A French boarding school run by priests seems to be a haven from World War II until a new student arrives. He becomes the roommate of top student in his class. Rivals at first, the roommates form a bond and share a secret.
Atlantic City is a place where people go to realize their dreams, the promise of the future manifested by the demolition of the old crumbling buildings to be replaced by new hotels and casinos. Someone who recently came to Atlantic City for that promise is native Moose Javian (Saskatchewan) Sally Matthews, who currently works as a waitress at a hotel oyster bar, but who is training to be a black jack croupier and wants to be more cultured, such as learning French, in order to work at the casinos in Monte Carlo. Another dreamer who came to Atlantic City decades ago is Lou Pascal, who has long worked as a numbers runner and who claims to have been a cellmate and thus implied confidante of Bugsy Siegel. Although Lou still dresses to the standard to which he is accustomed, his dream long died as he only works penny ante stuff for Fred, most of his current income from being the kept man of widowed recluse, Grace Pinza. Grace too came to Atlantic City to fulfill her dreams - most ... Written by
Actress Ginger Rogers was offered the role of Grace but turned it down, the part in the end being played by Kate Reid. Reportedly, Rogers replied with a note saying: "How dare you! At this stage in my career, that I'm going to end up in this filth!". See more »
The elephant-shaped building Chrissie sees in the opening sequence is Lucy the Elephant, a landmark in Margate, NJ. Margate is south of Atlantic City. The vehicle she is in is clearly traveling south, AWAY from Atlantic City. See more »
As the end credits roll, an old building on the boardwalk is demolished to some of the tunes that appear earlier in the film. Each time the wrecking ball hits, we hear a cymbal crash and the soundtrack jumps to a different song. See more »
A gem! Witty script by John Guare masterfully directed by Louis Malle
This film has a great script (John Guare), brilliant direction (Louis Malle), and two stars (Burt Lancaster and Susan Sarandon) at the top of their form. The dialogue is witty in the old Hollywood style, and delivered by the entire cast, particularly Lancaster, with singular panache. A classic. Surely there will be a DVD.
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