The intertwined lives of 2 women in 1970's France, set against the progress of the women's movement in which Agnes Varda was involved. Pomme and Suzanne meet when Pomme helps Suzanne obtain...
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A young mute woman, living in a small village, is expecting a baby. Her husband is at the same time writing a novel and using the villagers as his characters. In the creative process, reality and imagination are constantly intertwined.
There are two parts to this film: sequences of life in the fishing village of La Pointe Courte (a government inspector's visit, the death of a child) alternate with others following a ... See full summary »
Jacquot Demy is a little boy at the end of the thirties. His father owns a garage and his mother is a hairdresser. The whole family lives happily and likes to sing and to go to the movies. ... See full summary »
"I'll look at you, but not at the camera. It could be a trap," whispers Jane Birkin shyly into Agnès Varda's ear at the start of JANE B. PAR AGNES V. The director of CLEO FROM 5 TO 7 and ... See full summary »
Mary-Jane asks, "Do all women fall in love with a boy, or just those without sons?" She's divorced with two daughters, Lucy and Loulou. Lucy has a party where Mary-Jane notices Julien, 14, ... See full summary »
The intertwined lives of 2 women in 1970's France, set against the progress of the women's movement in which Agnes Varda was involved. Pomme and Suzanne meet when Pomme helps Suzanne obtain an abortion after a third pregnancy which she cannot afford. They lose contact but meet again ten years later. Pomme has become an unconventional singer, Suzanne a serious community worker - despite the contrast they remain friends and share in the various dramas of each others' lives, in the process affirming their different female identities. Written by
Alison Smith <firstname.lastname@example.org>
Sidney Lumet's "the group"(from Mary McCarthy) was,in its own special way,some kind of woman's lib manifesto.Here the group is a two-person team but we see them live during a pretty long time,from 1962 to the mid-seventies.It's interesting to notice that abortion was legal in France only in 1975,thanks to minister Simone Veil.
Agnès Varda's last feature film was "les creatures" a work for highbrows."L'une chante,l'autre pas" is a return to an accessible ,more palatable style.All things woman's lib indeed.Of the two characters ,Suzanne,played by beautiful Thérèse Liotard,is by far the most endearing:her path ran into difficulties,even tragedies:her lover's suicide,her parents' despise who treated her like a dog,her affair with a married man...Pomme is a singer who wants to be free,but she acts like a bubblehead girl:marrying an Iranian,were he the most liberal of them all, is not perhaps the right move..
A lot of this stuff has not worn well:the second part recalls hippies communities,and chic ones at that.The epilogue might be a nod to "le bonheur" her 1964 movie,which was nevertheless disputable in several respects.
Agnès Varda regained the audience's favor in the eighties with "sans toit ni loi" and her superb love movie for her husband Jacques Demy "Jacquot de Nantes".
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