| Photos (see all 14 | slideshow) |
| Neville Brand | ... | Judd | |
| Mel Ferrer | ... | Harvey Wood | |
| Carolyn Jones | ... | Miss Hattie | |
| Marilyn Burns | ... | Faye | |
| William Finley | ... | Roy | |
| Stuart Whitman | ... | Sheriff Martin | |
| Roberta Collins | ... | Clara | |
| Kyle Richards | ... | Angie | |
| Robert Englund | ... | Buck | |
| Crystin Sinclaire | ... | Libby Wood | |
| Janus Blythe | ... | Lynette (as Janus Blyth) | |
| Betty Cole | ... | Ruby | |
| Sig Sakowicz | ... | Deputy Girth | |
| Ronald W. Davis | ... | Country Boy | |
| Christine Schneider | ... | Waitress | |
| David Hayward | ... | The Cowboy | |
| David Carson | ... | Marlo (as David 'Goat' Carson) | |
| Lincoln Kibbee | ... | First Guy in Bar | |
| James Galanis | ... | Second Guy in Bar | |
| Tarja Leena Halinen | ... | Miss Hattie's Girl | |
| Caren White | ... | Miss Hattie's Girl | |
| Valerie Lukeart | ... | Miss Hattie's Girl | |
| Jeanne Reichert | ... | Miss Hattie's Girl | |
| Scuffy | ... | Dog |
Directed by | |||
| Tobe Hooper | |||
Writing credits | ||
| Kim Henkel | (screen adaptation) | |
| Alvin L. Fast | writer | |
| Mardi Rustam | writer | |
Original Music by | |||
| Wayne Bell | |||
| Tobe Hooper | |||
Cinematography by | |||
| Robert Caramico | |||
Film Editing by | |||
| Michael Brown | |||
Casting by | |||
| Edward R. Morse | (as Eddie Morse) | ||
Art Direction by | |||
| Marshall Reed | |||
Set Decoration by | |||
| Michael Wiegand | (as Mike Wiegand) | ||
Makeup Department | |||
| Craig Reardon | .... | makeup artist | |
| Beth Rogers | .... | makeup artist | |
Production Management | |||
| Les Shelton | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jefferson Kibbee | .... | second assistant director | |
| Louie Lawless | .... | second assistant director | |
| Ron Smith | .... | first assistant director | |
Art Department | |||
| Richard Gillis | .... | assistant property master | |
Sound Department | |||
| Lowell Brown | .... | boom operator | |
| Jean L. Clark | .... | boom operator (as Jean Clark) | |
| Bob Dietz | .... | sound mixer | |
| Jay M. Harding | .... | rerecording mixer | |
| William L. Manger | .... | sound effects editor (as Bill Manger) | |
Special Effects by | |||
| Robert A. Mattey | .... | special effects: crocodiles (as Rob Mattey) | |
| Ken Speed | .... | special effects | |
Stunts | |||
| Paula Crist | .... | stunt double | |
| Von Deming | .... | stunt coordinator | |
| Andy Epper | .... | stunt double | |
| Gary Epper | .... | stunt double | |
| Jeannie Epper | .... | stunt double | |
| Donna Garrett | .... | stunt double | |
| Minor Mustain | .... | stunt double | |
Camera and Electrical Department | |||
| Victor Alexander | .... | second assistant camera | |
| Jack Beckett | .... | second unit cameraman | |
| Jim Bowie | .... | best boy | |
| Hedy Dietz | .... | still photographer (as Heddy Dietz) | |
| Rich Foster | .... | gaffer | |
| Dennis Glas | .... | grip | |
| Gary Graver | .... | grip (as Robbie McClure) | |
| Lee Heckler | .... | gaffer | |
| Ken Kerr | .... | grip | |
| Ann McDonald | .... | assistant photographer | |
| Michael Donovan O'Donnell | .... | key grip | |
| Anthony R. Palmieri | .... | first assistant camera (as Tony Palmieri) | |
| Romy Rao | .... | grip | |
| Jonathan West | .... | second assistant camera (as Jon West) | |
| Bobby Westwater | .... | grip | |
| Gary Zietlow | .... | best boy | |
Editorial Department | |||
| Andy Ruben | .... | assistant editor | |
Music Department | |||
| Wayne Bell | .... | conductor | |
| Wayne Bell | .... | music arranger | |
| Tobe Hooper | .... | conductor | |
| Tobe Hooper | .... | music arranger | |
| Lee Osborne | .... | music editor | |
Other crew | |||
| John D'Amato | .... | script supervisor | |
| Lou Schumacher | .... | dog trainer | |
| Gloria Gunn | .... | production assistant (uncredited) | |
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Well, if you saw The Texas Chainsaw Massacre and were impressed with director Tobe Hooper, your next move might be to view his second film Eaten Alive. I searched all over for a print and finally was lucky enough to find one and see this somewhat forgotten picture. One reason for its seemingly firm place in the ranks of oblivion is its numerous title changes. Notwithstanding all this I found the film and watched it. The film is interesting, bizarre, unbelievable, and disturbing. The setting is just a trifle too unimaginative to be taken for real as is the central character of Judd (for the most part deftly played by Neville Brand). The plot too seems to be making its viewers accept too much for granted without really giving any knowledge of why Judd is the way he is, etc... Despite these shortcomings, the film has some of the truly most horrific scenes filmed. The scene in which Judd tries in vain to goad a young girl from under his hotel out is sheer terror. Other scenes in which he dispatches some of the hotel guests are equally effective. The film has a lot more going for it than its oblivious nature would suggest. It has fine performances, an eerier setting and score, and the taught, tuned terror Tobe Hooper realized in his first great film.