| Neville Brand | ... | Judd | |
| Mel Ferrer | ... | Harvey Wood | |
| Carolyn Jones | ... | Miss Hattie | |
| Marilyn Burns | ... | Faye | |
| William Finley | ... | Roy | |
| Stuart Whitman | ... | Sheriff Martin | |
| Roberta Collins | ... | Clara | |
| Kyle Richards | ... | Angie | |
| Robert Englund | ... | Buck | |
| Crystin Sinclaire | ... | Libby Wood | |
| Janus Blythe | ... | Lynette (as Janus Blyth) | |
| Betty Cole | ... | Ruby | |
| Sig Sakowicz | ... | Deputy Girth | |
| Ronald W. Davis | ... | Country Boy | |
| Christine Schneider | ... | Waitress | |
| David Hayward | ... | The Cowboy | |
| David Carson | ... | Marlo (as David 'Goat' Carson) | |
| Lincoln Kibbee | ... | First Guy in Bar | |
| James Galanis | ... | Second Guy in Bar | |
| Tarja Leena Halinen | ... | Miss Hattie's Girl | |
| Caren White | ... | Miss Hattie's Girl | |
| Valerie Lukecart | ... | Miss Hattie's Girl | |
| Jeanne Reichert | ... | Miss Hattie's Girl | |
| Scuffy | ... | Snoopy |
Directed by | |||
| Tobe Hooper | |||
Writing credits | ||
| Alvin L. Fast | (written by) and | |
| Mardi Rustam | (written by) | |
| Kim Henkel | (screen adaptation) | |
Produced by | |||
| Alvin L. Fast | .... | co-producer | |
| Larry Huly | .... | associate producer | |
| Robert A. Kanto | .... | associate producer (as Robert Kantor) | |
| Mardi Rustam | .... | producer | |
| Mohammed Rustam | .... | executive producer | |
| Samir Rustam | .... | associate producer | |
Original Music by | |||
| Wayne Bell | |||
| Tobe Hooper | |||
Cinematography by | |||
| Robert Caramico | (director of photography) | ||
Film Editing by | |||
| Michael Brown | |||
Casting by | |||
| Edward R. Morse | (as Eddie Morse) | ||
Art Direction by | |||
| Marshall Reed | |||
Set Decoration by | |||
| Michael Wiegand | (as Mike Wiegand) | ||
Makeup Department | |||
| Craig Reardon | .... | hair stylist | |
| Craig Reardon | .... | makeup artist | |
| Beth Rogers | .... | hair stylist | |
| Beth Rogers | .... | makeup artist | |
Production Management | |||
| Sheldon Lee | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jefferson Kibbee | .... | second assistant director (as Jeff Kibbee) | |
| Louie Lawless | .... | second assistant director | |
| Ron Smith | .... | first assistant director | |
Art Department | |||
| Richard Gillis | .... | assistant property master | |
| Marshall Reed | .... | set designer | |
Sound Department | |||
| Lowell Brown | .... | boom operator | |
| Jean Clark | .... | boom operator | |
| Bob Dietz | .... | production sound mixer | |
| Jay M. Harding | .... | sound re-recording mixer (as Jay Harding) | |
| William L. Manger | .... | sound effects (as Bill Manger) | |
Special Effects by | |||
| Robert A. Mattey | .... | special effects: crocodiles (as Rob Mattey) | |
| Ken Speed | .... | special effects (uncredited) | |
Stunts | |||
| Paula Crist | .... | stunt double | |
| Von Deming | .... | stunt coordinator | |
| Andy Epper | .... | stunt double | |
| Gary Epper | .... | stunt double | |
| Jeannie Epper | .... | stunt double (as Jeanie Epper) | |
| Donna Garrett | .... | stunt double | |
| Minor Mustain | .... | stunt double | |
Camera and Electrical Department | |||
| Victor Alexander | .... | second assistant camera | |
| Jack Beckett | .... | camera operator: second unit | |
| Jim Bowie | .... | best boy | |
| Hedy Dietz | .... | still photographer (as Heddy Dietz) | |
| Rich Foster | .... | gaffer | |
| Dennis Glas | .... | grip (as Dennis Glass) | |
| Gary Graver | .... | grip (as Robbie McClure) | |
| Lee Heckler | .... | gaffer | |
| Ken Kerr | .... | grip | |
| Ann McDonald | .... | assistant photographer | |
| Michael Donovan O'Donnell | .... | key grip (as Michael Donavan O'Donnell) | |
| Anthony R. Palmieri | .... | first assistant camera (as Tony Palmieri) | |
| Raman Rao | .... | grip (as Romy Rao) | |
| Jonathan West | .... | second assistant camera (as Jon West) | |
| Bobby Westwater | .... | grip | |
| Gary Zietlow | .... | best boy | |
Costume and Wardrobe Department | |||
| J. Mancbach-Fletcher | .... | wardrobe (as Jane Mancbach) | |
| Greg Tittinger | .... | wardrobe | |
Editorial Department | |||
| Andy Ruben | .... | assistant editor | |
| David Block | .... | colorist (uncredited) | |
Music Department | |||
| Wayne Bell | .... | conductor | |
| Wayne Bell | .... | music arranger | |
| Tobe Hooper | .... | conductor | |
| Tobe Hooper | .... | music arranger | |
| Lee Osborne | .... | music editor | |
Other crew | |||
| John D'Amato | .... | script supervisor | |
| Lou Schumacher | .... | dog owner | |
| Lou Schumacher | .... | dog trainer | |
| Gloria Gunn | .... | production assistant (uncredited) | |
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| Freeway | House of 1000 Corpses | Fargo | The Crazies | Machete |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
`The Texas Chainsaw Massacre' (of course) and `Death Trap' (less obvious already) are the only two films Tobe Hooper should be really remembered for as a horror director. They both are raw and chilling explorations of the angry rural America. The location of this film looks like a giant swampy area, homed by underdeveloped perverted rednecks and other freaks of society. Neville Brand terrifically portrays Judd, the isolated owner of the Starlight Hotel. Judd suffers a bit from the incapability to communicate with people and the guests at his hotel are doomed to die as soon as they enter his facility. He also has a pet crocodile swimming underneath the porch of his hotel, which is a pretty convenient method to get rid of human leftovers A poor, rejected prostitute is the first to undergo Judd's murderous rituals. Her relatives soon come to search for her and are doomed as well. In the meantime, the croc feeds on some more unfortunate by passers. Although I regard this as Hooper's second best film, it doesn't come close to the power of TCM Which kind of gives you an idea of how great I think TCM was! The settings and photography of Horror Hotel (one of the film's a.k.a's) look nasty and utterly cheap. Just as it did in TCM, this actually increases the macabre atmosphere and you constantly feel something wicked is about to happen. The characters although pretty imaginative aren't as convincing as the Sawyer family but they too seem to come running straight out of a freakshow as well! There's Judd of course, but also a very memorable Robert Englund who plays a retarded yokel with an obsession for anal sex. The scream-queen prototype Marilyn Burns returns as well before disappearing into actress-oblivion forever. The crocodile as well as most other horror scenery looks really cheap, but to me, this only increases the trash-fun value of this film. Highly recommended viewing as far as I'm concerned.