6.9/10
1,534
25 user 11 critic

Next Stop, Greenwich Village (1976)

The portrayal of pretentiously bohemian youth.

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Nominated for 2 Golden Globes. Another 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
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...
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Sarah Roth
...
Anita Cunningham
...
Robert Fulmer (as Chris Walken)
Dori Brenner ...
Connie
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Bernstein Chandler
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Herb
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Ben Lapinsky
Michael Egan ...
Herbert Berghof - Acting Coach
Rashel Novikoff ...
Mrs. Tupperman (as Rachel Novikoff)
John C. Becher ...
Sid Weinberg - Casting Director
...
...
Cop at El Station (as Joe Spinnell)
...
Ellen
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Storyline

An aspiring Jewish actor moves out of his parents' Brooklyn apartment to seek his fortune in the bohemian life of Greenwich Village in 1953. He struggles to come to terms with his feelings about his mother's overbearing nature, while also trying to maintain his relationship with his girlfriend. Written by scgary66

Plot Summary | Add Synopsis

Taglines:

1953 Was a Good Year for Leaving Home

Genres:

Comedy | Drama

Certificate:

R | See all certifications »
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Details

Country:

Language:

Release Date:

4 February 1976 (USA)  »

Also Known As:

Ein Haar in der Suppe  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The interior of Larry's apartment was the only set built for this film. See more »

Goofs

Larry's father is always reading newspapers that are clearly props printed on stiffer white paper than cheap pulp newsprint actually in use in 1953. See more »

Quotes

Nick Kessel: Hi. Buenas noches, señor. Senñorita.
Larry Lapinsky: How are you?
Nick Kessel: Good.
Sarah Roth: Who is that?
Larry Lapinsky: It's Nick Kessler. He's a crazy guy. He saved up all his money to go to Mexico. Wanted to see the ruins. You know, get into the primitive thing. So, he quit his job and everything, and he took off for Mexico City on Monday. Two beers, Ray.
Sarah Roth: Yesterday Monday?
Larry Lapinsky: Right. So he got off the plane, and he ate a taco... and he got a terrible case of the shits... so he took the next plane back. He spent two and a half hours in Mexico. He ...
See more »

Connections

Referenced in Yes Man (2008) See more »

Soundtracks

Little Brown Jug
Written by Joseph Winner (uncredited)
Arranged by Bill Finegan (uncredited)
Performed by Glenn Miller and His Orchestra
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User Reviews

A film that catches a time and place
22 November 2002 | by (San Francisco) – See all my reviews

When I think of this film, I think of my older brother's generation, graduating from high school about 1956, and from college about 1960. Mazursky catches the look of a certain kind of young people of that era, their fashions, their expressions, their masks and identities. There's a sense of confusion and discovery, or rejection of the restrictions of middle class culture and their embracing of a murkily-defined bohemian alternative, and the disruption that brings to their lives, culturally, socially, sexually.

The film also reminds me of my years spent living near and wandering around Greenwich Village, 1966-70. Some of the kinds of people Mazursky shows were still there, ten years older, either mystified or amused or annoyed by the hippie hoards invading them. Honky-tonk, high rents, and mass culture bohemianism had arrived.

Mazursky gets this right. I don't know how this picture would play to those not interested or affected by the sociology time capsule, but I think it still would play.

And hats off to Shelly Winters, once again playing an impossible mother.




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