Taxi Driver (1976)

User Rating:

8.6/10   

Director:

Martin Scorsese

Writer:

Paul Schrader (written by)

Release Date:

8 February 1976 (USA)

Genre:

Drama | Thriller

Tagline:

On every street in every city, there's a nobody who dreams of being a somebody.

Plot:

A mentally unstable Vietnam war veteran works as nighttime taxi driver in a city whose perceived decadence and sleaze feeds his urge to violently lash out, attempting to save a teenage prostitute in the process.

Plot Keywords:

New York | Prostitute | Insomnia | Gunman | Taxi

Awards:

Nominated for 4 Oscars. Another 18 wins & 9 nominations

Cast

Robert De Niro	...	Travis Bickle (as Robert DeNiro)
Jodie Foster	...	Iris
Albert Brooks	...	Tom
Harvey Keitel	...	Sport
Leonard Harris	...	Charles Palantine
Peter Boyle	...	Wizard
Cybill Shepherd	...	Betsy
Diahnne Abbott	...	Concession Girl
Frank Adu	...	Angry Black Man
Gino Ardito	...	Policeman at Rally
Victor Argo	...	Melio (as Vic Argo)
Garth Avery	...	Iris' Friend
Harry Cohn	...	Cabbie in Bellmore
Copper Cunningham	...	Hooker in Cab
Brenda Dickson	...	Soap Opera Woman

Also Known As:

Taxi Driver (Argentina) (Peru) (Spain) (Uruguay) [es]
Taxi Driver (Brazil) (Portugal) [pt]
Taxi Driver (Austria) (West Germany) [de]
A taxi soför (Hungary) [hu]
Chauffeur de taxi (Canada: French title) [fr]
Taksówkarz (Poland) [pl]
Taksi soförü (Turkey: Turkish title) [tr]
Taksikuski (Finland) [fi]
Taksista (Serbia) [sr]
Taxi Driver (Spain: Catalan title) [ca]
Taxi Driver (France) [fr]
Taxikár (Czechoslovakia: Czech title) [cs]
Taxisjåføren (Norway) [no]

Runtime:

113 min | Spain:110 min (cut version)

Country:

USA

Language:

English

Color:

Color (Metrocolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby SR (re-release) | Stereo

Certification:

New Zealand:R18 | Canada:R (Manitoba/Nova Scotia/Ontario) | Italy:VM14 | Germany:16 (re-rating) | West Germany:18 (original rating) | Iceland:16 | Brazil:14 | South Africa:16LV | Philippines:R-18 | Canada:18A (Canadian Home Video rating) | Argentina:18 | Australia:R | Canada:13+ (Quebec) | Chile:18 | Finland:K-16 | France:-12 (re-rating) | France:-16 (original rating) | Hong Kong:IIB | Ireland:18 | Israel:18 | Japan:R-15 | Netherlands:16 | Norway:18 | Peru:18 | Portugal:M/18 | Singapore:M18 | South Korea:18 | Spain:18 | Sweden:15 | UK:18 (video rating) (1986) (cut) | UK:18 (video re-rating) (1993) (uncut) | UK:X (original rating) (cut) | USA:R (Approved No. 24441)

Filming Locations:

13 St between 2nd & 3rd Avenues, Manhattan, New York City, New York, USA

Company:

Columbia Pictures Corporation

Trivia:

Director Martin Scorsese claims that the most important shot in the movie is when Bickle is on the phone trying to get another date with Betsy. The camera moves to the side slowly and pans down the long, empty hallway next to Bickle, as if to suggest that the phone conversation is too painful and pathetic to bear.

Goofs:

Incorrectly regarded as goofs: Iris's sunglasses change from green to blue when they're having breakfast. This is a character quirk; she changes her glasses periodically, as the person Iris was modeled on did this.

Quotes:

[first lines]
[phone rings loudly]
Personnel Officer: Harry, answer that.
Personnel Officer: So whaddya want to hack for, Bickle?
Travis Bickle: I can't sleep nights.
Personnel Officer: There's porno theaters for that.
Travis Bickle: Yeah, I know, I tried that.
Personnel Officer: So now what do you do?
Travis Bickle: I ride around most nights - subways, buses - but you know, if I'm gonna do that I might as well get paid for it.

Movie Connections:

Referenced in "Game-On: The Great Escape (#1.4)" (1995)

Soundtrack:

HOLD ME CLOSE

Scorsese's dark masterpiece of urban alienation

Despite what some might see as limited by technical flaws and/or as an overly simplistic plot, Taxi Driver deserves its critical reputation as a cinematic masterpiece. Some 23 years later, the existential plight of Travis Bickle, "God's lonely man," continues to pack a hard emotional punch. In fact, it's hard to know where to begin when praising the elements of this film - such elements as the dark location shots of a (now gone) seedy Times Square, the cinema verite settings of the cabbies and campaign workers, the magnificent Bernard Hermann score, Paul Schrader's fine script, the memorable performances of Jodie Foster, Harvey Keitel, and Peter Boyle all must be mentioned. However, the brilliance of this film is primarily a result of the brilliance of De Niro and Scorsese, one of the greatest actor-director teams in movie history. This is an unforgettable film and rates a 10 out of 10, in my estimation.