| Laura Gemser | ... | Emanuelle | |
| Ivan Rassimov | ... | Dr. Malcolm Robertson | |
| Karin Schubert | ... | Cora Norman | |
| Don Powell | ... | Jeff Davis | |
| George Eastman | ... | Guru Shanti | |
| Brigitte Petronio | ... | Mary | |
| Maria Luigia Stefania Pecce | |||
| Marino Masé | ... | Cassei | |
| Gianni Macchia | ... | Emir | |
| Paola Maiolini | |||
| Claudio Aliotti | |||
| Eduardo Puoti | |||
| Lanfranco Spinola | |||
| Antonio Gismondo | |||
| Rino Guarrera | |||
| Maria Bonolis | (as Marisa Bonolis) | ||
| Maria Piera Regoli | |||
| Paola D'Egidio | |||
| Juliet Graham | ... | Miss Ohio (as Elisabetta Terribile) | |
| Efrem Appel | |||
| Franca Guida | |||
| Maria Renata Franco | |||
| Daniele Forli | |||
| rest of cast listed alphabetically: | |||
| Dirce Funari | |||
| Randy West | |||
| Joe D'Amato | ... | Halup Kilev (uncredited) | |
| Craig Hill | ... | Disfigured-Face Man (uncredited) | |
| Ulla Johannsen | ... | Girl Penetrated by Banana (uncredited) | |
| Giuseppe Marrocco | ... | Man with Banana (uncredited) | |
| Rick 'Ercolino' Martino | ... | Participant in Indian Orgy Scene (uncredited) | |
| Paul Powell | ... | (uncredited) | |
| Paul Thomas | ... | Ivory Vanlines Driver (uncredited) | |
Directed by | |||
| Joe D'Amato | |||
Writing credits(in alphabetical order) | ||
| Gianfranco Clerici | ||
| Joe D'Amato | ||
| Maria Pia Fusco | screenplay | |
| Maria Pia Fusco | story | |
Produced by | |||
| Fabrizio De Angelis | .... | producer | |
Original Music by | |||
| Nico Fidenco | |||
Cinematography by | |||
| Joe D'Amato | (as Aristide Massaccesi) | ||
Film Editing by | |||
| Vincenzo Tomassi | |||
Production Design by | |||
| Marco Dentici | |||
Costume Design by | |||
| Ivana Scandariato | |||
Makeup Department | |||
| Ennio Cascioli | .... | hair stylist | |
| Cesare Paciotti | .... | makeup artist | |
| Pietro Tenoglio | .... | makeup artist | |
Production Management | |||
| Fabrizio De Angelis | .... | production manager | |
| Paolo Gargano | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Donatella Donati | .... | assistant director | |
Art Department | |||
| Mauro Passi | .... | assistant art director | |
Sound Department | |||
| Nick Alexander | .... | dubbing supervisor | |
| Guglielmo Smeraldi | .... | boom operator | |
| Gianni Zampagni | .... | sound recordist | |
Costume and Wardrobe Department | |||
| Stella Battista | .... | seamstress | |
Editorial Department | |||
| Vanio Amici | .... | first assistant editor | |
| Carlo Della Corte | .... | third assistant editor | |
| Pietro Tomassi | .... | second assistant editor | |
Music Department | |||
| Giacomo Dell'Orso | .... | musical director | |
Other crew | |||
| Dario Armellini | .... | production coordinator | |
| Umberto Bellucci | .... | set technician | |
| Patrizia Zulini | .... | script supervisor | |
| Recent Posts (updated daily) | User |
|---|---|
| The soundtrack is amazing! | Chaves7777 |
| Is Kristine DeBell in this movie? | JoeBuda |
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| La via della prostituzione | A Prisão | Tout le monde il en a deux | Emanuelle nera: Orient reportage | Le deportate della sezione speciale SS |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| IMDb Adventure section | IMDb Italy section |
This movie recently appeared in the "Black Emanuelle's Box Set" with two other movies, one of which was significantly better ("Sister Emanuelle") and the other slightly worse ("Emanuelle in Bangkok"). Emanuelle (Laura Gemser)is a once again a "world-famous photojournalist" who is much more intrepid than intelligent (when we first see her she is saving air fare to San Francisco by having sex with a long-haul furniture trucker--I don't know why she didn't just have sex with a pilot). She is sent to India by her publisher where she discredits a local sex guru--by having sex with him, of course. Encouraged by an old friend (Karin Schubert) and a young girl (Briget Petronnio) who she meets (and has lesbian sex with) in India, she decides to investigate a white slavery ring, naturally by getting HERSELF kidnapped, along with a couple naive white girls, in Rome with only a shy, virginal guy she briefly flirted with as back-up.
Obviously, this film is not very realistic. International sex slave rings do not generally trade in pretty middle-class white girls snatched right off the street while touring Rome. This movie would be pretty offensive if it WAS realistic though since it is obviously far more interested in exploiting this subject than exposing it. It is not quite as transgressive or disturbing as other films in the series like "Emanuelle in America", but there are way too many scenes of women being slapped around and/or raped. Still even these scenes look more like rough consensual sex than anything since the women never seem to physically or mentally traumatized by it, but remain as pretty and chirpy as ever afterward.
The female leads are all very attractive. Petronnio would later suffer far worse abuse in Ruggiero Deodata' "House at the Edge of the Park" while Schubert probably suffered worse in real-life after becoming a hardcore actress. Laura Gemser, as usual, manages to float effortlessly above whatever sleaze she is cast in. At times this movie seems almost feminist in a strange way, much more so than the similar American "Ginger" series with Cheri Caffaro, largely because of the innate classiness of Gemser that makes her "degradation"-proof even to the likes of Joe D'Amato. As for the movie itself, it's not good and I don't want to morally defend it, but it isn't really more than a, for lack of a better word, "naked" version of the old Hollywood ploy of exploiting lurid subject matter while pretending to condemn it.