In this hour, MSNBC goes inside the world of Bryon Widner, a former skinhead "pit bull", as he undergoes painful treatments to remove the physical representation of the hate he had exhibited to the world for more than half his life.
Follows the book of ACTS. Shows the complete message of Christ and the transformation of Saul to Paul and how the high priest of Judea does not believe in what has taken place after the Crucifixion of Christ.
What is the validity of history found in the Bible? Is it fact or fiction? What does the hard evidence really have to say about the foundational story of the Old Testament: the Exodus out ... See full summary »
Its highly plausible, though not officially confirmed, that this miniseries, and the later 1979 extended version, inspired Monty Python to create Life of Brian (1979). Both have a similar plot, some of the same sets were later re-used, and in particular, the scene with Michael York as John the Baptist declaring he's not the Messiah, is part inspiration for the later "he's a very naughty boy". See more »
When Jesus visits Jerusalem as a young boy, his family walks past the outer wall and travels past the crucifixion site where Jesus would be killed later in the movie. In this early scene, the crosses and scaffolding have already been set up with the same Roman guards who appear later in the film (set 30 years in the future) already posted by the crucifixion hill. See more »
Over the years, numerous attempts have been made to transfer the life of Christ to the screen, and one that succeeds is Franco Zefirelli's JESUS OF NAZARETH. The story is a straighforward retelling of the synoptic gospels(Matthew, Mark, and Luke), starting with the divine revelations to Mary and Joseph of their roles as Jesus's earthly parents on the the Resurrection. The score is beautific and reverent, and the big name actors who populate the film are well-cast(no Shelley Winters or John Wayne, thankfully). Also, British actor Robert Powell gives Jesus the proper reverence and poise. Zefirelli was correct to cast him; with his angular features, wavy brown hair and light eyes, this Jesus looks like every church icon and Sunday School picture I've ever seen, something Zefirelli was aware of and used to great effect. While he passes on accuracy for effect with Jesus, the apostles, it must be noted, all resemble the Hebrew peasants, publicans, and sinners they most certainly were. The length is tolerable, primarily because Zefirelli doesn't waste film on needless, arty panoramas or slow-moving dialogue. Zefirelli does keep the action moving, but one annoying technique he employs is the now dated-looking zoom close-up, but this happens infrequently. Highly recommended.
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