The Hills Have Eyes (1977)

Director:

Wes Craven

Writer:

Wes Craven (writer)

Release Date:

22 July 1977 (USA)

Genre:

Horror | Thriller

Tagline:

The lucky ones died first...

Plot:

On the way to California, a family has the misfortune to have their car break down in an area closed to the public, and inhabited by violent savages ready to attack.

Plot Keywords:

Desert | Cannibal | Blood | Dead Animal | Shot In The Chest

Awards:

1 win

Cast

Susan Lanier	...	Brenda Carter
Robert Houston	...	Bobby Carter
Martin Speer	...	Doug Wood
Dee Wallace	...	Lynne Wood
Russ Grieve	...	Big Bob Carter
John Steadman	...	Fred
James Whitworth	...	Jupiter
Virginia Vincent	...	Ethel Carter
Lance Gordon	...	Mars
Michael Berryman	...	Pluto
Janus Blythe	...	Ruby
Cordy Clark	...	Mama
Brenda Marinoff	...	Katy
Peter Locke	...	Mercury (as Arthur King)
Flora	...	Beauty, the Carters' Dog

Also Known As:

Blood Relations (USA) (original script title)
Wes Craven's The Hills Have Eyes (USA) (LD title)
La colline a des yeux (Belgium: French title) (France) [fr]
Aima stous lofous (Greece) (DVD title) [el]
De heuvelen hebben ogen (Belgium: Flemish title) [un]
Hügel der blutigen Augen (West Germany) [de]
La colina de los ojos malditos (Argentina) [es]
La pandilla abominable (Argentina) [es]
Las colinas tienen ojos (Spain) [es]
Le colline hanno gli occhi (Italy) [it]
Le visage de la peur (Canada: French title) [fr]
Oi ktinanthropoi (Greece) [el]
Slagterbanden (Denmark) [da]
Yön silmät (Finland) [fi]

Runtime:

89 min | UK:86 min (cut version)

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

New Zealand:R18 | USA:X (original rating) | USA:Unrated (unrated DVD version) | Finland:(Banned) (1986) | Finland:K-16 (1996) | USA:R (MPAA rating) | Italy:VM14 | Sweden:15 | UK:18 (cut) (1987) | UK:X (original rating) (cut) | Germany:18 (uncut) (2008) | Argentina:X (original rating) | Netherlands:16 | Argentina:18 (re-rating) | Australia:R | Norway:18 | UK:18 | USA:R | Iceland:16

Filming Locations:

Victorville, California, USA

Company:

Blood Relations Co.

Trivia:

According to Wes Craven the idea of actually having the baby killed in the film was considered. However the cast and crew strongly opposed the idea saying they would leave if the plot went that route.

Goofs:

Audio/visual unsynchronized: After Mars pulls Pluto off of Brenda and throws him onto the trailer floor, Pluto's lips don't move when he says, "You son of a bitch!"

Quotes:

Pluto: This is air force rescuewwwwww, what's up ?
Bobby Carter: We're being attacked. I don't know who. We have one gun with 2 bullets. We're sitting ducks!
Pluto: We recommend that until we can get to you, you stand on your heads, with your thumbs up.

Movie Connections:

Referenced in The Evil Dead (1981)

They don't make 'em like this anymore!

Wes Craven is a director who did a lot to revive interest in the horror genre, but he also did a lot to ensure that we were unlikely to get our horror the way we used to. While I personally have nothing against his mega-successful "Scream" franchise and have enjoyed both films immensely, I feel sad knowing that Craven will never be able to recapture the awesome low-budget effectiveness of his earlier works. He has developed his directorial skills a LOT since then, but any horror fan will tell you that slicker does not necessarily mean scarier. Now that Craven has successfully broken free from the genre that has provided him with a living for over a quarter century (and has moved on to directing inspirational films with Meryl Steep!), we will never see another film like his "The Hills Have Eyes", which is raw, intense horror at its best. The film doesn't quite have the same impact as Craven's earlier "Last House on the Left", but it is a more skilful piece of work, and is still one of the most frightening genre flicks ever made.

Like all great horror films, the plot requires very little description. The upper-class, white-bread Carter family are on a road trip to California and decide to take a detour through the desert to check out a silver mine that the parents received as a silver wedding anniversary gift. They ignore the warnings of a crazy old man they encounter at a gas station who warns them to stay on the main road, and end up wishing they'd listened to him after their trailer becomes trapped in the middle of nowhere with a broken axle on the car. It soon becomes apparent that they've stumbled into an area that is populated by a family whom the Carters would never have to worry about encountering back home in Cleveland. The members of this family are named after planets in the solar system (Jupiter, Mars, Pluto etc.) and are able to survive life in the desert by praying on unsuspecting travellers like the Carters. After a night of unbearable hell, the Carter family has lost some of their members and most of their supplies and decide to take revenge once daylight hits. They end up acting more violent and psychotic than the villains.

Not even David Lean has used the desert to better effect. Craven's direction here is top-notch, and does a terrific job at conveying the isolation of his location and the helplessness of the whole situation. He takes his sweet time building up the mutant family's attack on the Carters, so that the tension almost becomes unbearable. By the last act, the film is less concerned about the heroes finding their way out of the desert, but about whether or not they are going to end up stooping to the level of their enemies. Of course, these themes of vengeance and family were covered by Craven before in "Last House on the Left", but this time around, he ensures that they will reach a wider audience by presenting them within the confines of a more straightforward genre film. The main factor that prevents this film from being superior to "Last House" are the villains, who are somewhat cartoonish and not quite as memorable as Krug & Company. However, they still do provide plenty of menace, and like the "Last House" gang, exude a certain likability when they're not acting vicious, especially Michael Berryman, who steals every scene he's in as the dim-witted Pluto. All in all, "The Hills Have Eyes" is an unforgettable experience and one of the best films of its kind. Even though videotape copies of "Hills" have been in the darkest depths of moratorium hell for years, every horror fan should go out of their way to check it out. Especially since we just don't get them like this any more...