| Brad Dourif | ... | Hazel Motes | |
| John Huston | ... | Grandfather (as Jhon Huston) | |
| Dan Shor | ... | Enoch Emory | |
| Harry Dean Stanton | ... | Asa Hawks | |
| Amy Wright | ... | Sabbath Lily | |
| Mary Nell Santacroce | ... | Landlady | |
| Ned Beatty | ... | Hoover Shoates | |
| William Hickey | ... | Preacher | |
| J.L. Parker | ... | Karl | |
| Marvin Sapp | |||
| Richard Earle | |||
| Herb Kossover | ... | Jacob Wood | |
| Betty Lou Groover | |||
| John Tyndall | |||
| Gillaaron Houck | |||
| Philip Mixer | |||
| Sharon Johnson | |||
| Joe Dorsey | |||
| Stratton Leopold | ... | Depressed Human | |
| Leonard Holmes | |||
| Daniel Albright | |||
| Tommy Alson | |||
| Harold Horne | |||
| Jim Barbee | |||
| Gene Howard | |||
| Raymond Foskey | |||
| Vicky Dyer | |||
| Jerry Rushing | |||
| Ken Flower | |||
| Gladys Hill | |||
| Ray Wilkes | ... | Slade Bob Jackson | |
| rest of cast listed alphabetically: | |||
| Dan Albright | ... | Policeman (as Daniel Albright) | |
| Allan A. Apone | ... | Gonga The Gorilla (uncredited) | |
| Don Chambers | ... | Street Listener (uncredited) | |
| William Finley | ... | Man (uncredited) | |
Directed by | |||
| John Huston | (as Jhon Huston) | ||
Writing credits | ||
| Flannery O'Connor | (novel) | |
| Benedict Fitzgerald | (screenplay) & | |
| Michael Fitzgerald | (screenplay) | |
Produced by | |||
| Hans Brockmann | .... | associate producer | |
| Kathy Fitzgerald | .... | producer | |
| Michael Fitzgerald | .... | producer | |
| Wolfgang Limmer | .... | co-producer | |
Original Music by | |||
| Alex North | |||
Cinematography by | |||
| Gerry Fisher | |||
Film Editing by | |||
| Roberto Silvi | |||
Casting by | |||
| Stratton Leopold | |||
Set Decoration by | |||
| Sally Fitzgerald | |||
Costume Design by | |||
| Sally Fitzgerald | |||
Makeup Department | |||
| Allan A. Apone | .... | makeup artist (as Al Apone) | |
Production Management | |||
| Stratton Leopold | .... | assistant production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Gene Anderson Jr. | .... | second assistant director | |
| Tom Shaw | .... | assistant director | |
| Tony Huston | .... | second assistant director (uncredited) | |
Art Department | |||
| Tom Shaw Jr. | .... | property master | |
Sound Department | |||
| Colin Charles | .... | sound recordist | |
| Michael Minkler | .... | sound re-recording mixer | |
| Gary Weir | .... | boom operator | |
Camera and Electrical Department | |||
| Bob Bremner | .... | gaffer | |
| Bernard Ford | .... | camera operator (as Benny Ford) | |
| J.L. Parker | .... | generator operator | |
| Mike Rutter | .... | first assistant camera (as Michael Rutter) | |
| Jimmy Waters | .... | key grip | |
| Denny Mooradian | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Uta Freiwald | .... | wardrobe | |
Editorial Department | |||
| Cesare D'Amico | .... | assistant editor | |
Music Department | |||
| Michael Fronik | .... | music editor | |
| Alex North | .... | music adaptor | |
| Bob Badami | .... | assistant music editor (uncredited) | |
| Curt Sobel | .... | music editor (uncredited) | |
Transportation Department | |||
| Marlowe Thompson | .... | transportation | |
Other crew | |||
| Angela Allen | .... | script supervisor | |
| Dennis McCarthy | .... | assistant: Alex North | |
| Barbara McKenzie | .... | title stills | |
| Jim McCarthy | .... | post-production accountant (uncredited) | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Brad Dourif's performance as Hazel Motes is one of the finest I have ever seen. His talent is only matched by the brilliant direction of John Huston and the writing of Flannery O'Connor. Also Harry Dean Stanton and Amy Write are perfect together as the Father, Daughter team. It is sad, really, that films of this caliber aren't being produced anymore. Excellent acting. excellent writing. excellent direction. excellent soundtrack, and art direction. I applaud John Huston and the producers for doing the right thing here, and making a film that captured the feelings and the soul of a writer, O'Conner, and didn't give into basic, commercial self - interest.There was a time when FILMS meant something to people. We don't need another "Chucky get's Lucky" film; what we need are compelling films for people like Brad Dourif and the like minded talent in his company to have a chance to work in.