| Alan Bates | ... | Crossley | |
| Susannah York | ... | Rachel Fielding | |
| John Hurt | ... | Anthony Fielding | |
| Robert Stephens | ... | Medical Man | |
| Tim Curry | ... | Robert Graves | |
| Julian Hough | ... | Vicar | |
| Carol Drinkwater | ... | Wife | |
| John Rees | ... | Inspector | |
| Jim Broadbent | ... | Fielder in cowpat | |
| Susan Wooldridge | ... | Harriet | |
| Nick Stringer | ... | Cobbler | |
| Colin Higgins | |||
| Peter Benson |
Directed by | |||
| Jerzy Skolimowski | |||
Writing credits | ||
| Robert Graves | (story) | |
| Michael Austin | (screenplay) and | |
| Jerzy Skolimowski | (screenplay) | |
Produced by | |||
| Michael Austin | .... | associate producer | |
| Jeremy Thomas | .... | producer | |
Cinematography by | |||
| Mike Molloy | |||
Film Editing by | |||
| Barrie Vince | |||
Casting by | |||
| Patsy Pollock | (as Patsie Pollock) | ||
| Mary Selway | |||
Art Direction by | |||
| Simon Holland | |||
Makeup Department | |||
| Betty Glasow | .... | hair stylist | |
| Wally Schneiderman | .... | makeup artist | |
Production Management | |||
| Joyce Herlihy | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Kip Gowans | .... | first assistant director | |
| Arnold Schulkes | .... | second assistant director | |
| Peter Waller | .... | second assistant director | |
Art Department | |||
| John Davey | .... | painter | |
| Bob Hedges | .... | props (as Bobby Hedges) | |
| W.C. 'Chunky' Huse | .... | stagehand (as Chunky Huse) | |
| John Leuenberger | .... | props (as John Leunberger) | |
| Keith Pain | .... | assistant art director | |
| Peter Verard | .... | carpenter (as Peter Verrard) | |
| Adrian Start | .... | painter (uncredited) | |
Sound Department | |||
| Mike Basset | .... | sound maintenance | |
| Alan Bell | .... | sound editor | |
| Michael Crouch | .... | dialogue editor | |
| Tony Jackson | .... | sound mixer | |
| Gordon K. McCallum | .... | dubbing mixer | |
| John Relph | .... | boom operator (as John Ralph) | |
| Graham V. Hartstone | .... | sound re-recording mixer (uncredited) | |
| Nicolas Le Messurier | .... | sound re-recording mixer (uncredited) | |
Camera and Electrical Department | |||
| Peter Biddle | .... | camera loader | |
| Peter Butler | .... | camera grip | |
| Nobby Cross | .... | gaffer (as Edward Cross) | |
| David Farrell | .... | still photographer | |
| Laurie Frost | .... | camera operator | |
| David Hughes | .... | electrician | |
| Eamonn O'Keeffe | .... | focus puller | |
| Terry Potter | .... | electrician (as Terence Potter) | |
| Bill Thornhill | .... | generator operator (as William Thornhill) | |
| Martin Evans | .... | best boy (uncredited) | |
Costume and Wardrobe Department | |||
| Dave Paddon | .... | wardrober (as David Paddon) | |
Editorial Department | |||
| William Diver | .... | assistant editor | |
| Sara Jolly | .... | assistant editor | |
| Tim Jordan | .... | assistant editor | |
| Michael Saxton | .... | assistant editor | |
Music Department | |||
| Tony Banks | .... | composer: theme & incidental music (as Anthony Banks) | |
| Mike Rutherford | .... | composer: theme & incidental music | |
Other crew | |||
| Dennis Davidson | .... | publicity director | |
| Sevilla Delofski | .... | secretary to producer | |
| Tony Hedges | .... | accountant | |
| Jane Moscrop | .... | production assistant | |
| Ann Skinner | .... | continuity | |
| Peter Van Praagh | .... | project development | |
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| Igby Goes Down | Intermission | Aria | Les enfants du siècle | Rois et reine |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb UK section |
This is a strange film about a sinister man named Crossley (Alan Bates) who invades the lives of a man (John Hurt) and his wife (Susannah York) in a sleepy English town. He tells the story to a fellow scorer at a cricket match (Tim Curry), and we are left to try and disentangle it.
Crossley tells the couple that he spent eighteen years in the Australian outback, and that he killed his children when they were born. He also tells them he met a magical man in the outback, who taught him how to shout to kill. The scene when Crossley 'shouts' on the sand dunes is good. The shout kills sheep, birds and a shepherd. The sound is good too. The film was made in Dolby system sound, which is rare for that time. During the 'shout' the effect is impressive. The ending is rather weird. Alan Bates is good as the creepy Crossley. It's an odd film, that is curiously compelling to watch.