Alvy Singer, a forty year old twice divorced, neurotic, intellectual Jewish New York stand-up comic, reflects on the demise of his latest relationship, to Annie Hall, an insecure, flighty, Midwestern WASP aspiring nightclub singer. Unlike his previous relationships, Alvy believed he may have worked out all the issues in his life through fifteen years of therapy to make this relationship with Annie last, among those issues being not wanting to date any woman that would want to date him, and thus subconsciously pushing those women away. Alvy not only reviews the many ups and many downs of their relationship, but also reviews the many facets of his makeup that led to him starting to date Annie. Those facets include growing up next to Coney Island in Brooklyn, being attracted to the opposite sex for as long as he can remember, and enduring years of Jewish guilt with his constantly arguing parents. Written by
The shooting schedule began at Long Island's South Fork and was kept secret from the media. Soon, Woody Allen and his crew were filming all over New York City - Coney Island, the Upper West Side, St. Bernard's School in West Village (for Alvy's elementary school scenes), the Statler Hilton Hotel (the Adlai Stevenson rally sequence), Grand Finale on West 70th Street (the nightclub where Annie sings her songs), and the South Street Seaport Museum by the East River. There were also several scenes featuring popular New York cinemas such as the Thalia, the Beekman, The New Yorker, and the Paris. The beach scenes were shot at Amagansett, Long Island and Englewood, New Jersey was used as a stand-in for Chippewa Falls. See more »
Given the sound of the roasting pot on the stove, there is no water in it when Alvy drops in one of the (dead) lobsters. See more »
[addressing the camera]
There's an old joke - um... two elderly women are at a Catskill mountain resort, and one of 'em says, "Boy, the food at this place is really terrible." The other one says, "Yeah, I know; and such small portions." Well, that's essentially how I feel about life - full of loneliness, and misery, and suffering, and unhappiness, and it's all over much too quickly. The... the other important joke, for me, is one that's usually attributed to Groucho Marx; but, I ...
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Christopher Walken's name is misspelled in the credits as "Christopher Wlaken". See more »
Woody Allen's masterpiece will always be "Annie Hall." What is most remarkable today about this film is the way Allen presents it. It's a movie about a relationship. But rather than taking a linear approach, Allen plays with time. We see the middle, the begining, and the end. And not always in that order. Allen also breaks the fourth wall a lot and has many dream sequences and asides which add to the complexity of the characters. This is a highly autobiographical film and Allen pulls no punches. This movie is not about romance in the way that "Breakfast at Tiffany's" is. Rather, "Annie Hall" is a deconstruction of a romance. At times it is funny and heartbreaking and always classic. "Love fades," indeed.
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