... | Archivist at Criminal Museum (as Piero Anchisi) | |
| Pupino Samona | ... | Doctor with beard (as Pupino Samonà) | |
| Sergio Sinceri | |||
| rest of cast listed alphabetically: | |||
| Bruno Alias | ... | Man in Restaurant (uncredited) | |
| Antonio Anelli | ... | Man in the Hotel Hall (uncredited) | |
| Massimo Ciprari | ... | Audience Watching Car Race (uncredited) | |
| Cindy Girling | ... | Blonde Corpse (uncredited) | |
| Carla Mancini | ... | Nurse (uncredited) | |
| Giulio Massimini | ... | Waiter (uncredited) | |
| Alessandra Vazzoler | ... | Fat Corpse (uncredited) | |
| Luciano Zanussi | ... | Doctor at Autopsy (uncredited) | |
Directed by | |||
| Armando Crispino | |||
Writing credits(in alphabetical order) | ||
| Lucio Battistrada | ||
| Armando Crispino | ||
Produced by | |||
| Leo Pescarolo | .... | producer (as Leonardo Pescarolo) | |
Original Music by | |||
| Ennio Morricone | |||
Cinematography by | |||
| Carlo Carlini | |||
Film Editing by | |||
| Daniele Alabiso | |||
Art Direction by | |||
| Elio Balletti | |||
Costume Design by | |||
| Mario Ambrosino | |||
Makeup Department | |||
| Giancarlo De Leonardis | .... | hair stylist | |
| Renzo Francioni | .... | makeup artist | |
Production Management | |||
| Antonio Paoletti | .... | unit manager | |
| Egidio Quarantotto | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Lorenzo Magnolia | .... | assistant director | |
Art Department | |||
| Elio Balletti | .... | set designer | |
Sound Department | |||
| Nick Alexander | .... | dubbing editor | |
| Ugo Celani | .... | sound recordist | |
Camera and Electrical Department | |||
| Vittorugo Contino | .... | still photographer | |
| Sergio Martinelli | .... | camera operator | |
| Renato Mascagno | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Wanda Croce | .... | seamstress | |
| Aldo Giuliani | .... | wardrobe assistant | |
Editorial Department | |||
| Rosalba Giacobbe | .... | assistant editor | |
Other crew | |||
| Luciano Foti | .... | production coordinator | |
| Ninni Reginato | .... | script supervisor | |
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| Il gatto a nove code | Reazione a catena | La tarantola dal ventre nero | La polizia chiede aiuto | Giornata nera per l'ariete |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Italy section |
The opening of this film might leave one wondering as to what the remaining story could be about. Turns out the director must have felt the same way, since the beginning has little to do with the rest of the film. The blatant use of simulated autopsy footage is what the American distributor played off of when they retitled the film "Autopsy". If you check out the trailer, you can see they were trying to pass this off as centering on reanimated corpses or...well, I'm not sure exactly what they were aiming for, but it's all a clever disguise, since the film is yet another tepid giallo.
I have to give the director credit for giving this the feel of a nightmare, but that may also be simply a poorly conceived narrative and a choppy script. Argento can get away with those kinds of things sometimes due to his visual flair, but in this case it falls flat.