| Photos (see all 59 | slideshow) | Videos |
| Clint Eastwood | ... | Josey Wales | |
| Chief Dan George | ... | Lone Watie | |
| Sondra Locke | ... | Laura Lee | |
| Bill McKinney | ... | Terrill | |
| John Vernon | ... | Fletcher | |
| Paula Trueman | ... | Grandma Sarah | |
| Sam Bottoms | ... | Jamie | |
| Geraldine Keams | ... | Little Moonlight | |
| Woodrow Parfrey | ... | Carpetbagger | |
| Joyce Jameson | ... | Rose | |
| Sheb Wooley | ... | Travis Cobb | |
| Royal Dano | ... | Ten Spot | |
| Matt Clark | ... | Kelly (as Matt Clarke) | |
| John Verros | ... | Chato | |
| Will Sampson | ... | Ten Bears | |
| William O'Connell | ... | Sim Carstairs | |
| John Quade | ... | Comanchero Leader | |
| Frank Schofield | ... | Senator Lane | |
| Buck Kartalian | ... | Shopkeeper | |
| Len Lesser | ... | Abe | |
| Doug McGrath | ... | Lige | |
| John Russell | ... | Bloody Bill Anderson | |
| Charles Tyner | ... | Zukie Limmer | |
| Bruce M. Fischer | ... | Yoke | |
| John Mitchum | ... | Al | |
| John Davis Chandler | ... | First Bounty Hunter (as John Chandler) | |
| Tom Roy Lowe | ... | Second Bounty Hunter | |
| Clay Tanner | ... | First Texas Ranger | |
| Robert F. Hoy | ... | Second Texas Ranger (as Bob Hoy) | |
| Madeleine Taylor Holmes | ... | Grannie Hawkins (as Madeline T. Holmes) | |
| Erik Holland | ... | Union Army Sergeant | |
| Cissy Wellman | ... | Josey's Wife | |
| Faye Hamblin | ... | Grandpa | |
| Danny Green | ... | Lemuel | |
| rest of cast listed alphabetically: | |||
| Kyle Eastwood | ... | Josey's son (uncredited) | |
| Richard Farnsworth | ... | Comanchero (uncredited) | |
Directed by | |||
| Clint Eastwood | |||
Writing credits | ||
| Forrest Carter | (book "Gone to Texas") | |
| Philip Kaufman | (screenplay) (as Phil Kaufman) and | |
| Sonia Chernus | (screenplay) | |
Produced by | |||
| Robert Daley | .... | producer | |
| James Fargo | .... | associate producer (as Jim Fargo) | |
| John G. Wilson | .... | associate producer | |
Original Music by | |||
| Jerry Fielding | |||
Cinematography by | |||
| Bruce Surtees | (director of photography) | ||
Film Editing by | |||
| Ferris Webster | |||
Casting by | |||
| Jack Kosslyn | |||
Production Design by | |||
| Tambi Larsen | |||
Set Decoration by | |||
| Charles B. Pierce | (as Chuck Pierce) | ||
Makeup Department | |||
| Joe McKinney | .... | makeup supervisor | |
| Lorraine Roberson | .... | hair stylist | |
Production Management | |||
| John G. Wilson | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Alan Brimfeld | .... | second assistant director (as Alan Brimfield) | |
| James Fargo | .... | assistant director (as Jim Fargo) | |
| Win Phelps | .... | second assistant director | |
Art Department | |||
| Edward Aiona | .... | property master (as Eddie Aiona) | |
| Al Litteken | .... | construction coordinator | |
| John Rozman | .... | leadman (uncredited) | |
Sound Department | |||
| Bert Hallberg | .... | sound | |
| Tex Rudloff | .... | sound re-recording mixer | |
| Keith Stafford | .... | sound editor | |
| Alex Bytnar | .... | boom operator (uncredited) | |
Special Effects by | |||
| Robert MacDonald | .... | special effects | |
| A. Paul Pollard | .... | special effects (as Paul Pollard) | |
Stunts | |||
| Walter Scott | .... | stunt coordinator | |
| Bennie E. Dobbins | .... | stunts (uncredited) | |
| Jerry Gatlin | .... | stunts (uncredited) | |
| Robert F. Hoy | .... | stunts (uncredited) | |
| John Hudkins | .... | stunts (uncredited) | |
| Mike H. McGaughy | .... | stunts (uncredited) | |
| George Orrison | .... | stunt double: Clint Eastwood (uncredited) | |
| George Orrison | .... | stunts (uncredited) | |
| Larry Randles | .... | stunts (uncredited) | |
| Neil Summers | .... | stunts (uncredited) | |
| Greg Walker | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Kenneth Adams | .... | key grip (as Ken Adams) | |
| Richard Barth | .... | assistant camera (as Dick Barth) | |
| Doug Cook | .... | second grip | |
| Thomas Del Ruth | .... | camera operator (as Tom Del Ruth) | |
| Joseph Hernandez | .... | assistant camera (as Joe Hernandez) | |
| Charles Holmes | .... | gaffer | |
| Jack Kennedy | .... | best boy | |
| Charles W. Short | .... | camera operator (as Charles Short) | |
| Timothy E. Wade | .... | assistant camera (as Tim Wade) | |
Casting Department | |||
| Jack N. Young | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Glenn Wright | .... | costume supervisor | |
Editorial Department | |||
| Joel Cox | .... | assistant editor | |
Music Department | |||
| Dan Carlin Sr. | .... | music editor (as Dan Carlin) | |
Transportation Department | |||
| Art Rimdzius | .... | transportation captain | |
Other crew | |||
| John Franco | .... | script supervisor | |
| Fritz Manes | .... | assistant to producer | |
| James Moffett | .... | first aid | |
| Rudy Ugland | .... | wrangler | |
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| Major Dundee | The Proposition | Rambo | How the West Was Won | High Plains Drifter |
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Having grown up with Josie Wales as a household name and being a big fan of westerns, I have to agree with the just about everyones previous comments in describing it as excellent. It represents what a true western is. The story line is captivating and intense. The lead character played by Clint himself could be played by no one else. What some may call "lack of acting" because of lack of dialog only lends itself to the desirability of this film. You find yourself hanging on his next words. Clints one liners are still household expressions nearly thirty years after the movies release. In short this film is one of the best westerns made period. There have been others that Clint has made including the spaghetti westerns and his Oscar winning Unforgiven that add to his credibility as a great actor and film maker. But not many films touch so many levels of emotion. The only letdown to this film is that it had to end and no sequel was followed by Clint. Lastly, it's too bad for the film industry and Eastwood fans like myself that the man has to get old. His take on what entertains an audience is uncompromising. Films like The outlaw Josie Wales and what it represents to the American Culture will be enjoyed for many years to come.