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31 out of 31 people found the following comment useful :- When Franco died, 17 February 2006 Author: francois chevallier (francheval@noos.fr) from Paris, France
*** This comment may contain spoilers ***
Theme song "Porque te vas" was a huge hit in Europe in 1976, and appealed even to people who didn't understand a word of Spanish. Actually, many people went to see this movie because of the song. As a film, I found it rather austere, and difficult to understand if you are not familiar with Spain's recent history, so I am amazed by the generally good reaction of the public to it.1976 was the year after Franco died, ending a 40-year period of civil war and dictatorship, which makes "Cria Cuervos" a historical marker in Spanish cinema. Actually, Spanish cinema had until that date been rather poor, very far surpassed by the Italian one, but this situation has lastingly reversed since that date. In 1976, the political future of Spain was still unclear, and this is maybe why Saura remains so allusive.Action is taking place in the early seventies when Franco was still around. It is centered around 10 year old girl Ana, the second of three daughters. Her father is is a military, which is no innocuous detail in the context of the Franco regime. Her mother is dead, but keeps appearing to her as a ghost, and talks to her, while Ana remains silent. What is going on is a bit unclear, because, very much like in Bunuel movies, reality and dream are hard to tell apart. We don't know if Ana poisons her father, who has affairs with mistresses, but what is certain is that she imagines that, and that he dies too. A symbol for Franco's death?After their father's death, the girls are fostered by a rigid aunt, who tries to get their affection, but fails. Ana is a silent child, obsessed by death. She plays with poison, spends a lot of time playing with a doll in an empty swimming pool. She also talks to her mute grandmother in a wheel chair, and asks her at one point if she would like to die. As the grandma nods positively, Ana offers to help her dying but the grandma recoils. There is always a grandmother character in every film by Carlos Saura.Like in many Saura movies, each character seems to incarnate an aspect of Spanish society. The father most likely represents the Franco regime, the mother would be the murdered Republic, the grandmother is probably a reminder of old Spain before the Civil War, and the children, Ana especially, seem to be the symbol of Spanish youth, uncertain about its place and future.The title refers to a Spanish proverb : "Feed the ravens, and they will tear your eyes up". Does it mean that the Spanish dictatorship did not trust its own children? Possibly, why would there be a dictatorship otherwise?The ending scene is powerful, as the girls go back to school after the holiday. We see a crowd of children in white blouses walking up the stairs of a high building towering over Madrid, while the theme song plays out loud "Because you are leaving". A vision of future? Looks like it. And who is leaving? Franco? Tempting guess, but the movie lets many questions unanswered.Geraldine Chaplin, who plays Ana's mother, was by then the wife of Carlos Saura, and as she learned speaking perfect Spanish, she played in several of his movies. As for Ana Torrent, she was at the start of an important career, as she has remained a major actress in Spain as an adult.
22 out of 27 people found the following comment useful :- the 2nd level, 5 March 2003 Author: Efzed from France
Like almost everyone i found this movie extraordinary touching and beautiful when i first saw it. I watched it several times and i realized something, it's really about Spain under Franco's dictatorship. Every character is a metaphor of Spain , the beautiful mother killed, cheated on by her military husband, the collaborating auntie who tries to educate the children, the old mute grand mother, who only wants to remember the old days (the republic) etc... every line in the movie can be heard in a completely different. The young rebel Ana is a true symbol of the spanish youth who can't stand anymore the military oppression, and who wanna be free to see the outside world (the song is reggae !). and the final scene with the hope of a new era coming (when the kids are arriving at school as a new year is beginning) is the reflection of what was about to happen in Spain (Franco died the same year). Anyway, whether you want to see its political message or not, it's just a wonderful movie, one of my favorite.
16 out of 17 people found the following comment useful :- Perspectives, 5 January 2005 Author: Daniel Hayes (dphayes@dal.ca) from Halifax, NS
This film is such a splendid experience that it's difficult to really describe objectively why. The plot, the characters are revealed at a perfect tempo, keeping the audience engrossed and anticipating what's next. Any film with such sparse dialogue needs to make the rare lines worthwhile, and Saura certainly does, probably learning from Erice, the master of indispensable dialogue. Ana Torrent invites all sorts of Erice comparisons, but I see Saura taking a step beyond him here visually."Beehive" was a landmark film, and unlike anything that had been made. But the camera maintained the same distance and the story was fundamentally allegorical. Saura experiments with distance, sometimes following the characters closely, sometimes giving an omniscient birds eye view of the area. Sometimes remaining a mere witness to what's happening. It's very carefully calculated to best enhance the scene and keep these extraordinary events within the realm of possibility.If there's such a film as a director's film, this is it. Although it is certainly worthwhile for the performances as well.5 out of 5 - Essential
9 out of 9 people found the following comment useful :- A film about the girl with sad and serious eyes, 6 May 2006 Author: Natashenka_S from Israel
I took this film in a video library and watched it 3 times. It is one of the most powerful films I have ever seen. The techniques in the film are very modest but it's amazing what the director does with them. I liked very much this sad and quiet girl. The scene where her pet dies and she buries him is so solemn and heart-breaking. I felt sad about the old Grandmother who watches the old pictures in sadness. I also liked Geraldine Chaplin, she is very good in this role, her intimate bond with the daughter, and how she looks at Ana with sadness when the girl doesn't notice it. The scene where the girl imagines her mom combing her hair is mesmerizing. Maria's pain is very palpable.By the way I found some interesting information about this film. Geraldine Chaplin was dubbed in the episodes where she plays the grown Ana. It was done because the actress has a slight British accent which is not annoying or too prominent (for me at least), but the point is that she plays a grown girl, and it would be rather weird if a grown person acquires an accent in one's mother tongue if this accent did not exist during the childhood. So it was an intelligent consideration of the director.I recommend this movie very much.
7 out of 7 people found the following comment useful :- Morbid Recollections of a Dark Childhood, 18 July 2008 Author: Claudio Carvalho from Rio de Janeiro, Brazil
In Madrid, the orphan sisters Irene (Conchota Pérez), Ana (Ana Torrent) and Maite (Maite Sánchez) are raised by their austere aunt Paulina (Mônica Randall) together with their mute and crippled grandmother after the death of their mother (Geraldine Chaplin) and their military father Anselmo (Héctor Alterio). Ana is a melancholic girl, fascinated by death, after seeing her mother having a painful death and her father dead in bed."Cria Cuervos" is a beautiful and sad movie of Carlos Saura that can be watched in two levels: in the first plane, it is a film that recalls the style of the family dramas of Ingmar Bergman. However, in a deeper level, the story is actually a metaphor of the recent Spanish political history, and each character represents a segment of their society: Ana's father represents the military dictatorship of Franco; her dying mother, the republic; her grandmother, those who miss the republic; Ana is probably the youth with a sad childhood surrounded by deaths. The conclusion is a message of hope for the people. I believe that those familiarized with the Spanish history would find many other elements, but in both levels this movie is wonderful. The title is a reference to the Spanish proverb "Cría cuervos y te sacaran los ojos" which means "Raise the ravens, and they will remove your eyes". Ana Torrent shows her amazing talent in the beginning of her successful career. My vote is eight.Title (Brazil): "Cría Cuervos…" ("Raise Ravens…")
12 out of 19 people found the following comment useful :- My favourite film of all time, 12 August 2001 Author: (eguirald-1) from Santiago, Chile
I have seen several thousand films in my life and this one became the top one almost instantly. Ever since I have watched it several times and it has never failed to impress and delight me - it even increases the sense of mystery undelying in its baroque and compelling history. On my opinion, it is Carlos Saura's masterpiece and perhaps the best film ever made about the mysterious inner world children live in and create. There is so much to be enjoyed in this film, that a conventional review will not make it justice.
5 out of 6 people found the following comment useful :- Simple, but labyrinthine. Truly fantastic., 26 August 2007 Author: zetes from Saint Paul, MN
A perfect sister film to one of my absolute favorites, Spirit of the Beehive. It also stars Ana Torrent and has similar themes. And I like it probably as much. Torrent, three years older but looking pretty much the same, plays the middle child of three girls. At the beginning of the film, their father has just died. Their mother (played by Geraldine Chaplin) died a while back. The film is told through the mind of Ana, who is still mourning her mother, and she often sees her. It can be confusing at the beginning. Chaplin also appears as the adult Ana, who narrates some of her thoughts, or possibly as what Ana believes she will become. This is very ambiguous. The girls' aunt Paulina is now taking care of them. The duty was kind of forced upon her and, while she's trying her hardest, it's taking its toll. She's stern and not well liked by the girls, especially Ana. There isn't much plot, per se, and what little there is shouldn't be ruined. We often see Ana's imagination and memories come to life. We see her witness fights between her parents. Later on, she reenacts them with her sisters. The film is about what children observe, how they interpret it and how they act on those interpretations. The film also has political ramifications, subtle ones that are pretty difficult to grasp. The title is the beginning of a Spanish proverb that goes: "Raise ravens, and they'll tear out your eyes." Like Spirit of the Beehive, the film depicts a child experimenting with her own cruelty and violence. Supposedly this is all a criticism of the Fascist government (Franco had just died by this point, so his regime was just on its way out). It's a very dense and fascinating movie. You'd probably still be swimming through its mysteries on a hundredth viewing. If you thought possibly that Ana Torrent was not acting in Spirit of the Beehive, this will set you straight. Her blank, soulful expression is here in full force, of course, but here you see the slightest smile creep across her face, and you can just tell exactly what she's thinking. I'm afraid I've done an awful job reviewing Cría Cuervos. I haven't expressed how touching it is when dealing with Ana's loneliness (there's a scene where she dreams that her mother pops into her bedroom to tell her a story that's just heartbreaking), or how it often straddles dark comedy, like the scenes between Ana and the maid. I think that difficulty in reviewing it shows just how layered and confounding the film is. It shoots right up my favorites list. It's easily the best film I've seen all year. Bravo to Criterion for bringing this one to DVD. Hope they also get to Saura's La Caza sometime in the future.
3 out of 3 people found the following comment useful :- Wonderful childhood memories, 13 December 1998 Author: fern-2 from Montréal, Québec
What a wonderful movie! Saura has succeeded showing us the inside of childhood. One has to be a great artist to be able to reflect the true feelings of a child thrown in the turmoil of life. Little Ana's eyes are a world of suffering, of understanding, of emotions. This child has seen death, she has known it directly and she has no fear. Either to experience it or to give it or to see it. Thank you Mr Saura, after 23 years, you still give us these great moments of life.
4 out of 5 people found the following comment useful :- so true, 3 March 2000 Author: AfterD'arc from Amsterdam
When death enters childhood it becomes a part of life without the real understanding of the matter. Little Ana from a viewer (witnessing her mother's death) tries to become a punishing hand of destiny, truelly beliving she killed her father and her aunt. And all this without loosing any of the "sweet" naivity. Her melancholic, grown up expression, strong feeling loneliness, gives the character to the whole movie and breaks your heart.
5 out of 7 people found the following comment useful :- Happy childhood?, 23 December 2000 Author: Pablo from Seattle
The title is from a Spanish proverb: "If you raise (cria) crows, they will peck your eyes out." Cría is a pun also: it means offspring, young, especially of wild animals. The query behind this whole movie is just who does young Ana resemble? Whose cría is she? Carlos Saura's entire oeuvre deserves more attention; this and his dance movies will convince you of why.
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