| Photos (see all 2 | slideshow) |
| Jacques Dufilho | ... | Alain, le grand-père | |
| Bernadette Le Saché | ... | Anne-Marie, la mère | |
| François Cluzet | ... | Pierre-Alain, le père | |
| Paul Le Person | ... | Gourgon, le facteur | |
| Pierre Le Rumeur | ... | Le conteur | |
| Michel Robin | ... | Le marquis | |
| Ronan Hubert | ... | Pierre-Jacques à 7 ans | |
| Armel Hubert | ... | Pierre-Jacques à 11 ans | |
| Dominique Lavanant | ... | Marie-Jeanne, la sage-femme | |
| Michel Blanc | ... | Corentin Calvez | |
| Georges Wilson | ... | Récitant / Narrator (voice) | |
| Jean-Claude Bouillaud | |||
| Laurence Caubet | |||
| Jacques Chailleux | ... | Jeannot les mille métiers | |
| Odile Chapal | |||
| Michel Decoux | |||
| Bernard Dumaine | ... | Le député Le Bail | |
| Pierre-François Dumeniaud | ... | Le cousin Jean | |
| Jean-Marie Lancelot | |||
| Gwendal | |||
| Jean Le Mouël | |||
| Yves Morgan-Jones | ... | L'homme au baluchon |
Directed by | |||
| Claude Chabrol | |||
Writing credits(in alphabetical order) | ||
| Daniel Boulanger | writer | |
| Claude Chabrol | writer | |
| Pierre-Jakez Helias | novel | |
Produced by | |||
| Georges de Beauregard | .... | producer | |
Original Music by | |||
| Pierre Jansen | |||
Cinematography by | |||
| Jean Rabier | |||
Film Editing by | |||
| Monique Fardoulis | |||
Production Design by | |||
| Hilton McConnico | |||
Costume Design by | |||
| Magali Fustier-Dray | |||
Production Management | |||
| Pierre Gauchet | .... | production manager | |
Sound Department | |||
| René Levert | .... | sound | |
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| Neskolko dney iz zhizni I.I. Oblomova | The Good Earth | Bes vakit | Novecento | Iraq in Fragments |
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| Full cast and crew | Company credits | IMDb Drama section |
| IMDb France section | Add this title to MyMovies |
This is a thoroughly wonderful movie made, unfortunately, for a steadily shrinking audience. Pier-Jakes Helias' Chevel d'orgueil is not a novel, but a memoire that recounts not just one child's life, but the entire culture in which he lived, inland Brittany (l'Argoat) primarily before World War I. The movie has no plot as such. It is a series of vignettes that illustrate, very well, different aspects of Breton inland life at the time. The dialogue is sometimes in Breton, sometimes in French, depending (largely but not always) on what language the characters would actually have spoken in a given situation.
The unfortunate thing about this very good movie is that it really doesn't explain the culture it presents, it just presents it. As a result, if you are not already familiar with the culture it presents, a lot of it will not mean very much to you. While I generally don't like voice-over commentary, this is one movie that, for most non-Breton viewers, would greatly benefit from one.
So, a wonderful movie. But, I concede, one that will not mean a lot to those not already immersed in inland Breton culture.