| Photos (See all 10 | slideshow) |
| Shari Eubank | ... | SuperAngel / SuperVixen | |
| Charles Napier | ... | Harry Sledge | |
| Uschi Digard | ... | SuperSoul / Telephone Operator | |
| Charles Pitts | ... | Clint Ramsey | |
| Henry Rowland | ... | Martin Bormann | |
| Christy Hartburg | ... | SuperLorna | |
| Colleen Brennan | ... | SuperCherry (as Sharon Kelly) | |
| John Lazar | ... | Cal MacKinney (as John La Zar) | |
| Stuart Lancaster | ... | Lute | |
| Deborah McGuire | ... | SuperEula | |
| Glenn Dixon | ... | Luther | |
| Haji | ... | SuperHaji | |
| 'Big Jack' Provan | ... | Sheriff (as Big Jack Provan) | |
| Garth Pillsbury | ... | Fisherman | |
| Ron Sheridan | ... | Policeman | |
| John Lawrence | ... | Dr. Scholl | |
| F. Rufus Owens | ... | Rufus | |
| John Furlong | ... | CBS Commentator (voice) | |
| Paul Fox | ... | Tire Thief | |
| Ann Marie | ... | Tom's Other Wife | |
| John Steen | ... | Race Car Driver | |
| rest of cast listed alphabetically: | |||
| Stan Berkowitz | ... | Car Driver (uncredited) | |
| Richard S. Brummer | ... | Truck Driver (uncredited) | |
| Russ Meyer | ... | Motel Manager #2 (uncredited) | |
Directed by | |||
| Russ Meyer | |||
Writing credits | ||
| Russ Meyer | (written by) | |
Produced by | |||
| Wilfred Kues | .... | associate producer | |
| Russ Meyer | .... | producer | |
| Charles Napier | .... | associate producer | |
| Fred Owens | .... | associate producer | |
| James Parsons | .... | associate producer | |
| Anthony-James Ryan | .... | executive producer (as A. James Ryan) | |
Original Music by | |||
| William Loose | |||
Cinematography by | |||
| Russ Meyer | (photographed by) | ||
Film Editing by | |||
| Russ Meyer | |||
Production Design by | |||
| Michel Levesque | (uncredited) | ||
Art Direction by | |||
| Michel Levesque | (as Michael Levesque) | ||
Costume Design by | |||
| Paulette Breil | (as Paulette) | ||
| Yves Meyer | |||
Makeup Department | |||
| Haji | .... | makeup artist (as Barbarella Catton) | |
Production Management | |||
| Fred Owens | .... | production manager | |
| Jacqueline Ryan | .... | assistant production manager | |
Sound Department | |||
| Richard S. Brummer | .... | sound effects editor (as Richard Serly Brummer) | |
| Richard S. Brummer | .... | sound recordist (as Richard Serly Brummer) | |
Camera and Electrical Department | |||
| Stan Berkowitz | .... | grip (as Stanley Berkowitz) | |
| Douglas Knapp | .... | camera operator | |
| Tom Neuwirth | .... | assistant camera | |
Other crew | |||
| Les Barnum | .... | assistant to producer | |
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| La tarantola dal ventre nero | Furyô anego den: Inoshika Ochô | The Doom Generation | Foxy Brown | Nude per l'assassino |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
While this isn't my personal favorite from the legendary Russ Meyer's output (that'd be either "Faster Pussycat! Kill! Kill!" or "Beyond the Valley of the Dolls" at the moment), its possibly the most defining film Meyer ever made. All his regular trademarks that have endured him to trash fanatics everywhere are on full display here. His editing style is rapid, with few shots lasting more than several seconds. There's a style of insanity which makes one wonder how sincere Meyer actually is - whether he has something up his sleeve or is legitimately demented. The film's sense of absurdity bordering on surrealism illustrates this. Also, the film's lighthearted tone is interrupted by shocking moments of violence which, while over-the-top in nature, are still potent. Most of all, this film features six buxom females, the most defining trait of a Meyer film.
This is Meyer's show all around, meaning outside of the voluptuous females, the actors don't really matter too much. Still, the cast does a good job with the kitschy material. Charles Pitts is likable in the lead role, despite not being as outrageous as the material called for. Even better are Shari Eubank (in two roles, as the ultimate evil female and a nice girl perfect for Pitts) and Charles Napier (as the degenerate and vicious lawman villain). Is it misogynistic? Perhaps a little bit, but this is the kind of crazy trash that one really shouldn't take too seriously. Another entertaining winner from Meyer. (8/10)