A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Robert De Niro,
Michael, Steven and Nick are young factory workers from Pennsylvania who enlist into the Army to fight in Vietnam. Before they go, Steven marries the pregnant Angela, and their wedding party also serves as the men's farewell party. After some time and many horrors, the three friends fall in the hands of the Vietcong and are brought to a prison camp in which they are forced to play Russian roulette against each other. Michael makes it possible for them to escape, but they soon get separated again. Written by
Leon Wolters <wolters@strw.LeidenUniv.nl>
Michael Cimino spent six months shooting his film, and a further five months mixing the soundtrack. Since this was his first Dolby Stereo film, he was eager to exploit the technology to its fullest potential. A short battle sequence, for example, (200 feet of film) took five days to dub. For the re-creation of the American evacuation of Saigon, he accompanied composer Stanley Myers to the location and had him listen to the sounds of vehicles, tanks, and jeep horns as the sequence was being filmed. Myers then composed music for the sequence in the same key as the horns, so that it would blend with the images creating one truly bleak experience. See more »
When Michael returns from Viet Nam he is staff sergeant stripes and a chest full of ribbons. He could never have reached that rank or been awarded that many medals in a one year tour of Viet Nam. He is also wearing 6 service hash marks on his sleeve. Each hash represents 3 years of service. See more »
Hey, watch out, Axel. We'll be calling him old fireballs after tonight.
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We gratefully acknowledge the cooperation of our Thai crew in the production of "The Deer Hunter" See more »
It was 1978 and everyone in the audience was about to wet their pants
No, this is not the best film about the Vietnam War; it's hardly about Vietnam at all. The vets who don't like it have it wrong, as do the Vietnamese who found it racist. It could be any war, with any combatants. But because the (primary) victims here are recognizable American archetypes, Americans will feel this in their gut more than any other war film I know of. This is one of the very few post-war Hollywood films that shows a sincere reverence for the lives of small town Americans.
After seeing it in a very high quality theater on its initial release, I walked out thinking it was easily one of the best movies I had ever seen - and that I never wanted to see it again. But I looked at it today on cable and found that not much had changed about it, or me. I don't want to see it again...but I want you to see it.
Even now, the Russian Roulette scene (in context, people: watch all that comes before it first) is the single most intense sequence I've seen; it makes the end of "Reservoir Dogs" seem like a cartoon. Best Walken performance, period. Meryl Streep glows, DeNiro has seldom been more affecting. A unique classic...it is not surprising that Cimino didn't have another movie in him after something this wrenching.
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