| Photos (see all 93 | slideshow) | Videos |
| Robert De Niro | ... | Travis Bickle (as Robert DeNiro) | |
| Jodie Foster | ... | Iris | |
| Albert Brooks | ... | Tom | |
| Harvey Keitel | ... | Sport | |
| Leonard Harris | ... | Charles Palantine | |
| Peter Boyle | ... | Wizard | |
| Cybill Shepherd | ... | Betsy | |
| Diahnne Abbott | ... | Concession Girl | |
| Frank Adu | ... | Angry Black Man | |
| Gino Ardito | ... | Policeman at Rally | |
| Victor Argo | ... | Melio (as Vic Argo) | |
| Garth Avery | ... | Iris' Friend | |
| Harry Cohn | ... | Cabbie in Bellmore | |
| Copper Cunningham | ... | Hooker in Cab | |
| Brenda Dickson | ... | Soap Opera Woman | |
| Harry Fischler | ... | Dispatcher | |
| Nat Grant | ... | Stickup Man | |
| Richard Higgs | ... | Tall Secret Service Man | |
| Beau Kayser | ... | Soap Opera Man | |
| Victor Magnotta | ... | Secret Service Photographer (as Vic Magnotta) | |
| Bob Maroff | ... | Mafioso | |
| Norman Matlock | ... | Charlie T | |
| Bill Minkin | ... | Tom's Assistant | |
| Murray Moston | ... | Iris' Timekeeper | |
| Harry Northup | ... | Doughboy | |
| Gene Palma | ... | Street Drummer | |
| Harlan Cary Poe | ... | Campaign Worker (as Carey Poe) | |
| Steven Prince | ... | Andy - Gun Salesman | |
| Peter Savage | ... | The John | |
| Martin Scorsese | ... | Passenger watching silhouette | |
| Nicholas Shields | ... | Palantine's Aide | |
| Ralph S. Singleton | ... | TV Interviewer (as Ralph Singleton) | |
| Joe Spinell | ... | Personnel Officer | |
| Maria Turner | ... | Angry Hooker | |
| Robin Utt | ... | Campaign Worker | |
| rest of cast listed alphabetically: | |||
| Tommy Ardolino | ... | Boy on Sidewalk (uncredited) | |
| Joseph Bergmann | ... | Movie House Patron (uncredited) | |
| William Donovan | ... | Police Officer (uncredited) | |
| Jean Elliott | ... | Clerk at Sam Goody Store (uncredited) | |
| James Mapes | ... | CIA Agent (uncredited) | |
| Debbi Morgan | ... | Girl at Columbus Circle (uncredited) | |
| Billie Perkins | ... | Friend of Iris (uncredited) | |
Directed by | |||
| Martin Scorsese | |||
Writing credits | ||
| Paul Schrader | (written by) | |
Produced by | |||
| Phillip M. Goldfarb | .... | associate producer | |
| Julia Phillips | .... | producer | |
| Michael Phillips | .... | producer | |
Original Music by | |||
| Bernard Herrmann | |||
Cinematography by | |||
| Michael Chapman | (director of photography) | ||
Film Editing by | |||
| Tom Rolf | |||
| Melvin Shapiro | |||
Casting by | |||
| Juliet Taylor | |||
Art Direction by | |||
| Charles Rosen | |||
Set Decoration by | |||
| Herbert F. Mulligan | (as Herbert Mulligan) | ||
Costume Design by | |||
| Ruth Morley | |||
Makeup Department | |||
| Irving Buchman | .... | makeup artist | |
| Mona Orr | .... | hairdresser | |
| Dick Smith | .... | special makeup | |
Production Management | |||
| Phillip M. Goldfarb | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Robert P. Cohen | .... | dga trainee (as Robert Cohen) | |
| William Eustace | .... | second assistant director | |
| Peter R. Scoppa | .... | assistant director | |
| Ralph S. Singleton | .... | second assistant director (as Ralph Singleton) | |
Art Department | |||
| Leslie Bloom | .... | property master (as Les Bloom) | |
| Dave Goodonoff | .... | assistant property master (as Dave Goodnoff) | |
| David Nichols | .... | visual consultant | |
| Cosmo Sorice | .... | scenic artist | |
Sound Department | |||
| Rick Alexander | .... | sound re-recording mixer (as Dick Alexander) | |
| Gordon Davidson | .... | sound effects editor | |
| James Fritch | .... | sound effects editor (as Jim Fritch) | |
| Sam Gemette | .... | sound effects editor | |
| David M. Horton | .... | sound effects editor (as David Hourton) | |
| Les Lazarowitz | .... | sound mixer | |
| Roger Pietschmann | .... | sound recorder (as Roger Pietschman) | |
| Vern Poore | .... | sound re-recording mixer | |
| Robert Rogow | .... | boom man | |
| Tex Rudloff | .... | sound re-recording supervisor | |
| Frank E. Warner | .... | supervising sound effects editor | |
| Mel Zelniker | .... | adr recordist (uncredited) | |
Special Effects by | |||
| Tony Parmelee | .... | special effects | |
Camera and Electrical Department | |||
| Alec Hirschfeld | .... | assistant cameraman (as Alec Hirshfeld) | |
| Bill Johnson | .... | assistant cameraman | |
| Richard Quinlan | .... | gaffer | |
| Ed Quinn | .... | grip (as Edward Quinn) | |
| Fred Schuler | .... | camera operator | |
| Steve Shapiro | .... | special photography | |
| Robert Ward | .... | key grip | |
| William Ward | .... | best boy (as Billy Ward) | |
| Josh Weiner | .... | still photographer | |
| Ron Zarilla | .... | assistant cameraman | |
| Michael Zingale | .... | camera: second unit | |
| Paul Kimatian | .... | still photographer (uncredited) | |
Casting Department | |||
| Sylvia Fay | .... | atmosphere casting (as Sylvia Faye) | |
Costume and Wardrobe Department | |||
| Al Craine | .... | wardrobe | |
Editorial Department | |||
| Marcia Lucas | .... | supervising film editor | |
| George Trirogoff | .... | assistant editor | |
| Billy Weber | .... | assistant editor (as William Weber) | |
| Steven Spielberg | .... | supervising editor (uncredited) | |
Music Department | |||
| Shinichi Yamazaki | .... | music editor | |
| Dave Blume | .... | musical director (uncredited) | |
| Jack Hayes | .... | conductor (uncredited) | |
| Jack Hayes | .... | orchestrator (uncredited) | |
| Bernard Herrmann | .... | musical director (uncredited) | |
| Dan Wallin | .... | music engineer (uncredited) | |
Transportation Department | |||
| Raymond Hartwick | .... | transportation coordinator (as Ray Hartwick) | |
Other crew | |||
| Keith Addis | .... | assistant to producers | |
| Marion Billings | .... | special publicity | |
| Kay Chapin | .... | script supervisor | |
| Pat Dodos | .... | secretary to the producers | |
| Connie Foster | .... | double: Jodie Foster | |
| Amy Holden Jones | .... | assistant to director (as Amy Jones) | |
| Eugene Iemola | .... | production assistant | |
| Howard Newman | .... | publicist | |
| Dan Perri | .... | title design | |
| Noni Rock | .... | production office coordinator | |
| Renate Rupp | .... | secretary to the producers | |
| Chris Soldo | .... | production assistant | |
| Gary Springer | .... | production assistant | |
| Sandra Weintraub | .... | creative consultant | |
| Dan Coplan | .... | location security (uncredited) | |
Thanks | |||
| Julia Cameron | .... | special thanks | |
| Loretta Cubberley | .... | special thanks | |
| Richard B. Goodwin | .... | special thanks (as Richard Goodwin) | |
| Jack Hayes | .... | special thanks | |
| Bernard Herrmann | .... | our gratitude and respect to: June 29, 1911 - December 24, 1975 | |
| Linda Kopcyk | .... | special thanks | |
| Kris Kristofferson | .... | special thanks | |
| Charlie McCarthy | .... | special thanks | |
| Jerry Orange | .... | special thanks | |
| Hank Phillippi | .... | special thanks | |
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| The Godfather | Watchmen | Cidade de Deus | The Departed | Sin City |
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Scorsese's best. Not too many hyper-critical reviews of this film have anything near as intelligent to say about what the director and the screenwriter had in mind when they created this American gem.
To those people that have seen it and thought it was "slow" or the pacing was sub par, they don't know what they're talking about; "Taxi Driver" is about the gradual and eventual take-over of insanity, and not about violence, action-shoot-'em-up 'slash' car chase... or whatever they expected from it. The modern audience today is expecting everything--comedy, drama, unbearable suspense, spfx--all rolled-up into one-stop entertainment... and no, I'm not anybody's grandfather, or here to tell you that movies were great in my day, but, viewers, lighten up already.
De Niro, and the rest of the cast, do a serviceable job in this micro-cosmic window into the life of Travis Bickle--a Vietnam vet--who, true, writes mind-numbing entries in his diary, leads a, for the most part, dull existance as a cabbie, and strikes out with a female political campaigner who, after Travis becomes a hero, discovers she is indeed attracted to unstable, sometimes violent chauffeurs.
The rest of this movie's story is for the less initiated viewer; decide whether you've truly become desensitized to sexual and violent content in today's films... Ah, forget it! You have to have lived at least some of which goes on in "Taxi Driver," or you've just been plain lucky in this life so far.