| Curt Dawson | ... | Sgt. Frank Hebert | |
| Gwen Arment | ... | Sherry | |
| William Metzo | ... | John (as Bill Metzo) | |
| Laura Misch Owens | ... | Shirley Anderson - the Evil Prostitute (as Laura Misch) | |
| Cathryn Lacey | ... | Disco Girl #1 | |
| Nancy Dancer | ... | Disco Girl #2 | |
| Butch Benit | |||
| Wayne Mack | |||
| Ronald Tanet |
Directed by | |||
| Jack Weis | |||
Writing credits | ||
| Jack Weis | (writer) | |
Produced by | |||
| John Stimac Jr. | .... | associate producer | |
| Jack Weis | .... | producer | |
Original Music by | |||
| Dennis Coffey | |||
| Mike Theodore | |||
Cinematography by | |||
| Jack McGowan | |||
| Don Piel | |||
| Jack Weis | |||
Second Unit Director or Assistant Director | |||
| Lee Brown | .... | first assistant director | |
| Glenn Stewart | .... | second assistant director | |
Art Department | |||
| Merlyn Huguet | .... | props | |
Sound Department | |||
| Rick Wigginton | .... | sound | |
Special Effects by | |||
| Michael Nahay | .... | special effects | |
Camera and Electrical Department | |||
| Paul Decorte | .... | gaffer (as Paul De Corte) | |
| Doyle Smith | .... | assistant camera | |
| Julian Wilson | .... | assistant camera | |
Other crew | |||
| Denise Canter | .... | script supervisor | |
| Tony Stimac | .... | location manager | |
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| La tarantola dal ventre nero | L'uccello dalle piume di cristallo | Don't Go in the House | Cosa avete fatto a Solange? | Il gatto a nove code |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb USA section |
This inept gore movie is often compared to Herschell Gordon Lewis' "Blood Feast", but it is not quite as bad nor nearly as unintentionally funny as that anti-classic. However, it is very hard to take seriously and didn't really deserve its famous inclusion on Britain's "video nasty" list.
The very repetitive plot involves an Aztec high priest picking up surprisingly attractive New Orleans prostitutes, tying them naked to a makeshift altar, and cutting their hearts out with a stone dagger. This is intercut with a few expository scenes of the local police stumbling ineffectually around, and some canned footage of the Mardi Gras celebration to (barely) justify the title. I might point out that the influence of the Aztecs never quite reached New Orleans (it should have been a Haitian voodoo priest but I suppose THAT would have been culturally insensitive). Also, the real-life Aztecs generally preferred to sacrifice MALE warriors from other Indian tribes, and besides anybody that knows anything about making sacrifices to the dark gods knows that they prefer virgins, not prostitutes. Obviously, this movie is pretty damn ridiculous and hardly compares to bargain-basement realism of other "nasties" like "Maniac" or "I Spit on Your Grave". It does mix full-frontal nudity and a lot of gore, but even in that respect it's not as disturbing as such films as "Bloodsucking Freaks" and "The Gore Gore Girls" (although it does lack the black humor of those films).
The film has been accused of misogyny (probably based on throw-away dialogue and ad-lines about "cutting out the part with which the women do evil"). But as I've often said, just because you enjoy seeing naked women tied to fake sacrificial altars doesn't necessarily make you a misogynist, and NOBODY is going to mistake the unconvincing plastic dummy that they use for heart-ectomies with a real woman (real women have rib cages). Far from encouraging "sexual sadism" as censors have claimed, it might turn normal people on with the nudity but will have them laughing their asses off at the inept special effects. This is a movie very undeserving of its reputation--either good or bad.