| Photos (See all 46 | slideshow) | Videos (see all 9) |
| Gregory Peck | ... | Robert Thorn | |
| Lee Remick | ... | Katherine Thorn | |
| David Warner | ... | Jennings | |
| Billie Whitelaw | ... | Mrs. Baylock | |
| Harvey Stephens | ... | Damien | |
| Patrick Troughton | ... | Father Brennan | |
| Martin Benson | ... | Father Spiletto | |
| Robert Rietty | ... | Monk | |
| Tommy Duggan | ... | Priest | |
| John Stride | ... | The Psychiatrist | |
| Anthony Nicholls | ... | Dr. Becker | |
| Holly Palance | ... | Nanny | |
| Roy Boyd | ... | Reporter | |
| Freda Dowie | ... | Nun | |
| Sheila Raynor | ... | Mrs. Horton | |
| Robert MacLeod | ... | Horton | |
| Bruce Boa | ... | Thorn's Aide | |
| Don Fellows | ... | Thorn's Second Aide | |
| Patrick McAlinney | ... | Photographer | |
| Dawn Perllman | ... | Chambermaid | |
| Nancy Mannigham | ... | Nurse (as Nancy Manningham) | |
| Miki Iveria | ... | First Nun | |
| Betty McDowall | ... | American Secretary | |
| Nicholas Campbell | ... | Marine | |
| Burnell Tucker | ... | Secret Service Man | |
| Ronald Leigh-Hunt | ... | Gentleman at Rugby Match | |
| Guglielmo Spoletini | ... | Italian Taxi Driver | |
| Ya'ackov Banai | ... | Arab (as Yakov Banai) | |
| rest of cast listed alphabetically: | |||
| Harvey Bernhard | ... | Man walking across street (uncredited) | |
| Leo McKern | ... | Carl Bugenhagen (uncredited) | |
| Bill Reimbold | ... | General (uncredited) | |
| Christine Spooner | ... | Funeral mourner (uncredited) | |
| Damian John Spooner | ... | Boy at top of slide (uncredited) | |
Directed by | |||
| Richard Donner | |||
Writing credits | ||
| David Seltzer | (written by) | |
Produced by | |||
| Harvey Bernhard | .... | producer | |
| Mace Neufeld | .... | executive producer | |
| Charles Orme | .... | associate producer | |
Original Music by | |||
| Jerry Goldsmith | |||
Cinematography by | |||
| Gilbert Taylor | (director of photography) | ||
Film Editing by | |||
| Stuart Baird | |||
Casting by | |||
| Maude Spector | |||
Art Direction by | |||
| Carmen Dillon | |||
Makeup Department | |||
| Stuart Freeborn | .... | chief make-up | |
| Patricia McDermott | .... | hairdresser (as Pat McDermott) | |
Production Management | |||
| Claude Hudson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Steve Lanning | .... | second assistant director | |
| David Tomblin | .... | assistant director | |
| Stuart Baird | .... | second unit director (uncredited) | |
Art Department | |||
| George Ball | .... | property master | |
| Tessa Davies | .... | set dresser | |
| Reg Richards | .... | construction manager | |
| George Richardson | .... | assistant art director | |
| John Chisholm | .... | property master (uncredited) | |
| Tom Jung | .... | poster artist (uncredited) | |
| Tom Jung | .... | poster designer (uncredited) | |
Sound Department | |||
| Gordon Everett | .... | sound recordist | |
| Christopher Lancaster | .... | dialogue editor (as Chris Lancaster) | |
| Doug E. Turner | .... | dubbing mixer (as Doug Turner) | |
| Les Wiggins | .... | dubbing editor | |
| Charlie McFadden | .... | boom operator (uncredited) | |
Special Effects by | |||
| John Richardson | .... | special effects | |
| George Gibbs | .... | special effects (uncredited) | |
Visual Effects by | |||
| Roy Field | .... | optical effects (uncredited) | |
Stunts | |||
| Alf Joint | .... | stunt coordinator | |
| Vic Armstrong | .... | stunts (uncredited) | |
| Alf Joint | .... | stunt double: Lee Remick (uncredited) | |
| Wendy Leech | .... | stunt double: Holly Palance (uncredited) | |
Camera and Electrical Department | |||
| Gerry Anstiss | .... | camera operator | |
| Bob Penn | .... | stillsman (as Robert Penn) | |
| Ron Taberer | .... | chief electrician | |
| Peter Bloor | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Tiny Nicholls | .... | wardrobe supervisor (as G.W. Nicholls) | |
Editorial Department | |||
| Chris Ridsdale | .... | assistant editor | |
| Mark Nakamine | .... | colorist (digital color correction) (uncredited) | |
Music Department | |||
| Arthur Morton | .... | orchestrator (uncredited) | |
| Lionel Newman | .... | conductor (uncredited) | |
Other crew | |||
| Carolee Danz | .... | assistant to producer | |
| Jeanne Ferber | .... | production assistant/secretary | |
| Judy Friesen | .... | special assistant to director | |
| Bernard Hanson | .... | location manager | |
| Robert Munger | .... | religious adviser to producers | |
| Elaine Schreyeck | .... | continuity | |
| Don Williams | .... | religious adviser to producers (as Rev. Don Williams Ph.D) | |
| Ben Woodgate | .... | dogs owned and trained by | |
| Joan Woodgate | .... | dogs owned and trained by | |
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| The Omen | The Final Conflict | The Order | Damien: Omen II | The Exorcism of Emily Rose |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb UK section |
Following the heels of the success of The Exorcist, The Omen tells the story of the son of Satan being born from a mysterious pregnancy and given to a U.S. ambassador and his wife in Italy. The couple raise the young child, but things begin to happen to the couple as the boy matures. A governess hangs herself. The child acts wildly when brought near a Church. A spooky governess appears from nowhere to take care of the child. A black evil dog takes up residence at the child's bedroom. To complicate matters, a priest gets in touch with the father and tells him to beware his son and that he is the spawn of evil. The Omen works very well due to several factors. The script is generally well-written. The story is very implausable in some places, but it works on the whole. The use of powerhouse stars like Gregory Peck and Lee Remick in the leads help to give the film the royal treatment, making sure no one mistakes the budget, level of ability, and time put into this production. Peck is very good in his role as a man convinced(finally) of horrifying news. The rest of the cast does equally well with some fine performances by Billie Whitelaw as the crazed, manical governess, Patrick Troughton as the conscience-torn priest, David Warner as a helpful photographer, and Harvey Stephens as the young, sweet-yet evil looking Damien. Most of the film's success can be attributed to director Richard Donner. Donner keeps the pacing of the film tight, uses some first-rate pan shots, and creates a mood and suspense that build climatically throughout the film. Some of the scenes that are most memorable include Damien on a tricycle, Peck and Warner in a cemetery, and most famous of all is the priest's demise. A wonderfully shot sequence. The music in the film is a great asset to the overall mood. A very good film....not nearly as gory or shocking as The Exorcist but still as powerful in its own right for its seemingly somewhat realistic adaptation of scripture.