| Photos (see all 7 | slideshow) |
| Woody Allen | ... | Howard Prince | |
| Zero Mostel | ... | Hecky Brown | |
| Herschel Bernardi | ... | Phil Sussman | |
| Michael Murphy | ... | Alfred Miller | |
| Andrea Marcovicci | ... | Florence Barrett | |
| Remak Ramsay | ... | Hennessey | |
| Marvin Lichterman | ... | Myer Prince | |
| Lloyd Gough | ... | Delaney | |
| David Margulies | ... | Phelps | |
| Joshua Shelley | ... | Sam | |
| Norman Rose | ... | Howard's Attorney | |
| Charles Kimbrough | ... | Committee Counselor | |
| Josef Sommer | ... | Committee Chairman (as M. Josef Sommer) | |
| Danny Aiello | ... | Danny LaGattuta | |
| Georgann Johnson | ... | T. V. Interviewer | |
| Scott McKay | ... | Hampton | |
| David Clarke | ... | Hubert Jackson | |
| I.W. Klein | ... | Bank Teller | |
| John Bentley | ... | Bartender | |
| Julie Garfield | ... | Margo | |
| Murray Moston | ... | Boss | |
| MacIntyre Dixon | ... | Harry Stone (as McIntyre Dixon) | |
| Rudolph Willrich | ... | Tailman (as Rudolph Wilrich) | |
| Burt Britton | ... | Bookseller | |
| Albert Ottenheimer | ... | School Principal (as Albert M. Ottenheimer) | |
| William Bogert | ... | Parks | |
| Joey Faye | ... | Waiter | |
| Marilyn Sokol | ... | Sandy | |
| John J. Slater | ... | T. V. Director | |
| Renee Paris | ... | Girl In Hotel Lobby (as Renée Paris) | |
| Gino Gennaro | ... | Stage Hand | |
| Joan Porter | ... | Myer's Wife | |
| Andrew Bernstein | ... | Alfred's Child | |
| Jacob Bernstein | ... | Alfred's Child | |
| Matthew Tobin | ... | Man At Party | |
| Marilyn Persky | ... | His Date | |
| Sam McMurray | ... | Young Man At Party | |
| Joe Jamrog | ... | F B I Man | |
| Michael B. Miller | ... | F B I Man (as Michael Miller) | |
| Lucy Lee Flippin | ... | Nurse | |
| Jack Davidson | ... | Congressman | |
| Donald Symington | ... | Congressman | |
| Pat McNamara | ... | Federal Marshal (as Patrick McNamara) | |
| rest of cast listed alphabetically: | |||
| Joseph Bergmann | ... | Demonstrator (uncredited) | |
| Carson Grant | ... | Eddy Waiter (uncredited) | |
| Stephen Hayes | ... | Alfred's child (uncredited) | |
| Lauren Simon | ... | Train Passenger (uncredited) | |
Directed by | |||
| Martin Ritt | |||
Writing credits | ||
| Walter Bernstein | (written by) | |
Produced by | |||
| Robert Greenhut | .... | associate producer | |
| Charles H. Joffe | .... | executive producer | |
| Martin Ritt | .... | producer | |
| Jack Rollins | .... | executive producer (uncredited) | |
Original Music by | |||
| Dave Grusin | |||
Cinematography by | |||
| Michael Chapman | (director of photography) | ||
Film Editing by | |||
| Sidney Levin | |||
Casting by | |||
| Juliet Taylor | |||
Art Direction by | |||
| Charles Bailey | |||
Set Decoration by | |||
| Robert Drumheller | |||
Costume Design by | |||
| Ruth Morley | |||
Makeup Department | |||
| Robert Jiras | .... | makeup artist | |
| Philip Leto | .... | hair stylist (as Phil Leto) | |
Second Unit Director or Assistant Director | |||
| Robert P. Cohen | .... | dga trainee | |
| Howard Himmelstein | .... | dga trainee | |
| Peter R. Scoppa | .... | assistant director (as Peter Scoppa) | |
| Ralph S. Singleton | .... | second assistant director (as Ralph Singleton) | |
Art Department | |||
| Joseph M. Caracciolo | .... | property master (as Joseph Caracciolo) | |
| Marjorie Kellogg | .... | assistant art director | |
| Bruno Robotti | .... | master scenic artist | |
Sound Department | |||
| Wayne Artman | .... | sound re-recording mixer | |
| Tom Beckert | .... | sound re-recording mixer | |
| Vito L. Ilardi | .... | boom operator (as Vito Ilardi) | |
| John H. Newman | .... | sound editor | |
| James Sabat | .... | sound mixer | |
| James G. Stewart | .... | sound re-recording mixer (as Jim Stewart) | |
| Roger Pietschmann | .... | sound recordist (uncredited) | |
Visual Effects by | |||
| Albert Whitlock | .... | matte effects | |
Costume and Wardrobe Department | |||
| Peggy Farrell | .... | wardrober: ladies | |
| George Newman | .... | wardrober: men | |
Editorial Department | |||
| Hy Friedman | .... | assistant editor | |
| Bruce Pearson | .... | color timer (uncredited) | |
Music Department | |||
| Else Blangsted | .... | music editor | |
Transportation Department | |||
| James Fanning | .... | transportation captain | |
Other crew | |||
| B.J. Bjorkman | .... | script supervisor | |
| Peter J. Burrell | .... | location manager (as Peter Burrell) | |
| Christopher Cronyn | .... | location manager (as Chris Cronyn) | |
| Patricia Crown | .... | production assistant | |
| Golda David | .... | assistant to producer | |
| David Garfield | .... | production assistant | |
| Sam Goldrich | .... | production auditor (as Samuel Goldrich) | |
| Lois Kramer Hartwick | .... | production office coordinator (as Lois Kramer) | |
| Scott MacDonough | .... | unit publicist (as Scott Mac Donough) | |
| Susan McMahon | .... | payroll | |
| Beth Rudin | .... | production assistant | |
| Dennis Kear | .... | stand-in: Woody Allen (uncredited) | |
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I don't profess to know anything more about 'the McCarthy era' than any other non-American that wasn't around in the fifties, but this film serves as both a great slice of entertainment; and something of a history lesson. The film is said to be a comedy, although it would seem to be played out more for the drama side as aside from Woody Allen's usual neurotic quips; there aren't actually any jokes in the film. That certainly doesn't harm it, however, as Martin Ritt's film has more than enough in reserve, as the story is interesting enough on it's own; and themes of 'the witch-hunt', as well as the idea of being guilty until proved innocent shine through. The story follows Howard Prince (Woody Allen) a cashier who, when asked by his friend who is on the 'blacklist', poses as a TV writer so the blacklisted writer can still work. The film takes place in the time when paranoia over communism was rife in America, and anyone that is suspected of associating with communists was no longer allowed to work. The scam goes on, but the more Prince is dragged into it, the harder it is for him to get out.
Like I say, I didn't know much about the era before going into the film; but I'm sure it's an important part of American history; if only for the fact that it's inspired a lot of great films, including the great original version of 'Invasion of the Body Snatchers'. I've been a big fan of Woody Allen ever since I first saw one of his films, and his performance here takes in all the best elements of his persona. The character; a talentless man garnering praise for someone else's work, suits Allen's personality like a glove, as the paranoid actor gets to show us how neurotic he can be. Support comes by way of the likes of Zero Mostel, Michael Murphy and Andrea Marcovicci; and all give nice supporting performances. Director Michael Ritt ensures that the themes of the story are always rife, as the film presents a great sense of foreboding, and scenes such as the one that see an innocent writer told that he can't be got off the hook because he hasn't done anything help to ensure this. On the whole, The Front is a great classic film, and sees Allen in one of his best roles.