Apocalypse Now (1979)

User Rating:

8.6/10   

Director:

Francis Ford Coppola

Writers:

John Milius (screenplay) and
Francis Ford Coppola (screenplay) ...

Release Date:

15 August 1979 (USA)

Genre:

Action | Drama | War

Tagline:

The Horror. . . The Horror. . .

Plot:

During the on-going Vietnam War, Captain Willard is sent on a dangerous mission into Cambodia to assassinate a renegade Green Beret who has set himself up as a God among a local tribe.

Plot Keywords:

Colonel | Jungle | Army | Boat | Vietnam

Awards:

Won 2 Oscars. Another 13 wins & 32 nominations

Cast

Marlon Brando	...	Colonel Walter E. Kurtz
Martin Sheen	...	Captain Benjamin L. Willard
Robert Duvall	...	Lieutenant Colonel Bill Kilgore
Frederic Forrest	...	Jay 'Chef' Hicks
Sam Bottoms	...	Lance B. Johnson
Laurence Fishburne	...	Tyrone 'Clean' Miller (as Larry Fishburne)
Albert Hall	...	Chief Phillips
Harrison Ford	...	Colonel Lucas
Dennis Hopper	...	Photojournalist
G.D. Spradlin	...	General Corman
Jerry Ziesmer	...	Jerry, Civilian
Scott Glenn	...	Lieutenant Richard M. Colby
Bo Byers	...	MP Sergeant #1
James Keane	...	Kilgore's Gunner
Kerry Rossall	...	Mike from San Diego

Also Known As:

Apocalypse Now Redux (International: English title) (longer version)
Apocalipsis now (Argentina) (Spain) [es]
юОНЙЮКХОЯХЯ яЕЦНДМЪ (Soviet Union: Russian title) [ru]
Apocalipsis ahora (Venezuela) [es]
Apocalipsis now redux (Argentina) (longer version) [es]
Apocalypse (Sweden) [sv]
Apocalypse Now (Brazil) [pt]
Apocalypse Now (Uruguay) [es]
Apocalypse Now (France) [fr]
Apocalypse Now Re-Editada (Uruguay) (longer version) [es]
Apokalipsa danas (Serbia) (alternative transliteration) [sr]
Apokalipsa sada (Serbia) [sr]
Apokalipszis most (Hungary) [hu]
Apokalypsa (Czechoslovakia) [cs]
Apokalypsi tora! (Greece) [el]
C'est l'apocalypse (Canada: French title) [fr]
Czas apokalipsy (Poland) [pl]
Czas apokalipsy - Powrót (Poland) (longer version) [pl]
Dommedag nu (Denmark) [da]
Ilmestyskirja. Nyt. (Finland) [fi]
Jigoku no mokushiroku (Japan) [ja]
Kiyamet (Turkey: Turkish title) [tr]

MPAA:

Rated R for disturbing violent images, language, sexual content and some drug use. (2001 director's cut)

Runtime:

153 min | 202 min (Redux version)

Country:

USA

Language:

English | French | Vietnamese | Khmer

Color:

Color

Aspect Ratio:

2.00 : 1

Sound Mix:

70 mm 6-Track (70 mm prints) | Dolby Digital (Redux version) | Dolby (35 mm prints) | DTS (Redux version)

Certification:

USA:R (certificate no. 25751) | Canada:18 (Nova Scotia) (Redux version) | Canada:18A (Alberta/British Columbia) (Redux version) | Canada:AA (Ontario) (Redux version) | Canada:AA (Ontario) (re-rating) (1992) | Canada:PA (Manitoba) | Canada:R (Nova Scotia/Ontario) (original rating) | Italy:VM14 | Hungary:16 | Italy:T (re-rating) (Redux version) | Philippines:R-18 | Brazil:14 (original version) | Brazil:16 (Redux version) | Argentina:18 | Australia:R | Canada:13+ (Quebec) | Chile:18 | Finland:K-15 (Redux version) | Finland:K-16 (original rating) | France:-12 | Germany:16 (bw) (Redux version) | Iceland:16 | Ireland:18 | Israel:PG | Netherlands:16 | New Zealand:R16 (Redux version) | Norway:15 (Redux version) | Norway:18 (original rating) | Peru:18 | Portugal:M/16 (Redux version) | Singapore:M18 (Redux version) (re-rating) | Singapore:R(A) (Redux version) | South Korea:18 | Spain:18 | Sweden:15 | Switzerland:16 (canton of Geneva) | Switzerland:16 (canton of Vaud) | UK:15 (Redux version) | UK:18 (re-rating) (1985) | UK:X (original rating) | West Germany:16

Filming Locations:

Philippines

Company:

Zoetrope Studios

Trivia:

The movie's line "I love the smell of Napalm in the morning." was voted as the #45 of "The 100 Greatest Movie Lines" by Premiere in 2007.

Goofs:

Boom mic visible: When the Kilgore character is first introduced getting off a chopper you can see a reflection of a boom mic in his glasses.

Quotes:

[first lines]
Willard: [voiceover] Saigon... shit; I'm still only in Saigon... Every time I think I'm gonna wake up back in the jungle.
Willard: When I was home after my first tour, it was worse. I'd wake up and there'd be nothing. I hardly said a word to my wife, until I said "yes" to a divorce. When I was home after my first tour, it was worse.
[grabs at flying insect]
Willard: I'd wake up and there'd be nothing. I hardly said a word to my wife, until I said "yes" to a divorce. When I was here, I wanted to be there; when I was there, all I could think of was getting back into the jungle. I'm here a week now... waiting for a mission... getting softer. Every minute I stay in this room, I get weaker, and every minute Charlie squats in the bush, he gets stronger. Each time I looked around the walls moved in a little tighter.

Movie Connections:

Referenced in "3rd Rock from the Sun: When Aliens Camp (#3.25)" (1998)

Soundtrack:

(I Can't Get No) Satisfaction

The bravest , most honest account of the futility of war ever filmed.

During the final throes of the Vitnam war, our central character, Capt. Willard (Martin Sheen) is dispatched by the CIA on an illegal one-man mission to assassinate a renegade US Marine commander, Colonel Kurtz (Marlon Brando), who has allegedly gone 'completely insane', but who is successfully waging a private cross-border war from his base in Cambodia, a neutral and therefore off-limits country.

The entire narrated story of what Willard sees and does as he is ferried up the Da Nang river by an undisciplined and terrorised navy patrol boat crew to murder Kurtz is a grand metaphor for the excesses, decadence and ultimately the weakness of the Anglo-Saxon psyche: If we don't understand something, and we are unable to control it, exterminate it. Kurtz had eventually come to know this.

Unless you pay complete attention to every emotional gesture, to every word of the dialogue between the protagonists, especially in the scene where the two of them are alone in Kurtz's darkened lair, you will miss one of the central themes of this incredible movie. Kurtz's subtle deal with his executioner, his unilateral 'surrender' in return for Willard agreeing (did he nod?) to tell Kurtz's 'son' (another metaphor for us, the next generation, the ones watching the movie) the truth about all the horrors that they had both seen in Vietnam, is mind-expanding stuff.The bonding between the two men whilst Kurtz cross-examines Willard,--interlaced with some of his own horror stories, is incredible, nay, genius, film. The closing (intercut)scene of the ritual slaughter of a sacrificial bull is the single most powerful of symbols. Coppolla has made, intentionally or not, the ultimate anti-war statement, one that should resonate through the ages.