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Directed by | |||
| John Landis | |||
Writing credits | ||
| Harold Ramis | (written by) & | |
| Douglas Kenney | (written by) & | |
| Chris Miller | (written by) | |
Produced by | |||
| Ivan Reitman | .... | producer | |
| Matty Simmons | .... | producer | |
Original Music by | |||
| Elmer Bernstein | |||
Cinematography by | |||
| Charles Correll | (director of photography) | ||
Film Editing by | |||
| George Folsey Jr. | |||
Casting by | |||
| Michael Chinich | |||
| Don Phillips | (uncredited) | ||
Art Direction by | |||
| John J. Lloyd | |||
Set Decoration by | |||
| Hal Gausman | |||
Costume Design by | |||
| Deborah Nadoolman | |||
Makeup Department | |||
| Lynne Brooks | .... | makeup artist (as Lynn Brooks) | |
| Marilyn Patricia Phillips | .... | hair stylist (as Marilyn Phillips) | |
| Gerald Soucie | .... | makeup artist | |
Production Management | |||
| Peter Macgregor-Scott | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Clifford C. Coleman | .... | first assistant director (as Cliff Coleman) | |
| Gary McLarty | .... | second unit director (as Gary R. McLarty) | |
| Ed Milkovich | .... | second assistant director | |
Art Department | |||
| Michael Milgrom | .... | property master | |
| Clint Robinson | .... | assistant property master (uncredited) | |
| Arthur Smedley | .... | lead man (uncredited) | |
Sound Department | |||
| Jack Gosden | .... | dialogue editor | |
| Alan Holly | .... | sound re-recording mixer | |
| William B. Kaplan | .... | sound | |
| Earl Sampson | .... | boom operator | |
| John Stacy | .... | sound effects editor | |
| Bill Varney | .... | sound re-recording mixer | |
| Howard S. Wollman | .... | sound re-recording mixer (as Howard Wollman) | |
| Michael Colomby | .... | sound re-recording mixer: restoration remix (uncredited) | |
| Roger Sword | .... | sound editor (uncredited) | |
| Marvin Walowitz | .... | sound editor (uncredited) | |
Special Effects by | |||
| Henry Millar | .... | special effects | |
Stunts | |||
| Pamela Bebermeyer | .... | stunts (as Pam Bebermeyer) | |
| Gilbert B. Combs | .... | stunts (as Gilbert Combs) | |
| Bud Ekins | .... | stunts | |
| James M. Halty | .... | stunts (as Jim Halty) | |
| Clifford Happy | .... | stunts | |
| Freddie Hice | .... | stunts (as Fred Hice) | |
| Billy Hank Hooker | .... | stunts (as Bill Hooker) | |
| Albert M. Mauro | .... | stunts | |
| Gary McLarty | .... | stunt coordinator (as Gary R. McLarty) | |
| Gary McLarty | .... | stunts | |
| Karen McLarty | .... | stunts (as Karen Werner) | |
| R.A. Rondell | .... | stunts | |
| Walter Wyatt | .... | stunts | |
Camera and Electrical Department | |||
| Joseph Cosko Jr. | .... | assistant camera (as Joe Kosko) | |
| Norman Glasser | .... | gaffer | |
| Pete Hill | .... | second assistant camera | |
| Richard Kamins | .... | best boy | |
| Tom Kessenich | .... | key grip | |
| Christine M. Loss | .... | still photographer (as Christine Loss) | |
| Charles Mills | .... | second camera operator | |
| John R. Shannon | .... | still photographer (as John Shannon) | |
| Michael Simpson | .... | assistant camera | |
| Steve Yaconelli | .... | camera operator | |
| Jon Falkengren | .... | second grip (uncredited) | |
| Mark Stanley | .... | grip (uncredited) | |
Casting Department | |||
| Katherine Wilson | .... | location casting (uncredited) | |
Costume and Wardrobe Department | |||
| Dan Chichester | .... | wardrober | |
| Gene Deardorff | .... | wardrober | |
Editorial Department | |||
| Malcolm Campbell | .... | assistant film editor | |
Music Department | |||
| Dave Kahn | .... | music editor | |
| Robb Navrides | .... | music editor: restoration | |
| Stephen A. Hope | .... | music editor (uncredited) | |
| David Spear | .... | orchestrator (uncredited) | |
| Kenny Vance | .... | music supervisor (uncredited) | |
Transportation Department | |||
| Don Newton | .... | transportation captain | |
| Tom Battaglia | .... | transportation co-captain (uncredited) | |
Other crew | |||
| Judith Belushi-Pisano | .... | production associate (as Judith Jacklin) | |
| Saul Kahan | .... | unit publicist | |
| Katherine Wooten | .... | script supervisor | |
| James Moffett | .... | first aid (uncredited) | |
| Katherine Wilson | .... | location scout (uncredited) | |
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Animal House was the milestone that instigated movies like Old School, and it is still (and most likely aways will be) the best. I am not saying that Old School and the like were bad, they were fantastic comedies, but Animal House was the original.
All the characters are eccentric and drunken maniacs, and the adventures of their fraternity are hilarious. I don't have much to say about this movie, but it must be seen to understand where i am coming from.
the only other thing i have to say is that I wish that John Belushi could have done more besides the few other films he was in. He died too soon, he had himself one good career going.