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This film is directed by Martin Ritt from a screenplay by Walter Bernstein. Both director and writer, along with several members of the cast, were blacklisted during the 1950s. Woody Allen stars as Howard Prince a good-for-nothing restaurant cashier and part-time bookmaker. At the start of this film, Allen has the total schmuck persona that he used in many of his earlier films but as the film progresses he gradually develops a conscience until the ‘happy' ending when he performs an honorable act and is led away to prison. Ritt and Bernstein are highlighting the idiocy of the blacklist by having as their hero the money-grabbing, self-serving Prince. Eventually, even he cannot stomach what is going on in the name of decency and freedom. The film is darkly humorous and chilling in its depiction of an era when the owner of a small grocery store could dictate to a national network who it could and could not employ. At one point Prince has to rewrite a script about the holocaust because the programme sponsor is a gas company. The film is a real achievement being both funny and a savage indictment of a crazy era, told with feeling by people who lived through it and suffered under it. The only misjudged performance is Zero Mostel's maudlin comedian. Michael Murphy turns up again as he does in many of Allen's early films. Andrea Marcovicci is effective as the beautiful and cerebral script editor who falls for Prince. Prince agonises over whether she loves the man or the artist, surely the inspiration for Allen's own exploration of the same theme in Bullets over Broadway nearly 20 years later.
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