| Photos (see all 26 | slideshow) |
| Donald Sutherland | ... | Matthew Bennell | |
| Brooke Adams | ... | Elizabeth Driscoll | |
| Jeff Goldblum | ... | Jack Bellicec | |
| Veronica Cartwright | ... | Nancy Bellicec | |
| Leonard Nimoy | ... | Dr. David Kibner | |
| Art Hindle | ... | Dr. Geoffrey Howell, DDS | |
| Lelia Goldoni | ... | Katherine Hendley | |
| Kevin McCarthy | ... | Running Man | |
| Don Siegel | ... | Taxi Driver | |
| Tom Luddy | ... | Ted Hendley | |
| Stan Ritchie | ... | Stan | |
| David Fisher | ... | Mr. Gianni | |
| Tom Dahlgren | ... | Detective | |
| Garry Goodrow | ... | Dr. Boccardo | |
| Jerry Walter | ... | Restaurant Owner | |
| Maurice Argent | ... | Chef | |
| Sam Conti | ... | Street Barker | |
| Wood Moy | ... | Mr. Tong | |
| R. Wong | ... | Mrs. Tong | |
| Rose Kaufman | ... | Outraged Woman | |
| Joe Bellan | ... | Harry | |
| Sam Hiona | ... | Policeman #1 | |
| Lee McVeigh | ... | Policeman #2 | |
| Al Nalbandian | ... | Rodent Man (as Albert Nalbandian) | |
| Lee Mines | ... | Schoolteacher | |
| rest of cast listed alphabetically: | |||
| Misty | ... | Harry's Boxer Dog | |
| Michael Chapman | ... | Health Dept. Floor Cleaner (uncredited) | |
| Robert Duvall | ... | Priest on Swing (uncredited) | |
| Philip Kaufman | ... | City Official on Phone (voice) (uncredited) | |
| Al Perez | ... | PG&E Man (uncredited) | |
| Jeff Scheftel | ... | Pod at Party (uncredited) | |
Directed by | |||
| Philip Kaufman | |||
Writing credits | ||
| Jack Finney | (novel "The Body Snatchers") | |
| W.D. Richter | (screenplay) | |
Produced by | |||
| Robert H. Solo | .... | producer | |
Original Music by | |||
| Denny Zeitlin | |||
Cinematography by | |||
| Michael Chapman | (director of photography) | ||
Film Editing by | |||
| Douglas Stewart | |||
Casting by | |||
| Mary Goldberg | |||
Production Design by | |||
| Charles Rosen | |||
Set Decoration by | |||
| Doug von Koss | |||
Costume Design by | |||
| Aggie Guerard Rodgers | (as Agnes Anne Rogers) | ||
Makeup Department | |||
| Thomas R. Burman | .... | makeup artist (as Thomas Burman) | |
| Edouard F. Henriques | .... | makeup artist (as Edouard Henriques) | |
| Edie Panda | .... | hair stylist | |
| Bob Westmoreland | .... | makeup artist | |
Production Management | |||
| Alan Levine | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jim Bloom | .... | first assistant director | |
| Toby Lovallo | .... | second assistant director | |
Art Department | |||
| Sherman Labby | .... | production illustrator | |
| Michael O'Donnell | .... | assistant property master | |
| Holly Walker | .... | assistant property master | |
| Burt C. Wiley | .... | property master (as Burt Wiley) | |
| Dale Woodall | .... | construction coordinator | |
| Dale Haugo | .... | scenic artist (uncredited) | |
Sound Department | |||
| Mark Berger | .... | supervising re-recording mixer | |
| Ben Burtt | .... | special sound effects | |
| Susan R. Crutcher | .... | stereo sound effects recordist (as Susan Crutcher) | |
| Bonnie Koehler | .... | supervising sound editor | |
| John Nutt | .... | sound editor | |
| Steve Powell | .... | boom operator (as Stephen Powell) | |
| Art Rochester | .... | production sound mixer | |
| Art Rochester | .... | sound | |
| Andy Wiskes | .... | sound re-recording mixer | |
| Andy Wiskes | .... | stereo sound effects recordist | |
| Barbara McBane | .... | assistant sound editor (uncredited) | |
Special Effects by | |||
| Russel Hessey | .... | special effects (as Russ Hessey) | |
| Dell Rheaume | .... | special effects | |
Stunts | |||
| David R. Ellis | .... | stunt coordinator (as David Ellis) | |
Camera and Electrical Department | |||
| Alan S. Blauvelt | .... | second assistant camera (as Allan Blauvelt) | |
| Dustin Blauvelt | .... | first assistant camera (as Dusty Blauvelt) | |
| Dick Dova | .... | key grip (as Dick Dova Spah) | |
| Wynn Hammer | .... | still photographer | |
| Leo Loverro | .... | dolly grip | |
| Joe R. Marquette Jr. | .... | camera operator (as Joe Marquette) | |
| George Michael Pantages | .... | head electrician | |
| Bill Pelkey | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Mary Elizabeth Still | .... | assistant costumer (as Mary Still) | |
Editorial Department | |||
| Norman Mau | .... | apprentice editor | |
Music Department | |||
| Julian Bream | .... | musician: solo guitar, "De la Tromba Pavin" | |
| Jerry Garcia | .... | musician: banjo | |
| Ving Hershon | .... | music editor | |
| Roger Kellaway | .... | conductor | |
| Greig McRitchie | .... | orchestrator | |
| Phill Sawyer | .... | music production coordinator | |
| Dan Wallin | .... | music scoring mixer (uncredited) | |
Other crew | |||
| John Blowitz | .... | unit publicist | |
| Patrick Burns | .... | production assistant | |
| Ron Dexter | .... | space sequence | |
| Allen Pettigrew | .... | location manager | |
| Howard Preston | .... | space sequence | |
| Alice Tompkins | .... | script supervisor | |
| Joan Wellman | .... | production secretary | |
| Bret Culpepper | .... | owner: "Misty" (uncredited) | |
| Bret Culpepper | .... | trainer: "Misty" (uncredited) | |
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| I Married a Monster from Outer Space | Dreamcatcher | Vertigo | Basic Instinct | Superman |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb USA section | Add this title to MyMovies |
I found the special effects to be the only thing of strong value in this movie. It involves a health department and scientific research team investigating why people are becoming zombie-like shortly after going to sleep. I liked the beginning of the movie the best. The viewer is drawn into some clever outer-space camera shots. One feels that this is going to be good.
But than, it dies. The dialog is predictable and corny. Even the good actors can not make up for them being forced into B-grade Sci-Fi acting. Invasion of the Body Snatchers seems to drag on and on with very little to excite the viewer. In fact it was on one of my local stations last night and I kept falling asleep missing the last half hour of the movie! To achieve a great sci-fi effect that is everlasting to the viewer, there needs to be a suspense or build up that is maintained throughout the film. A few screams here and there over some strange corpses would be something that you would expect from a 50's horror film. This would be good for its time, but not enough for a 1978 film, which incidentally is a remake.
With this film coming out the year after Close Encounters of the Third Kind and the Star Wars phenomenon, one would expect better pacing in this film. IOTBS appears to have been put together with several characters that don't get into a weak plot, combined with a 50's type script. Good special effects can not save this weak movie.
It's too bad that the quality cast ensemble didn't have a stronger, faster-paced, script to showcase their acting abilities so that this film could have been better.