Nashville (1975)

User Rating:

7.7/10   

Director:

Robert Altman

Writer:

Joan Tewkesbury (written by)

Release Date:

21 September 1975 (UK)

Genre:

Drama | Music

Tagline:

Wild. Wonderful. Sinful. Laughing. Explosive.

Plot:

Over the course of a few hectic days, numerous interrelated individuals prepare for a political convention as secrets and lies are surfaced and revealed.

Plot Keywords:

Nashville | Reporter | Candidate | Assassination | Country Music

Awards:

Won Oscar. Another 20 wins & 23 nominations

Cast

David Arkin	...	Norman
Barbara Baxley	...	Lady Pearl
Ned Beatty	...	Delbert Reese
Karen Black	...	Connie White
Ronee Blakley	...	Barbara Jean
Timothy Brown	...	Tommy Brown
Keith Carradine	...	Tom Frank
Geraldine Chaplin	...	Opal
Robert DoQui	...	Wade (as Robert Doqui)
Shelley Duvall	...	L. A. Joan
Allen Garfield	...	Barnett
Henry Gibson	...	Haven Hamilton
Scott Glenn	...	Pfc. Glenn Kelly
Jeff Goldblum	...	Tricycle Man
Barbara Harris	...	Albuquerque

Also Known As:

Nashville (Austria) (West Germany) [de]
Nashville (Denmark) [da]
Nashville (Finland) [fi]
Nashville, i polis ton ekplixeon (Greece) [el]

Runtime:

159 min

Country:

USA

Language:

English

Color:

Color (Metrocolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

4-Track Stereo (magnetic prints)

Certification:

Canada:PG (Ontario) | Singapore:NC-16 | Netherlands:12 | West Germany:12 | UK:AA (original rating) | Finland:K-12 | Sweden:11 | UK:15 | USA:R

Filming Locations:

Centennial Park, Nashville, Tennessee, USA

Company:

ABC Entertainment

Trivia:

All the band musicians used in the film were real musicians working in Nashville at the time.

Goofs:

Crew or equipment visible: Two policemen directing traffic - one waving and another carrying a bullhorn - are visible in the middle of the interstate during the car crash as the bus crashes into the pileup.

Quotes:

Connie White: You're English, aren't you?
Julie Christie: Yes.
Connie White: [proudly] I could tell.

Movie Connections:

Featured in AFI's 100 Years... 100 Movies: 10th Anniversary Edition (2007) (TV)

Soundtrack:

Old Man Mississippi

Altman's Masterpiece: "The Damnedest Thing You Ever Saw"

Robert Altman is an extremely divisive director in the sense that you either "get it" or you don't--and those who don't despise his work and take considerable pleasure in sneering at NASHVILLE in particular. But there is no way around the fact that it is an important film, a highly influential film, to most Altman fans his finest films, and to most series critics quite possibly the single finest film made during the whole of the 1970s.

According to the movie trailer available on the DVD release, NASHVILLE is "the damnedest thing you ever saw"--and a truer thing was never said, for it is one of those rare film that completely defies description. On one level, the film follows the lives of some twenty characters over the course of several days leading up to a political rally, lives that collide or don't collide, that have moments of success and failure, and which in the process explore the hypocrisy that we try to sweep away under the rug of American culture. If it were merely that, the film would be so much soap-opera, but it goes quite a bit further: it juxtaposes its observations with images of American patriotism and politics at their most vulgar, and in the process it makes an incredibly funny, incredibly sad, and remarkably savage statement on the superficial values that plague our society.

What most viewers find difficult about NASHVILLE--and about many Altman films--is his refusal to direct our attention within any single scene. Conversations and plot directions overlap with each other, and so much goes on in every scene that you are constantly forced to decide what you will pay attention to and what you will ignore. The result is a film that goes in a hundred different directions with a thousand different meanings, and it would be safe to say that every person who sees it will see a different film.

In the end, however, all these roads lead to Rome, or in this case to the Roman coliseum of American politics, where fame is gained or lost in the wake of violence, where the strong consume the weak without any real personal malice, and where the current political star is only as good as press agent's presentation. For those willing and able to dive into the complex web of life it presents, Altman's masterpiece will be an endlessly fascinating mirror in which we see the energy of life itself scattered, gathered, and reflected back to us. A masterpiece that bears repeated viewings much in the same way that a great novel bears repeated readings. A personal favorite and highly, highly recommended.

Gary F. Taylor, aka GFT, Amazon Reviewer