| Robert Powell | ... | Gregory Wolfe | |
| David Hemmings | ... | Nick Rast | |
| Carmen Duncan | ... | Sandra Rast | |
| Broderick Crawford | ... | Doc Wheelan | |
| Gus Mercurio | ... | Mr. Bergier | |
| Alan Cassell | ... | Mr. Porter | |
| Mark Spain | ... | Alex Rast | |
| Alyson Best | ... | Alice | |
| Sean Myers | ... | Benny Lucas | |
| Mary Simpson | ... | Zoe Cayce | |
| Bevan Lee | ... | Mr. Robinson | |
| Neville Teede | ... | Dr. Barthelemy | |
| Mary Mackay | ... | Miss Edith Twist | |
| John Frawley | ... | Dr. Lovelock | |
| Nita Pannell | ... | Mabel Wheelan | |
| David Hough | ... | Mr. Jepson | |
| Klaus Schultz | ... | Arthur | |
| Peter West | ... | Godfrey | |
| Maurie Ogden | ... | Prison Officer | |
| Jack Ferrari | ... | Eli Steele | |
| Jeremy Sims | ... | Young Boy on Raft | |
| Toby Amoore | ... | Young Boy on Raft | |
| Sebastian Hunsley | ... | Young Boy on Raft | |
| Julia Moody | ... | Reporter | |
| Leslie Wright | ... | Mayor | |
| Adele Cohen | ... | Mayoress | |
| Ramsay McLean | ... | Broadcaster |
Directed by | |||
| Simon Wincer | |||
Writing credits(in alphabetical order) | ||
| Everett De Roche | written by | |
Produced by | |||
| William Fayman | .... | executive producer | |
| Antony I. Ginnane | .... | producer | |
| Jane Scott | .... | associate producer | |
Original Music by | |||
| Brian May | |||
Cinematography by | |||
| Gary Hansen | |||
Film Editing by | |||
| Adrian Carr | |||
Production Design by | |||
| Bernard Hides | |||
Costume Design by | |||
| Terry Ryan | |||
Second Unit Director or Assistant Director | |||
| Michael McKeag | .... | first assistant director | |
| Jenny Miles | .... | third assistant director | |
Art Department | |||
| Owen Paterson | .... | assistant art director | |
Sound Department | |||
| Peter Fenton | .... | sound editor | |
| Steve Lambeth | .... | sound recordist | |
| Terry Rodman | .... | sound editor | |
| Mark J. Wasiutak | .... | boom operator | |
| Gary Wilkins | .... | sound recordist | |
Special Effects by | |||
| Chris Murray | .... | special effects | |
| Conrad Rothmann | .... | special effects supervisor | |
Stunts | |||
| Peter West | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Ross Erickson | .... | key grip | |
| Reg Garside | .... | best boy | |
| Jan Kenny | .... | focus puller | |
| Robin Morgan | .... | grip | |
| Mick Morris | .... | gaffer | |
| Peter Moss | .... | camera operator | |
| Jeremy Robbins | .... | clapper loader | |
Costume and Wardrobe Department | |||
| Vicki Rowland | .... | stand-by wardrobe | |
Editorial Department | |||
| Peter McBain | .... | dailies projectionist | |
Other crew | |||
| Lynn Barker | .... | production accountant | |
| Jennifer Barty | .... | production secretary | |
| Bill Gooley | .... | lab liaison | |
| Russell Hagg | .... | script editor | |
| Caroline Stanton | .... | continuity | |
|
|
|
|
|
| The Black Cauldron | The Quiet American | Dreamcatcher | Carrie | Nicholas and Alexandra |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Australia section |
I gotta give a big thumbs up to Rasputin. I mainly watched it because Everett De Roche did the screenplay and hes a reliable genre scribe who puts a good deal of thought and attention to characters into his work, which has included such fine outings as Lomg Weekend, Fortress, Razorback and Storm Warning. Generally I'm not such a big fan of the more fantasy oriented ambiguous genre movies, preferring a more straight ahead approach, although this may be because there seem to be a lot more satisfying straight forward schlockers out there than there are films like this. Anyhow, I watched this late on Halloween night, a wee bit soused and it kept my attention throughout like few films have been able too. The plot sees an Australian politician, whose child has leukaemia getting involved with a mysterious faith healer cum magician and general charismatic oddball. Sound familiar. Well the similarity is made clear by the names of the principal characters, which line up with the names of the main players in the Rasputin story. Senator Nick Rast is of course Tsar Nicholas, his son Alex equal Alexeis, though Alexeis in reality was a haemophiliac, wife Sandra stands for Alexandra, and Gregory Wolfe is analogous to Grigori Rasputin. The film steers clear of the more lurid aspects of the Rasputin legend though, in favor of intriguing ambiguity. Wolfe is never quite pinned down as good or evil, and his agenda is up for interpretation, as is his true nature, though the film definitely gives the impression that something out of the ordinary is going on. Behind all the weirdness of the film there seems to be an interesting look into politics. Wolfe is a kind of mirror for the political world in the film, exposing its chicanery as a sort of magic in itself, or at the very least a manipulative and somewhat warping, unnatural force. His opposite number in the film is a political king maker played by veteran Broderick Crawford, a slimy guy who objects to Wolfe having more influence than him. This conflict drives the film through to its conclusion and provides a tense backbone behind the arresting imagery and crazy tricks (with fun old school special effects). Senator Rast portrayed well by David Hemmings as a committed if slightly staid man, and Carmen Duncan is excellent, and attractive as his wife, who is somewhat enchanted by Wolfe. Mark Spain is suitably creepy as the son, but the film is pretty much owned by Robert Powell's portrayal of Wolfe, an immensely charismatic and persuasive, yet subtle and ambiguous performance that really makes us believe that Wolfe is capable of the acts he performs. As well as what goes on in the film he effectively casts a spell over the audience drawing them deep into the film. The only issue that I had with the film is that though it makes interesting comments about the nature of politics, magic and persuasion and has a number of great scenes, with all sorts of odd stuff going down and a genuinely off kilter ambiance at times that contrasts very nicely with the political setting, its lack of definitive answers or concrete villainry means that from a dramatic point of view it is more interesting than truly thrilling and it doesn't quite reach the kind of climax or revelation that would seem to be appropriate. Though its a heady experience, being taken into the weird hinterland where fantasy and reality interweave a bit of good honest catharsis would have been great, and though the ending is pretty darn cool anyway it does not fully satisfy in this respect. Nonetheless, to fans of offbeat oddball cinema I heartily recommend this lesser known gem.